David Senra · JA + tiny EN

10億ドルを断りマルチビリオンを築いた——Snapchat エヴァン・スピーゲル

Evan Spiegel, Snapchat: Building a Multi-Billion Dollar Company

英語はYouTube自動字幕ベース。日本語は学習用の整文対話。一次情報は動画。

センラスピーゲル
FAQ 一覧 YouTube
センラ#1

話せて超うれしい。録音前からいろいろ話していた。約10年前、君についてのポッドキャストをやった——Founders のエピソード22だと思う。本は『How to Turn Down a Billion Dollars(10億ドルを断る方法)』。あの本の多くは君がまだ大学生の頃の話で、起業のヒーローを二人挙げている。Steve Jobs は分かる。僕のヒーローでもある。でももう一人、Edwin Land(エドウィン・ランド) を挙げていた。読んでいて「21歳のガキがどうして Edwin Land を知っているんだ?」と思った。

僕は Land について10本くらいポッドキャストを作り、伝記は全部読んだ。どうやって知って、何を尊敬した?

EN

super excited to talk to you. Uh we've been talking a bunch before we started recording. I did a podcast on you like almost 10 years ago. It's episode I think 22 of Founders based on this book on how to turn down a billion dollars. The thing that stuck out to me the most that when I read that book cuz a lot of that story takes place when you're like still in college and you're talking about two of your entrepreneur heroes and Steve Jobs makes sense, my entrepreneur hero too. But you mentioned this guy named Edwin Land and I'm reading this I'm like how the … does a 21-y old kid even know who Edwin Land is? I've done like 10 podcasts on him, read every single biography. Tell me what like how you discovered Edwin Land and what you admired about him.

スピーゲル#2

写真の歴史の中心にいる人だ。カメラを再発明し、人がカメラでどう自分を表現するかを変えようとしてきた僕らは、カメラの進化をたくさん勉強した。面白い話もあった。史上初の自撮りは Robert Cornelius という人が撮った。共同創業者の Bobby の本名は Robert Cornelius Murphy。写真史をほどくと、似たような並行がいくつも出てくる。

Edwin Land のような創業者から学んだことは多い。素晴らしいプロダクトを作り、それが人の生活にどう収まり、人類をどう高めるかを考えた人だ。インスタント写真が人の生活で果たした役割を見ると、Edwin はカメラを極めてパーソナルなものとして考えていた。技術の長い弧を見ると、技術はますますパーソナルになっていく。技術が人生に深く織り込まれるほど、「技術をよりパーソナルにし、発明が人類をどう支えられるか」を考える創業者には優位がある。

EN

Yeah, I I think you know he's so central to the history of photography and so you know as we've set out to try to reinvent the camera and how people express themselves with the camera, we studied a lot you know about the evolution of the camera over time. I mean, one of the funny stories that we found out, the first selfie ever was taken by a guy named Robert Cornelius. And the my co-founder Bobby, his name is Robert Cornelius Murphy. So, like we we found just like by un unpacking like the history of of photography a lot of interesting, you know, similarities and parallels. And we've learned a ton from founders like Edwin Land who transformed photography really by focusing on building amazing products and thinking about, you know, how to make sure those products fit into people's lives and uplifted humanity. I think, you know, if you look at instant photography and the role that that played in people's lives, Edwin thought of the camera as something that was incredibly personal, right? And and I think um as we've looked at the the sort of trajectory of technology over the long arc of time, technology gets more and more and more and more personal. And so I think as technology gets more deeply interwoven in our lives, the founders who are thinking about making technology more personal uh and how it, you know, how the how the things they're inventing like fit into and support humanity, I think that's a real advantage. But how does a 21-year-old kid decide because you even said it in the book that you're like, I want to build a company at the intersection of technology and liberal arts? What was happening that you were interested like in doing that? Part of it was my background growing up. So I went to school uh in Santa Monica here uh you know and uh a school called Crossroads. Uh Crossroads, you know, it's the the full name for Crossroads actually crossroads school for arts and sciences. So it actually is, you know, the intersection of science and and art together. And actually a lot of what the school is focused on is developing empathy, building empathy. And they have this thing called council for example where you sit with about 12 other students and you know speak from the heart uh and take turns expressing yourself. And the school's really oriented on on how you build strong relationships, build empathy with other people. And so I I literally I I grew up at a school that was so focused on the intersection of art and science, but then also wrapped all of it in, you know, a commitment to humanity, to understanding one another, to building relationships, you know, to giving back. I mean, the school is very anchored in community service. Uh our our three of our kids go there, uh now, which is fun. Uh some of the teachers are still there, but I think a lot of it was from my upbringing and that being a real focus. And then, you know, as I as I got a bit older and I got, you know, into things like graphic design and I built my own computer, I was always sort of working at that intersection of of art and and technology.

センラ#3

21歳の子が、どうして「技術とリベラルアーツの交差点で会社を作りたい」と決めた? 本でもそう言っている。何が起きていた?

EN

Yeah. I think the perception of you is like you're like this cool like, you know, designer, but you actually self-described as like a nerd growing up.

スピーゲル#4

育ちの一部だ。サンタモニカの Crossroads——正式名は Crossroads School for Arts and Sciences——に通った。科学と芸術の交差そのもの。学校の大きな焦点は共感を育てること。例えば Council という時間があり、12人くらいで輪になって、心から話し、交代で自分を表現する。強い関係をどう築くか、相手にどう共感するかが軸で、その周りに人類へのコミット、関係づくり、コミュニティサービスがある。いま子ども3人がそこに通っていて、当時の先生がまだいるのも楽しい。

少し大きくなってグラフィックデザインに入り、自分でコンピュータを組んだ。いつも芸術と技術の交差で動いていた。

EN

My wife and I always joke it's cool to be uncool. So, I definitely don't think of myself as cool. Uh, and and my background really was, you know, in the computer lab. I mean I it's it's one of the things that also inspired a lot of the work that we do because as I reflect on growing up one of my frustrations or disappointments with the way that computers have been built over time is that they actually pulled us away from one another. So growing up you know during lunch rather than being on the recess yard running around with my friends I was so inspired by what computers could do I was obsessed with computers. So, I was in the computer lab all day long. And computers, I think, you know, whether it was the mainframe or the desktop, you know, have have sort of pulled us away from one another, away from society, brought us indoors, right, into this very like single player uh experience. And so, a lot of what I've thought about and a lot of what has inspired me is like how do we take all these extraordinary benefits that computing bring to the brings to the world, but actually use it to support our connections with one another, our connections to the world. Can we build a computer that brings us outside, right, that we use together with friends? Because I think, you know, one of the side effects of my love of technology growing up was that it pulled me away from, you know, more social relationships or or just running around playing on the schoolyard.

センラ#5

世間のイメージは「クールなデザイナー」だが、本人は育ちを「オタク」と自己描写している。

EN

So, wait, you had that philosophy even back then when you were in your 20s?

スピーゲル#6

妻とよく「uncool であることがクール」と冗談を言う。自分をクールだとは思っていない。バックグラウンドはコンピュータラボだ。振り返ると、コンピュータの作り方への苛立ちもそこから来ている。ランチの休み時間に校庭で走り回る代わりに、コンピュータに取り憑かれてラボに一日中いた。メインフレームでもデスクトップでも、コンピュータは人を互いに引き離し、屋内のシングルプレイヤー体験に閉じ込めた。

だから考えてきたのは——コンピューティングの恩恵は全部残したまま、人と人のつながり、世界とのつながりを支えるにはどうするか。外へ連れ出すコンピュータ、友達と一緒に使うコンピュータを作れないか。技術への愛が、社交や校庭での遊びから自分を引き離した。その副作用がずっと原動力だ。

EN

Yeah. I mean, that that's a lot of like what inspired how we thought about the evolution of Snapchat. I mean, even basic things like opening into the camera, right? It opens into your experience of the world, right? Not, you know, a feed of content from other people, not a a messaging feed alerting you to what other people are sending you. literally opens into your experience. And so from the very beginning, we've thought about like how do we ground your experience of computing like in what what is right in front of you in the present moment and inspire you to create from that.

センラ#7

20代の頃から、すでにその哲学があった?

EN

Why do you think that the way computing was before it would just isolate you? So essentially you're just staring at a screen getting materials pushed to you.

スピーゲル#8

そう。それが Snapchat の進化の考え方を形作った。基本的なことでも、アプリがカメラに開く。他人のフィードでも、メッセージの通知でもなく、自分の「いま・目の前」の体験に開く。コンピューティングの体験を、現在の瞬間に根ざし、そこから創造を促す——最初からそう考えてきた。

EN

I think the early versions of computers just given their physical and technological constraints, right? Like whether it was a mainframe you had to go to like a building to use a computer, right? Or a desktop that you had to keep plugged into the wall. I think those physical constraints pulled you out of whatever environment you want to be in. I think the laptop and the and the mobile, you know, mobile phones are representative of this continuum of computing getting more personal. But I think today people feel like, you know, I think they're spending seven or eight hours on average staring at screens. They feel like screens are pulling them out of the moment or away from friends or when they're at the dinner table, they're looking at a phone instead of connecting with one another. And so to me there's this big question of like how do we get all these amazing benefits of computing but in a way that actually connect us with one another, connect us to the outdoors, connect us to the world. Um and that's so much of what we're working on. If you like just came to if you were an alien, you came to Earth. I remember like walking um like to pick up my daughter from school, you could either sit in the car line, right, or you could get out and like pick them up. And this is like many years ago. And so I had to I was like I'm going to walk and I passed by 30 cars and every single person in the line waiting to pick up their kid was staring at the phone. I'm like that's not like that's an addiction. Like that is a crazy thing. I was walking on the beach here the other day. This lady almost ran into me. This is a beautiful freaking beach and she almost ran into me cuz she was looking at the phone. I was like there's mountains and the Pacific Ocean here. What are you doing? That's a crazy thing to do. Is there anything else from Edwin Land that like you that inspired you or that you think like you used either in the beginning of Snap or now?

センラ#9

以前のコンピューティングが人を孤立させるのはなぜだと思う? 要するに画面を見て、押し込まれた素材を見るだけ。

EN

Before we jump into Edwin, two things you said just like really inspired inspired me. The first was like uh school drop off. Like our kids insist that I walk them in every day. So I'm like I'm used to doing the long walk in while everyone's in the in the car poolool line. But I think to your point what's fun about that is you get to connect with everyone and say hi to you know other parents and teachers and you know as I mentioned some of the teachers that actually taught me when I when I was there. But the second thing you said, which which is so funny, my daydreaming right now, especially as we think about glasses and the future of computing, is really like what if aliens are watching Earth right now and they're like terrified that smartphones have like taken over humanity that like we're spending all day long like caring for these things and like plugging them in and like tending to them and like our lives are all oriented around like these little screens. Um, and like what would aliens do? And so like part of my imagination has been like what if aliens are sending specs, sending these glasses to save people from uh you know their lives that I think it becomes so oriented around around screen. So it's funny that you it's funny you mentioned that. I love I love thinking about that like the alien perspective of of uh humanity right now.

スピーゲル#10

初期のコンピュータは物理的・技術的制約が大きかった。メインフレームは建物まで行かないと使えず、デスクトップは壁のコンセントに繋がれていた。その制約が、いたい環境から人を引き剥がした。ノートPCやスマホは、コンピューティングがパーソナルになる連続線上にある。でも今日、平均7〜8時間画面を見ている人もいて、画面が瞬間や友人から引き離す、夕食のテーブルでスマホを見る——と感じている。問いかけは、コンピューティングの恩恵を全部保ちつつ、人と人、屋外、世界とつなげる形にできるか。それが僕らの仕事の多くだ。

EN

I think for for Edwin Land I mean there's a couple other things that like really stood out to me. One he was a statesman, right? And like behind the scenes people really relied on his advice and he gave it freely. I mean he was a a big supporter of the US government for example was very thoughtful behind the scenes in providing advice to the US government including technological advice and and so I like that he had a commitment beyond just like you know his customers and creativity and these sorts of things he really wanted to participate in building a better world um and and took that really seriously and then I think if you look at a lot of his um you know a lot of the the investments he made around his laboratories and around his innovation he was he was famous actually and and back then this was quite unique, famous for uplifting women in those research roles, right? And I think like he was a real champion of talent. He saw talent very clearly. Um, you know, and I think uh, you know, at a time when people weren't weren't as focused on that, weren't investing as much in that. He was really focused on uplifting the best possible talent regardless of folks background. I was just on stage at an event with my friend Eric, who's the co-founder and CEO of RAMP. When I looked over to my right, I noticed that on the sleeve of Eric's jacket, it said, "We win when our customers win." RAMP is the presenting sponsor of this podcast, and the way that RAMP helps their customers win is by helping you save time, save money, and grow revenue. The median company running on RAMP cuts their expenses by 5%. The median company running on RAMP also grows their revenue by 16%. So, when you're running your business on RAMP and your competitors are not, you have a massive competitive advantage that compounds over time. Ramp is the only all-in-one platform designed to make your finance team faster and happier. Many of the top CEOs and founders that I know run their business on RAMP. I run my business on RAM, and you should, too. Go to ramp.com today to learn how they can help your business save time, save money, and grow revenue. That is ramp.com. We're both in LA. We both kind of avoid San Francisco and we were talking it's like the people I admire the most like Steve Jobs. Steve Jobs is trying to create technology that enhance humanity. Some of these weirdos in San Francisco are creating technology to eliminate humanity. Why is it so important for you to to build technology that actually enhances humanity? Well, I I I think I think fundamentally like my source of inspiration is humanity, right? Like I'm inspired by other people. I'm inspired by, you know, the extraordinary world that humans have have created. I'm inspired by the relationships between people and my relationships with other people. And so so much of what motivates me and animates what I like to do is about making people's lives better, right? And solving their their problems. I mean that's you know we we all get to choose what we do when we get up in the morning like that's that's what I like to do and what I want to want to contribute to the world and I think you know the the challenging thing I think is you know sometimes when you're working on new technology it's so exciting and inspiring that you can lose focus on its impact on on people and I think we try to start with people right and really listen to people and what they respond to how they're feeling about the products they're using I mean that's that's one of the you know that was the core inspiration of of stories right was you know people were saying why is my social media feed in reverse chronological order. Why is it permanent? Why am I feeling judged all the time, you know, by how many likes or comments I have? That made us realize like the way that people have told stories forever, right, is in chronological order. Uh they're not, you know, permanently saved forever and publicly judged and liked and that sort of thing. And so it was just very easy for us to, you know, develop a, you know, a product where, you know, everything, all the images and videos were in chronological order. They deleted after 24 hours. You could start your day fresh the next day. uh they didn't have these likes and comments which opened up this whole new world of self-expression, right? Because instead of just trying to post what would look pretty or popular or perfect, people were sharing this whole range of human emotions. So, so much of what we do and what we're inspired by is just, you know, by the way people feel, what they share with us and and really this desire to help people build stronger relationships with one another. I read this book about you, the one I did an episode on, you know, eight years ago. I think it's like how to turn down a billion dollars or something. He says something funny in the there's a quote from you in the book. You're like, "Whoever invented the internet, why they decided to make everything permanent?" It's completely opposite. It's like this conversation, we haven't recorded yet, but the conversation we just had earlier, it's like that wasn't recorded. It was just a moment in time. We'll have memories of it, like inter different interpretations of it, but then we just move on to the next. I think that's a really good example of the way technology ends up shaping human behavior. So, if we're not thoughtful enough about the technology we're building, it can have unintended consequences. So in this case, you know, one of the reasons why everything was saved forever is because hard drives, disc based hard drives, right, were expensive to write over. And so it was actually more expensive to go back and write over something enough to delete it than it was to just leave it there and write over it again maybe sometime in the future when you want to save something new. And so no one was thinking about, you know, how to how to erase things because it was just much easier to leave it there uh and, you know, maybe maybe write over it when you had something new to save. And so a lot of the early work we even did with Snapchat was asking about how we can be certain that everything is deleted, right? And how we can make sure uh that everything is being written over because that wasn't a consideration uh for a really long time.

センラ#11

もし宇宙人が地球に来たら、と想像する。娘を学校に迎えに行くとき、車列に並ぶか歩いて迎えるか。何年も前、歩いたら30台の車を通り過ぎて、全員がスマホを見ていた。依存だ。海岸を歩いていても、美しいビーチなのにスマホを見てぶつかりそうになる人がいる。山と太平洋があるのに何をしているんだ、と。Edwin Land から、Snap の初期や今に使っている他のインスピレーションはある?

EN

So in a very Edwin Landian um way, you seem to like observe what everybody's doing and you have like this natural in inclination to like go your own path, but you had it at the very beginning. How old were you when you started Peekaboo, which turns into Snapchat? I think I was probably I think 20.

スピーゲル#12

Edwin に入る前に、二つ刺さった。一つは送迎。うちの子は毎日中まで歩いて入れろと言うので、カープール列の中で長い徒歩をしている。他の親や先生に挨拶できて、自分を教えてくれた先生もまだいる。もう一つは宇宙人の話。いまグラスとコンピューティングの未来を考えるときの空想がまさにそれだ。宇宙人が地球を見て、「スマホが人類を乗っ取った。一日中この小さな画面の世話をしている」と恐怖している——もし宇宙人が人類を救うためにスペック(眼鏡)を送ってきたら? 面白い視点だ。

EN

Where did this this desire to like do something different come from?

スピーゲル#13

Edwin Land で他に際立ったのは、ステーツマンだったこと。裏で助言を求められ、惜しみなく出した。米国政府の支援者でもあり、技術的助言も含めて本気でより良い世界に参加しようとした。もう一つは研究所やイノベーションへの投資。当時としては珍しく、研究職で女性を引き上げたことで有名だった。才能をはっきり見て、背景に関係なく最高の才能を押し上げた。才能のチャンピオンだった。

(※ここでスポンサー読み上げあり。本文では省略)

EN

Yeah, I mean there were a number of reasons why it failed. I think first of all we we really focused on building the perfect product for way too long before we got feedback. So, you know, I think we worked for like 18 months to build this perfect fullfeatured product, which was like in direct contravention to like how I was always taught to build things, right? Which is like build a prototype, build an MVP, get in front of people, learn as quickly as possible. Um, but we had we had spent all this time building this like perfect piece of software and we hadn't thought enough about distribution. And so while we built this great piece of software, our competitor at the time called Naviance, which I think still today is probably the leader in like this college application sort of software world, they had secured distribution through all the different uh college counselors, right? So like what piece of software you going to choose to help your kid get into college? The one recommended by the college counselors or the one, you know, from two kids at at Stanford? I mean, I think it's a pretty easy it's a pretty easy choice. So we just saw very early that we had no distribution advantage and, you know, even if we loved our software that people weren't going to use it. um because we didn't really have a scalable way to get in people's hands. And so around that time when we saw the emergence of the app store on iPhone and all this sort of thing, it was very clear that that was a distribution channel that we could really use and benefit from. Um but that we also needed to build things that we could build quickly, things that we really were going to use together with our friends so that we could be the first early customers. Um and ultimately ultimately Pikaboo and and Snapchat uh you know um represented that.

センラ#14

二人とも LA にいて、どちらかというとサンフランシスコを避ける。Steve Jobs は人類を高める技術を作ろうとした。SF の一部の変人は人類を消す技術を作っている。人類を高める技術を作ることが、なぜそんなに大事?

EN

Yeah. Because in the book you talked about we build a product, no one used it.

スピーゲル#15

根本的に、インスピレーションの源は人類だ。他の人、人間が作った並外れた世界、人同士の関係——それが動機で、朝起きて何をするかを選ぶとき、人の生活を良くし問題を解くことに寄与したい。新しい技術に興奮しすぎて、人への影響を見失うことがある。僕らは人から始める。どう感じているか、プロダクトにどう反応しているかを聞く。

Stories の核心のインスピレーションもそれだった。なぜフィードが逆時系列なのか。なぜ永久なのか。いいねやコメントで常に裁かれている感じがするのか。人は昔から物語を時系列で語り、永久保存して公に裁かれるわけではなかった。だから画像と動画は時系列、24時間で消える、翌日はフレッシュに始められる、いいねもコメントもない——を作った。きれい・人気・完璧だけじゃなく、人間の感情の幅全体を共有できる自己表現の世界が開いた。関係を強くすることへの欲求が原動力だ。

EN

It's tough when no one used it except my mom. So

センラ#16

8年くらい前に読んだ本に、君の引用がある。「インターネットを発明した人は、なぜ全部を永久にしたんだ?」——いまこの会話も、録音前の会話も、記録されない瞬間で、記憶と解釈が残って次へ行く。技術が人間の行動を形作る良い例だ。

EN

move on to the next thing. So is Peekabboo, which turns obviously Snapchat. Was that was there anything in between those two or was it

スピーゲル#17

そう。技術を十分に考えずに作ると、意図しない結果が出る。全部が永久に保存された理由の一つは、ディスクベースのハードドライブに上書きするのが高かったこと。消すより置いておく方が安かった。だから長く「消す」は設計の前提にならなかった。Snapchat の初期の仕事の多くは、確実に全部が削除され、上書きされているかをどう保証するか——当時は長いあいだ考慮されていなかった問い——だった。

EN

there were a couple other like you know failed sort of uh experiments I would say in between that we were playing around with like different ideas for sort of like more private like I wouldn't say social networks but more private like groups and social sharing and things like that you know but nothing nothing uh that really

センラ#18

非常に Land 的に、みんながやっていることを観察して自分の道へ行く。最初からそうだった。Peekaboo——のちの Snapchat——を始めたのは何歳?

EN

but it seemed like it was a direct counter to the existing social networks at the time. Yeah, I mean the the problem that we were experiencing was that, you know, the way that everyone was socializing at the time on on Facebook and I think Instagram was sort of just getting started at the time, but the way that everyone was socializing on Facebook was like a giant popularity contest. So, it wasn't fun, right? I mean, everyone was competing for how many friends they had, how many likes they had. Everything was about pretty photos. And in college, like we we wanted to have fun with our friends, but the alternatives, you know, at the time with text messaging, for example, were so clunky. I mean, if sending a people forget like sending an image via text message back then took like a minute, two minutes, right? Like to send uh MMS uh you know, it's it was crazy. And so part of the core invention of Snapchat was actually just making it really fast to send images, you know, which which made a huge difference in people's ability to use images to communicate because back then, you know, images were for documenting things. They were for saving memories forever, right? And the reason why like photography has exploded and the you know I think there are more there are more selfies taken on Snapchat than on iPhone in total right which is a crazy stat. Um but that's because people are using images to communicate. And so like we we you know in inventing Snapchat in response to kind of this documentary culture around photography and this feeling of public and public pressure about the way that people were expressing themselves and communicating online. Snapchat really especially because the camera was on the smartphone transformed the way that people communicate by allowing them to communicate with images.

スピーゲル#19

たぶん20。

EN

So did you think you were building a messaging app or a social network?

センラ#20

違うことをやりたい欲求はどこから?

EN

A me I mean it's a it's it's a messaging service. We we

スピーゲル#21

父は若いうちから「働け」と押してきた。家にいると「何してる。仕事を取れ」と。Red Bull でインターンし、Brais Bioscience(字幕。創薬系)でインターンし、高校の頃に GPU をラックに積んで初期の創薬——それが GPU の初体験。もう少し本格的な最初の仕事は Intuit で、Textweb というサービス。タッチパッド型の携帯でマイクロサイトを作り、当時は主にインドでアクセスする、というもの。ビジネスについて多くを学んだが、根本的にボスは欲しくなかった。Textweb で3〜4人のチームがインド向けサービスをローンチできるのを見て、「ものを作って何百万人に届けるのは思ったより簡単だ」と気づいた。

同時に、廊下向かいに住んでいた Bobby と一緒に Future Freshman——大学進学支援——を作った。完全に失敗したが、一緒に作るのは好きだった。

EN

but even back then

センラ#22

重要な部分だ。次の事業に持っていったアイデアもある。なぜ失敗した?

EN

Yeah. Yeah.

スピーゲル#23

理由はいくつかある。まず、フィードバックの前に完璧なフル機能プロダクトを18か月くらい作った。プロトタイプ、MVP、早く人前に出す——いつも教えられてきたことの逆をやった。しかも流通を十分に考えていなかった。競合の Naviance はいまもその領域のリーダーだろうが、大学カウンセラー経由で流通を固めていた。子どもの進学ソフトを選ぶとき、カウンセラー推奨か、スタンフォードの学生二人か——簡単だ。流通の優位がなく、スケールして手に届ける道がなかった。

その頃 App Store が立ち上がり、それが使える流通だと分かった。早く作れるもの、友達と一緒に使うもの、自分たちが最初の顧客になれるものが必要だった。それが Peekaboo/Snapchat になった。

EN

We thought about as messaging app.

センラ#24

本でも「プロダクトを作った。誰も使わなかった」と。

EN

Yeah. And we talked I mean it only had messaging for the longest time until we introduced stories. I mean it was only a messaging. stories is like got to be one of the best inventions ever in terms of like the apps that we use like how I mean now obviously everybody like it's on every single app like you you were the first one to come up with that and it's I think there's like stories on LinkedIn and like Pinterest or some … now like it's just places they shouldn't be it's there going back to to the early days of the smartphone if you remember you know Apple was really talking about like hey when you're going to watch video on your your iPhone you're going to turn the video the the phone sideways, right? And watch horizontal video. And a lot of, you know, in the the first year, you know, several years of of Snapchat, almost all video online was like horizontal video in the feed. And so when we came out with vertical video and we said, no, we think everyone's going to watch video the same way they hold their phone all day long, right? Vertically, where people were like, what? You know, we had to we spent, you know, a ton of money at back back then without AI, right? Like just helping advertisers recut their video to make it vertical. And we had to convince them, showing them that like the completion rate was ner size horizontal videos. But for us, like it was just obvious, right? That people were going to want to watch video the same way they hold their their their phone. They don't want to turn their phone to to watch video. But do you see what I keep trying to get to? And like this is not normal though. Like you you you're very comfortable. I'm trying to figure out because like the whole point of me having these conversations like this entire show is just like who am I intensely interested in talking to and there's something interesting like I'm I still don't understand where the hell did this like confidence in your own judgment and disregard for the need to conform come from cuz it's obviously still there today. Like let me give you some background. I remember the first uh version of Spectacles, the ones you you bought in a uh in a vending machine. I bought them. I wanted them so badly and you were out of stock. I bought the like the ugly … blue color. I did not want bright blue … glasses. I'm a grown ass man. But I was like, "These are this is so weird. This is so interesting." And you were like 10 years ahead of everybody else. Where the hell does that come from? You know, I I'm not sure. I'm not sure exactly. You know, I think like a lot of this stuff just like really appears obvious to me and to us, right? Like it it's it was obvious to me that you know if you looked at the evolution of computing that like holding this tiny little screen in your hands was not the future of computers. Like it makes absolutely no sense especially for humans that want to like live and work hands-free, right? That want to be able to see one another and like interact with the world. And so I think when like things like that just seems so just seems so obvious and and we're fortunate, right, to be able to invest consistently behind that vision because I think like the hard part is not necessarily seeing what the future could look like. I think a lot of people have different visions for the future. I think the thing that's been maybe different about Snap or Snapchat is like our determination and consistency in pursuing that vision. I mean with stories, right? Like that you know the first six months of stories, no one used it. I mean, I remember sitting in a board meeting and we were like, we think stories is going to be a big thing. You know what I mean? Like, this is the, you know, we think this is like the future of how people are gonna, you know, want to share, uh, you know, on internet services on Snapchat and the board's like, well, no one's using it, you know, and we're like, okay, but it's new, so it's going to take time, so like, let's give people time to discover it, to learn about the feature, and then, you know, maybe by the next board meeting or the one after that, like it was growing super rapidly. So I think you know the the hard part is not necessarily having the vision for the future and and often times it's just seems very obvious. The the hard part is delivering it right getting there.

スピーゲル#25

母以外は誰も使わないのはきつい。(笑)次へ行くしかない。

EN

Were you disagreeable when you were a kid?

センラ#26

Peekaboo と Snapchat の間に何かあった?

EN

I think so. Probably.

スピーゲル#27

いくつか失敗実験はあった。よりプライベートなグループや共有のアイデアなど。でも何も本当には——。

EN

If I ask him the people you have working with you is Evan disagreeable would they say yes?

センラ#28

当時の既存ソーシャルネットワークへの直接のカウンターに見えた。

EN

Strong opinions loosely held. No. I think um I yeah I I think like I I think I've always felt comfortable seeing something differently or advocating for something different.

スピーゲル#29

当時 Facebook で社交していたやり方は巨大な人気コンテストだった。友達数やいいねで競い、きれいな写真ばかり。楽しくなかった。大学では友達と楽しみたかった。代替のテキストもぎこちなく、当時 MMS で画像を送るのに1〜2分かかった。Snapchat の核心的発明の一つは、画像を本当に速く送れるようにしたこと。画像は永遠の記録用ではなく、コミュニケーションに使えるようになった。いま Snapchat 上の自撮りは iPhone 全体より多い、というクレイジーな統計もある。ドキュメンタリー文化と公開の圧力への応答として、スマホのカメラが画像コミュニケーションを変えた。

EN

Would people that work with you describe you as uncompromising?

センラ#30

メッセージングアプリだと思っていた? ソーシャルネットワーク?

EN

I think so. Yeah.

スピーゲル#31

メッセージングサービスだ。ずっとメッセージングだけで、Stories を入れるまでそうだった。

EN

Okay. There's a Steve Jobs element.

センラ#32

Stories はアプリ史でも最高の発明の一つだと思う。いまはあらゆるアプリにある——LinkedIn や Pinterest みたいなところにまで。初期、Apple は動画を横向きで見る話をしていた。Snapchat の最初の数年はオンライン動画のほとんどが横。君らは縦動画で「一日中持っている向きのまま見る」と言った。当時は AI もなく、広告主に縦に切り直してもらうのに大金をかけ、完了率を示して説得した。でも君らには自明だった。

僕がずっと探っているのは——これは普通じゃない。自分の判断への自信と、同調しなくていいという態度はどこから来る? いまもある。最初の Spectacles を自販機で買おうとして売り切れで、嫌な真っ青を買った。大人なのに。10年先を行っていた。それはどこから?

EN

Yeah. But but at the same time like we've tried to build a really different culture because like one of my one of my you know that you mentioned the Walter Isaxson book like that book broke my heart right because I think that that book you know that book essentially called Steve a bad father which I thought was not not only unfair but it also you know sort of made the case that like Steve believed that like you could only achieve these sorts of things if you were you know uncompromising but uncompromising with a a taste of mean essentially.

スピーゲル#33

正確には分からない。多くは僕らにはただ明らかに見える。コンピューティングの進化を見れば、手の中の小さな画面がコンピュータの未来ではないのは明らかだ。ハンズフリーで生きて働き、互いを見て世界と関わりたい人間には意味がない。難しいのは未来の姿を見ることより、届け切ること、一貫して追うことだ。Stories は最初の6か月誰も使わなかった。ボードで「Stories は大きくなる」と言っても「誰も使っていない」と返ってくる。新しいから時間が要る。次やその次のボードまでに急成長した。ビジョンを持つことより、届けることがハードだ。

EN

And for me watching Steve and seeing how people spoke about him and you know there there are plenty of stories of you know folks who felt really close to Steve and felt really inspired by Steve and also stories of people who felt like Steve was me, right? And my big question to our team was like could we achieve something really extraordinary? Could we build a culture that was incredibly creative but at the same time is kind. Right? So when with our three values, it's kind, smart, creative. And kind is the first one for a reason. And what we really wanted to do was create a culture that's uncompromising, but at the same time very kind, and supportive because that we think that that is, you know, the best sort of and most fertile ground for creativity. If people feel afraid, it's very very hard to be creative. I mean, fear is almost like the the opposite of of of creativity.

センラ#34

子どもの頃から「同意しにくい(disagreeable)」タイプだった?

EN

There's actually Did you ever read Ed Catmill, the founder of Pixar, his his autobiography called Creativity?

スピーゲル#35

たぶんそう。

EN

No, I always wanted to. Okay, that's another book. I just gave you one book. I'll give you another one. But you can Ed's actually doing the show and I can't wait to talk to him cuz he worked for Steve Jobs or worked with Steve Jobs longer uh more consecutive years than anybody else. I think they worked together for like 24 years.

センラ#36

一緒に働く人に聞けば、Evan は disagreeable だと言う?

EN

I would just buy the book today

スピーゲル#37

Strong opinions, loosely held——いや。違う見方をしたり、違うものを主張したりするのに、いつも居心地が良かった。

EN

and just skip to the end. There's a like a 20page afterward called the Steve we knew. And his whole point after the Isacson book came out, he's like he wasn't that's not the Steve I knew. And they his point was that in earlier in his career there was a lot of these stories. Yes, he was like that, but he learned and evolved on how to be a better leader. And so in that like 20 page afterward, Ed is telling the story of how he evolved over time.

センラ#38

妥協しない、と言われる?

EN

… 45year-old Steve Jobs is not of course not going to be the same as 21-year-old Steve Jobs.

スピーゲル#39

そう思う。

EN

So I think that's like a very important point to make. How do you reconcile though? Because like there's a lot of people that are famous about this like uh uh Elon. I just heard somebody was telling me a story. Michael Morris from Sequoia said the same thing that like you actually camaraderie is dangerous and kindness is dangerous for your teammates because you can't deliver honest feedback and like tell them if their work isn't up to par or whatever. How do you how do you balance that? Like be kind but also honest if the quality of the work isn't there?

センラ#40

Steve Jobs 的な要素がある。

EN

Well, I think there's a big difference between kind and nice.

スピーゲル#41

ある。でも文化は違うものを作ろうとしてきた。Walter Isaacson の本は胸が痛んだ。Steve を悪い父親だと呼び、非凡なことを達成するには妥協しないこと——ただし意地悪な味付き——が必要だ、という論に読めた。Steve に近いと感じた人も、意地悪だと感じた人もいる。チームへの大きな問いは、創造的でありながら kind(親切・思いやり)な文化を作れるか、だった。三つの価値観は kind, smart, creative。kind が最初なのは理由がある。妥協しないが、同時に kind で支え合う——それが創造性の肥沃な土だと思う。恐れていると創造はとても難しい。恐れは創造性のほぼ対極だ。

EN

Okay, huge difference. When you're being kind, it means you really want the best for somebody, right? And sometimes that means a tough conversation. Sometimes that means this means saying we're just not there yet on this project we're working on or hey the way that you deliver that like really isn't working or whatever it is. Nice is about making people feel good right kind is about wanting the best for them. And so I think for us our culture is oriented around kindness which is a much deeper expression of care for somebody else and involves tough conversations. One of the great things about having a best friend or, you know, a a partner is that they're honest with you, right, about your shortcomings and help you evolve and make you better. And that comes from a place of love, right? And so I think kindness in in many ways is essential because it allows people to hear that feedback. So one of the big problems I think um you know in a more hostile work environment is people are more resistant to feedback because they don't hear it coming from that positive place of wanting you to grow and develop. And I think that expression of kindness for us is is one of the things that helps people grow fast, right? And ultimately at a company like Snap, our goal is just help people grow as fast as humanly possible. Um, you know, so that we can meet the needs of our customers and evolve our business, etc.

センラ#42

Pixar の Ed Catmull の自伝『Creativity, Inc.』は読んだ?

EN

Who plays that role for you? Who tells you the truth?

スピーゲル#43

いや。いつも読みたかった。

EN

My wife is uh brutally honest in a very loving way. uh in a very loving way and it's super important. But I also, you know, I I grew up with and one of the things I love about being in LA is a lot of my high school buddies are here, right? So I have friends who, you know, I've grown up with who've always been real with me and, you know, that's a huge benefit of being here in LA because when I get to hang out with my friends and talk to them about what I'm going through or what's going on, like I can count on them, you know, to to be honest.

センラ#44

もう一冊あげる。Ed はこの番組にも出る。Steve と連続して一緒に働いた年数が誰より長く、24年くらいだと思う。本の最後に20ページくらいのあとがき「The Steve We Knew」がある。Isaacson 本のあと、「それは僕の知っている Steve じゃない」と。キャリア初期の話はあったが、学び進化してより良いリーダーになった、と。45歳の Steve と21歳の Steve は当然違う。

でも reconciling はどうする? Elon や Sequoia の Michael Moritz が言うように、仲間意識や優しさが危険で、率直なフィードバックができなくなる、という話もある。kind でありつつ、仕事の質が足りないとき正直でいられるバランスは?

EN

I think of like what Charlie Mer said. He says, "Anybody engaged in complex work," this is a paraphrase of his quote, "eo, anybody engaged in complex work, uh, it's very useful to find somebody to help organize your thoughts with." And I think he was referencing really, you know, the the role he played with Buffett, where, you know, Buffett was the main guy, obviously was 100 times richer than than Charlie, but Buffett knew that Munger was special, and he let Munger shape his mind. Do you have anybody like that? Not like a high school friends are different, like they were more like peers or have like an understanding. you have a very unique lived experience for somebody that's, you know, still in their mid30s.

スピーゲル#45

kind と nice はまったく違う。kind は相手の最善を本当に願うことで、時には厳しい会話になる。「まだそこにいない」「その出し方はうまくいっていない」と言うこと。nice は人を気持ちよくさせること。kind はより深いケアで、厳しい会話を含む。親友やパートナーが素晴らしいのは、短所について正直で、進化させてくれるからで、それは愛から来る。kindness があるからフィードバックが届く。敵対的な環境では、ポジティブな成長の意図が聞こえず抵抗される。kindness は人が速く成長する助けになる。Snap の目標は、人が人間として可能な限り速く成長し、顧客のニーズに応えて事業を進化させることだ。

EN

Yeah, I think, you know, Bobby, who's my co-founder, has really been that for me. Um, and I think we approach the world differently and see the world differently. So, I think that's really valuable. But, but I would say like I rely on our leadership team and and broadly our company to help me do that. I mean, that's that's the fun part about innovating is it's a dialogue, right? It's not like issuing command like let's go build this. It's like having a a real intense debate and dialogue about what's best for our customer and what we should do, what we should prioritize. So I think like for me it would be a real shame if I only got that from, you know, maybe if it was Charlie Munger, I'd feel differently, you know, but but I think for me what's so important is to make sure I'm getting that sort of feedback and having that kind of dialogue with lots of members of our team or or mentors as well. Um, you know, that that's that's a hugely valuable.

センラ#46

君に真実を言うのは誰?

EN

What does the leadership team look like? You know, it's it's probably on on like the the Snapchat side, it's like roughly 10 10 or so people and like you know, it's it's funny even in the architecture of our building, right? Like we we have a circle table, right? Uh for a reason. I really like everyone to sit around a circle and have a dialogue where we're all talking from an equal position around that table, right? So like that like it's that sort of mentality where like everyone is expected to contribute, everyone has an equal seat around the table that you get that sort of really helpful dialogue.

スピーゲル#47

妻は残酷なほど正直だが、とても愛のある形で。超重要。それから LA にいるのは高校の友人の多くがいるからでもある。育ってきた友人はいつもリアルでいてくれる。それが LA にいる大きな利点だ。

EN

Are these people that started at Snap and like got through the ranks? Are they former founders? The reason I asked you is because one of the most interesting um ideas or surprising ideas I've had uh so far been having these conversations is I talked to Toby Luke the founder of Shopify which was like that that conversation blew my mind the way this guy thinks and he was going through a very difficult time and he didn't know what to do and he actually tells a story on the podcast I think where he's like he went to the Slack channel and they had like former founders and he's just like I need your help and he essentially built very much like Rockefeller did like built an the team around him is just founders. Is that what yours look like? Is it people that you po like poached from other companies? Like what what does this look like?

センラ#48

Charlie Munger が複雑な仕事をする人には、思考を整理する相手が役立つ、と。Buffett にとっての Munger のような。高校の友人とは違う、君のような独特の経験に対して、そういう人はいる?

EN

I would say it's incredibly diverse set of backgrounds. Some folks are from other companies. Some folks, you know, have have spent their entire career at Snap, you know, more or less. Uh some, you know, some folks around the table are are founders, right, who have joined Snap. So, uh there there isn't like a one, you know, one-sizefits-all model. I think we're really fortunate to draw from lots of different backgrounds.

スピーゲル#49

共同創業者の Bobby が本当にそうだ。世界の見方が違い、それが価値になる。でもリーダーシップチームと会社全体に頼っている。イノベーションは対話だ。命令で「これを作れ」ではなく、顧客にとって最善は何か、何を優先するかの激しい議論。Charlie Munger 級の一人だけ、なら別だが、多くのチームやメンターとそれをやるのが大事だ。

EN

Is there a lot of turnover? I would say at points in Snap's history, there has been a lot of turnover. Uh, not currently. I mean, knock on wood. Um, but the business changed so quickly, right? I mean, there were periods of time when we went from, you know, having a hundred people to over a thousand people in like 18 months, right? And like the skill sets that like we we were slow to build what we needed to support um, you know, that scale of a team. And back then there weren't the AI tools that are available today that make a lot of those things easier, right? um to operate at that at that scale and that quickly. But yeah, there are periods where the company has just changed a lot and it's required a different skill set. And during those periods of intense change, we have seen turnover. I mean sometimes intentional, sometimes unintentional because folks, you know, maybe are misaligned with where we're trying to take the company.

センラ#50

リーダーシップチームはどんな感じ?

EN

Yeah. The reason I ask is because I think conversations like these, the other podcast founders podcast that I'm doing, I think it's important for entrepreneurs realize like there's not like one right way to do things. Toby told me he's like there's like there's probably a hundred right answers here. You got to do the one that's best for you. And so I'm just curious like do you have a philosophy on like turning over the the top people of the team? Because like if you look at like Larry Ellison, you read biographies at him. He thought the fact that he kept the core product team, the core product team on Oracle together for like multiple decades was a huge advantage. His person he mentors, if you ask Elon who he admires, he says Larry Ellison, he's like I want fresh blood, I think is the term over and over again. Do you have a an opinion here?

スピーゲル#51

Snapchat 側でだいたい10人前後。建物の設計でも円卓にした。皆が対等な位置から対話する。全員が貢献し、円卓に等しい席がある、というメンタリティだ。

EN

I think it's different in different parts of the organization. You know, if you look at the core, like the core product and design team, that's a very small team. I mean, I think it's like currently like nine people. It usually fluctuates between like 8 and 12 people um at any given time. Many of the folks on that team have been at the company for an incredibly long period of time. And they usually join out of school like at right out of high school uh or sorry, right out of college. I don't think we've had we've had some interns, but no one joined right out out of high school. They typically join right out of college. And you know, we spend a huge amount of time investing in their growth and building things together and and so I think it's really important uh to have that you know longevity because those are folks who really understand how we build products uh at Snap and that's something that like I think really has to be learned. I I haven't found anyone who just been able to like enter Snap and you know uh and I mean certainly folks can contribute right away but it takes time to learn you know what makes Snap.

センラ#52

社内上がり? 元創業者? Shopify の Tobi Lütke は難しい時期に元創業者の Slack チャンネルに「助けてくれ」と投げ、Rockefeller 的に創業者を周りに置いた。君のチームは?

EN

Say say more about that. That's interesting. Why does it take so long? Because ultimately, like I think the way that we build products at Snapchat is just fundamentally different than anywhere else in the in the world. And so I've yet to see someone come into Snapchat with all the skills and all the understanding necessary to be able to like really deliver value in that role. The closest we come are probably folks out of art school because they're used to such a rapid iteration process and are used to making things in extremely high volume. And so they are a good fit for the the design culture at Snap, which is really about very rapid idea generation and creation. I mean, every week I'm with our design team for several hours and we're just looking at new work. I mean, new work every week, hundreds of ideas, right? Hundreds of concepts, you know, iteration, etc. and really going, you know, kind of together as a group working through like a critique process. And so I think um, you know, the art school folks are pro adapt the easiest to that culture because they're used to such a rapid velocity of work, but at the same time, we're really trying to overlay that deep empathy for people, right? That deep connection with how our community feels and what they're looking for. Um, you know, we're we're also trying to cultivate like a a very positive and fun uh environment around that. Like we're laughing half the time in these design meetings, right? And and playing around with ideas. And I think creativity can really thrive in that environment of like levity and fun. Um, and so I think that combination and that velocity of of creativity and product development is something that people have to adapt to typically when they come to Snapchat. Deal will help your business hire, pay and manage any worker anywhere in the world. Deal is the best company in the world at building infrastructure for global hiring. Deal is one platform for payroll, HR, benefits, and device management across 150 countries. Deal gets you everything you need to run a high-erforming global workforce on a single AI native platform. From first offer to final offboarding, deal handles the complexity so you can stay focused on your business. The best founders and operators in the world have one thing in common. They control as much of their business as possible. And the founders of Deal do exactly this. When you use Deal, you aren't using a third-party payroll processor or a messy network of incountry providers. Deal built and owns the rails. That means faster speed, better service, and total accountability. The founder of 11 Labs, who I use to make transcripts for this podcast, has a great description of the value that deal can give your company. He said, "We built 11 Labs to break down language and communication barriers. With deal enabling us to hire and support exceptional talent anywhere, we can accelerate our innovation and bring more voices, stories, and ideas to every corner of the world. Deal is trusted by over 40,000 customers and growing fast. Learn how they can help your business by going to deal.comra." That is deal.comra. If I was to sit in on one of these design meetings, you said there's like nine to 10 12 people and you like what would I see? You would just be looking at a ton of work. I mean, we would just be talking through, you know, a huge volume of ideas across the service or maybe even ideas for new services and that sort of thing. Um, for a couple

スピーゲル#53

背景は信じられないほど多様。他社から来た人も、ほぼキャリア全体を Snap で過ごした人も、創業者として join した人もいる。ワンサイズ・フィット・オールのモデルはない。

EN

These last a couple hours. They're going over when you say volume like can like hundreds of ideas.

センラ#54

離職は多い?

EN

Yeah. Yeah. Easily. Yeah.

スピーゲル#55

歴史のポイントでは多かった。いまは——ノックウッド——そうでもない。事業が速く変わった。100人から18か月で1000人超、みたいな時期があった。その規模を支えるスキルセットの構築が遅れた。当時は今のような AI ツールもなかった。激変期には意図的にも非意図的にも入れ替わりがあった。方向に合わない人もいた。

EN

In a few hours. Yeah. Yeah.

センラ#56

こういう会話や Founders をやる理由の一つは、正しいやり方が一つじゃないと起業家に気づいてほしいから。Tobi は「正解は100ある。自分に合う一つをやれ」と言った。トップ人材の入れ替えについて哲学はある? Larry Ellison はコア製品チームを何十年も一緒にいたのを巨大な優位と見た。Elon は fresh blood を欲しがる、と。

EN

And are you like leading this discussion like how

スピーゲル#57

組織の場所で違う。コアのプロダクトとデザインはとても小さいチーム——いまだいたい9人、8〜12で揺れる。長くいる人が多く、多くは大学卒業直後に join。成長に巨大な時間を投資し、一緒にものを作ってきた。長くいることが大事だ。Snap でプロダクトをどう作るかを本当に理解している人たちで、それは学ぶ必要がある。入ってすぐ全部のスキルと理解を持って価値を出せる人はまだ見たことがない。もちろんすぐ貢献はできるが、Snap を作るものは時間がかかる。

EN

Yeah. We're all but we're all contributing batting stuff around laugh you know what I mean laughing and iterating and you know

センラ#58

なぜそんなに時間がかかる?

EN

why is the volume part so important

スピーゲル#59

僕らの作り方が世界の他のどことも根本的に違うから。一番近いのは美術学校出身者で、高速な反復と大量に作ることに慣れている。デザイン文化は、毎週何時間も一緒に新作を見る——毎週、何百ものアイデア、コンセプト、反復、グループでのクリティーク。美術学校の人は適応が早い。その上に、コミュニティへの深い共感、ポジティブで楽しい環境——デザイン会議の半分は笑っている——を重ねる。軽やかさと楽しさの中で創造性が育つ。その組み合わせと速度に、人は適応が要る。

(※ここでスポンサー読み上げあり。本文では省略)

EN

because the best way to have a good idea is to have lots of ideas. It is critical and the most toxic thing you can have is people attached to attached to an idea instead of constantly thinking about like ideas are are free right there should be a zillion of them. And if we can do that and create that culture where there's like just a an endless flow of ideas, you're very lucky. You're you're you're much more likely to get lucky by by finding good ones.

センラ#60

デザイン会議に座ったら何が見える? 9〜12人で。

EN

So how many of these do users of Snap ever see? Tiny tiny fra I mean less than 1% probably maybe 1%. And what's the process like comes up like how soon from come it comes an idea comes up in the meeting to you like it it gets in front of one of your users.

スピーゲル#61

大量の作品を見ることになる。サービス全体や新サービスまで、巨大な量のアイデアを話し合う。

EN

Well now that's happening incredibly quickly because designers can ship code with you know all these new AI tools. So the whole world of design is changing I think very rapidly because now you know many of our designers are just empowered if if they've got something we think it's cool let's you know let's get it in the app and test it like immediately. So I think design to code is happening way faster than ever before.

センラ#62

何時間? ボリュームとは本当に何百?

EN

So there's an intense design culture at Snap. There always has been. You describe yourself as a designer.

スピーゲル#63

そう。数時間で簡単に何百。皆で投げ合い、笑い、反復する。

EN

Yeah I think I mean that's my background.

センラ#64

量がなぜそんなに大事?

EN

Yeah. And that's what you describe like when you started. That's right. And so talk a little bit about like what you think AI will do to a company like your yours where it seems to be like a design first culture.

スピーゲル#65

良いアイデアを持つ最善の方法は、たくさんのアイデアを持つこと。最も有毒なのは、アイデアに執着すること。アイデアは無料で、無限にあっていい。絶え間ない流れの文化があれば、良いものに当たる運がずっと上がる。

EN

I think AI is like probably the best thing that's ever happened to to Snapchat, which is great. Um I think the reason why is because we've always had a ton of ideas and a deep connection with our community and our customer, but we've always had very limited resources and we're up against monopolistic companies. And so we've essentially been engaged in like trench warfare with monopolies for 15 years, right? And I think what's so funny like you know you look at the last 15 years we learned very very early on that there's no moat in software which was an incredibly powerful lesson right all of our ideas the things that we invent people just try to copy right away and it's easy to do that with software but what's fascinating about the world today is that it has never been easier right I mean almost instantly you can copy nearly any piece of software and so because we learned that lesson very early on we've evolved our business to really focus on the things that hard to copy, right? A network effects business of people communicating with one another. These platforms, right, like our augmented reality platform or our content ecosystem that are not just pieces of software that you can, you know, easily copy, but ecosystems of people communicating with one another or creators making content that people are watching or people building augmented reality experiences. All of those sorts of things are very hard to copy. So, from, you know, the over the last 15 years, we've really honed our business perspective for this moment, right? because we saw how easy it was to copy software. So in terms of our business and the way it meets our customers, I think we are well positioned uh for the huge transformation that's happening. At the same time, our core business is software development. So we're able to get a lot of the benefits of the extraordinary transformation in software development without the same risk to our core business because we build network effects over time and and uh you know thought about how to position ourselves um for for this uh this moment. So AI is changing every single team at Snap. It's changing the way that everything gets done at Snap. And because our core business is software development, I mean in the last three months, there's been profound change. But to imagine, I mean, 18 months from now, the way that Snap operates will be completely different than the way it operated last year. There's so many founders, and I don't know how many, almost none of them are saying this on the record that they tell me. They're like, I'm trying to figure out I should not be running my company anymore. I'm trying to figure out how to build AI to run my company. They are trying to literally replace themselves. They're like there it's just going to be so much better than I am at doing this. It should be doing this. I should not be doing this.

センラ#66

ユーザーの目に触れるのはどれくらい?

EN

I think that's certainly true in terms of like the operational lift, but at the same time, right, like that the vision and creativity and connection to your customer has never been more important. And so I think if anything it's going to enable founders to run teams that are much more operationally effective and require less of their time to operate the business and instead hopefully you know pivot more time towards that sort of creativity and ideation and you know meeting customers where they're at.

スピーゲル#67

ごくごく一部。1%未満、せいぜい1%くらい。

EN

What's one of the most surprising ways that AI has changed how Snap operates internally? I I don't necessarily think this is like a surprise per se, but I do think, you know, and I feel like this is old news because everyone in the world has been saying it, but like the change in how software is written since the beginning of this year is profound. our core business is writing software and now that these models are good enough to write you know more and more complex pieces of software on their own like the job of a software engineer at Snap is like profoundly and forever changed right and I think the more that we can embrace that and you know make that easier and teach people how to do that really effectively like it's just transformational for for our core business because as I mentioned like we have been up against companies who don't have new ideas but have infinite resources, right? And we've got lots of new ideas but no but very limited resources. And that's been a real challenge. And so it's been hard to see a path forward for Snap up against these giants without AI tools. And now with AI tools, you're like, "Wow, we basically have an infinite number of engineering resources." Like that's a pretty profound change for for Snap. And the rate at which that I I guess I would say the rate at which that has happened has surprised me.

センラ#68

会議でアイデアが出てからユーザーの前に出るまでの速さは?

EN

You said something very interesting. You said you realized a long time ago that software has no moat. The experience that taught you that lesson was it stories?

スピーゲル#69

いまは信じられないほど速い。デザイナーが AI ツールでコードを出せる。クールだと思ったらすぐアプリに入れて試せる。design to code はかつてない速さだ。

EN

No. The first time that that the the big sort of wakeup call was when uh you know Facebook at the time carbon copied Snapchat to make poke. Do you remember this?

センラ#70

Snap には強烈なデザイン文化があり、君は自分をデザイナーと呼ぶ。AI はデザインファーストな会社に何をする?

EN

Yes.

スピーゲル#71

AI は Snapchat に起きたおそらく最高のことだ。いつもアイデアとコミュニティとの深い接続はあったが、リソースは限られ、独占的な大企業と向き合ってきた。15年、独占との塹壕戦(trench warfare)をしてきた。15年早く学んだのは、ソフトウェアに堀はないということ。発明はすぐコピーされる。いまはほぼ瞬時にコピーできる。だからコピーしにくいものに事業を寄せてきた——コミュニケーションのネットワーク効果、AR プラットフォーム、コンテンツのエコシステム。それらは単なるソフトではなく、人と人、クリエイターと視聴者、AR 体験を作る人々のエコシステムだ。

コア事業はソフトウェア開発なので、ソフト開発の変革の恩恵は受けつつ、ネットワーク効果でコアへのリスクは相対的に違う。AI は Snap のすべてのチームを変えている。過去3か月でも深い変化があった。18か月後、Snap の運営の仕方は去年とはまったく違うだろう。

EN

And Mark Zuckerberg recorded like him saying the word poke as the notification sound. He was like so excited about this and we were like, "Wow." Like, "Okay, this is a good, you know, this is a really good lesson for us." Um, it it ended up being super helpful to to Snapchat.

センラ#72

オンレコードではほとんど言わないが、創業者の多くが「もう自分が会社を回すべきじゃない。AI に会社を回させたい」と言う。自分を置き換えようとしている。

EN

In the book, you call it the greatest Christmas present you ever received.

スピーゲル#73

オペレーションの負荷については確かにそう。でもビジョン、創造性、顧客との接続はかつてなく重要だ。創業者がオペレーションに使う時間を減らし、創造と顧客に寄せられるようにするはずだ。

EN

The nervousness going into that holiday period, right? I mean, they literally put a download poke at the top of every single Facebook app, right? And it was it was just a clone of of Snapchat. And then to on, you know, on Christmas Day see Snapchat number one in the app store in that context was it was huge huge for us. Um, but that was that was the first time we realized like, okay, we're gonna have to be really smart about how we build this business and invest in the the things that are hard to copy.

センラ#74

AI が Snap の内部を変えた、いちばん驚く形は?

EN

Do you remember how old you were when this was happening?

スピーゲル#75

驚きというより、今年初頭からのソフトウェアの書き方の変化は深刻だ。コア事業はソフトを書くこと。モデルがより複雑なソフトを自分で書けるようになり、エンジニアの仕事は永遠に変わった。それを受け入れ、教え、やりやすくすることが変革的だ。新しいアイデアは少ないが無限のリソースを持つ会社と、アイデアは多いがリソースが限られる僕ら——その構図に、AI なしでは道が見えにくかった。いまは実質的に無限のエンジニアリングリソースに近い。その速度には驚いた。

EN

When would that have been? That would have been 2012, 2013, so 22 probably.

センラ#76

「ソフトに堀はない」と気づいた経験は Stories?

EN

Super young. Super young to take on that's that had to be terrifying. I mean to be living in my dad's house with like three of my buddies from college you know and like this huge company you know set their sights on on us. I mean it you know it was definitely a formative experience I would say. So then realizing software has no moat is that direct insight leads to deciding bizarre decision I think correct in hindsight for a what people consider a social network app or a messaging app to get into hardware and make glasses. Those two things are related.

スピーゲル#77

いや。最初の大きな目覚めは、当時の Facebook が Snapchat をカーボンコピーして Poke を出したとき。Mark Zuckerberg が「poke」と録音した通知音まで作って興奮していた。良い教訓になった。結果的には Snapchat にすごく役立った。

EN

Absolutely. And I think but even before that right a real focus on messaging. So the other key like the other key foundational insight of Snapchat um that really changed the company was at that time if you recall people were very focused on like a simp very simplistic model of network effects and their very simplistic model was basically the more nodes you have in the network the more valuable the network is right and what we realized was like that wasn't really true if you weren't using those network connections so actually you know what reflects the the value of the network is you know are the people that you actually talk to and communicate with especially the ones you communicate more frequently are they a part of your network and if they are then you can acrue the vast majority of the value in that network very very quickly without having the same scale or the same size right so what Snapchat showed was that if you just have one good friend on Snapchat right they they might represent half of your communication right because they're super important in your life so you don't need 500 friends on Snapchat you just need your best friend on Snapchat and And that's what helped the service really grow and take on, you know, these these much larger these larger competitors. What really prompted the the work on on glasses in the beginning was the feeling that we were always competing with that lock screen camera button,

センラ#78

本では「史上最高のクリスマスプレゼント」と呼んでいる。

EN

right? And so, do you know on the iPhone there's a lock screen camera button? So, Snapchat opens the camera, right? And we always want you to choose to open Snapchat to share a moment with your friends and your family. and you're making a choice between having to unlock your iPhone and go and open Snapchat and take a snap or just using that lock screen camera button is on your phone and it's in your pocket. And so, you know, when we were trying to reinvent the camera and change how people were using their camera to help them communicate, one of our fundamental questions was like, how do we get the camera out of your pocket right off your phone to make it easier for you to, you know, share and express yourself or communicate your point of view or communicate what you're doing? That was really the prompt that led us to explore glasses because back in the day the you know we just made camera glasses. But I think as part of that journey and as as part of starting to work on camera glasses, not only do we realize first of all that the market for camera glasses is very small, right? Uh that ultimately your phone is very good for taking photos. Even if you're on a jet ski or even if you're rock climbing, people still use their phone uh you know to to take a to take a photo. So that that you know meant that we had to push way harder and faster to our full vision uh for glasses. When did you learn the market was small? Because you couldn't even keep these things in stock. I told you I had to big ugly blue color. Like it was a fine color, but you know what I mean.

スピーゲル#79

そのホリデー前の緊張はすごかった。Facebook アプリの一番上に「Poke をダウンロード」を載せたクローンだった。クリスマスにその状況で Snapchat が App Store 1位だったのは巨大だった。コピーしにくいものに投資しなければ、と最初に実感した瞬間だ。

EN

Yeah. But I think even, you know, I think we were shipping like hundreds of thousands of of units. Um, you know, I think 100,000 units in hardware is kind of like the first threshold of like, okay, you've got a product people are interested in and and want to buy. But even at a couple hundred thousand units, I just didn't see a path to it being like a, you know, hundreds of millions of units because ultimately at the end of the day, the bar that we set for any product we develop is that it has to be 10 times better than the next best alternative. And when we looked at how people were using specs at the time, it just wasn't 10 times better than pulling your phone out of your pocket. uh you know and maybe in some use cases it was if you want really wanted to be hands-free or you know that kind of thing but but it just wasn't 10 times better than the amazing camera you had on on your phone. And so we really then set out to try to push towards as fast as we could our our true vision for computing. You know

センラ#80

何歳だった?

EN

that was how many years ago when you started?

スピーゲル#81

2012〜13年だから、たぶん22。

EN

That would have been 20 by 2016 2017 we were really pressing into you know the the more advanced parts of of augmented reality glasses. And I think, you know, if you look at the step-by-step approach we took, the first generation had one camera, right? The second generation had two cameras with depth. The generation after that added a display. The generation after that added an operating system and developer platform. That's the version that's currently in the

センラ#82

若すぎる。父の家に大学の友人3人と住んでいて、巨大企業が照準を合わせた。恐ろしかったはず。その洞察が、メッセージング/ソーシャルと見られるアプリがハード——眼鏡——に入る奇妙な決断につながる?

EN

What's the generation I used yesterday?

スピーゲル#83

完全に関連している。その前にメッセージングへの集中もあった。当時の単純なネットワーク効果モデルは「ノードが多いほどネットワークは価値がある」。でも接続を使っていなければ本当ではない。実際に話す人、特に頻度が高い人がネットワークにいるか——それが価値を反映する。親友が一人 Snapchat にいれば、コミュニケーションの半分かもしれない。500人の友達はいらない。親友がいればいい。それで大きな競合に立ち向かえた。

眼鏡の最初のプロンプトは、いつも ロック画面のカメラボタン と競争している感覚だった。Snapchat はカメラに開く。ポケットの iPhone をアンロックして Snapchat を開くか、ロック画面のカメラを使うか。カメラをポケットと電話から出して、共有・表現・視点の伝達を簡単にするには? それがカメラ眼鏡の探索につながった。最初はカメラ眼鏡を作っただけだが、その市場は小さいと分かった。ジェットスキーでもロッククライミングでも、人は結局スマホで撮る。1000台のハードは「興味がある」閾値だが、数十万台でも数億台への道は見えなかった。プロダクトのバーは「次善の代替より10倍良い」こと。当時の Specs の使い方は、ポケットからスマホを出すより10倍良くはなかった。だから本当のコンピューティングのビジョンへ速く押し進めた。

EN

That came out in 2024.

センラ#84

いつ始めた?

EN

That's generation four or five.

スピーゲル#85

2016〜17年にはより高度な AR グラスに本格的に押していた。世代を追うと、第1世代はカメラ1つ、第2は深度付き2カメラ、その次にディスプレイ、その次に OS と開発者プラットフォーム——いま手元にある版。

EN

Four or five. Yeah. Um and that was the first time we really offered a developer platform um so that folks could start building and creating all these experiences.

センラ#86

昨日使ったのは?

EN

Okay. So, can you explain your evolution of glasses? You said basically you don't think it was glasses, it's just another form of computing.

スピーゲル#87

2024年発売。第4か第5。初めて開発者プラットフォームを本格提供した。

EN

So to to go all the way back, the the initial thesis was let's get the camera out of your pocket, right? But at the same time, you know, on the phone, we were so constrained in what we could build, right? I mean, you have this tiny little screen. We're watching augmented reality just take off on the phone. Hundreds of millions of people every day are using these augmented reality experiences on this tiny little screen. Let's pause real quick there because this is another I think example of what I was trying to freaking figure out about you earlier and I kind of went crazy. So

センラ#88

進化を説明して。眼鏡というより、別形態のコンピューティングだと言っていた。

EN

we still haven't figured it out.

スピーゲル#89

最初のテーゼは「カメラをポケットから出す」。同時に電話上では制約が大きかった。小さな画面で AR が離陸し、毎日何億人がその小さな画面で AR を使っている。

EN

I know it might take a few more conversations. Uh you're talking about all these people using augmented reality. They're in you're talking about the filters you added or the lenses and stuff to Snapchat.

センラ#90

それも君を理解する鍵の例だ。AR——フィルタやレンズ——のアイデアはどこから? 最初だった?

EN

Yeah.

スピーゲル#91

Looksery(字幕は Luxury。レンズ系スタートアップ)を買収した。Bobby がそれをプラットフォームにするビジョンを強く押し、誰でもレンズを作れる Lens Studio を作ったら離陸した。

EN

Did you get that idea from another company? Where'd that come from? Were you the first one? bought a startup called Luxury that was working on those uh working on those lenses and then Bobby really pushed the vision of turning that into a platform and once we turned it into a platform and built these developer tools called lens studio so that anyone could build lenses then it just took off because

センラ#92

それが僕が Snapchat を使い始めた理由でもある。典型ユーザーより少し年上だったが。Stories の後?

EN

that's what got me using Snapchat because it was a little older than like your the typical people using it. But did this launch after stories?

スピーゲル#93

Stories の後だと思う。

EN

That must have launched after stories. Yeah. How many years into Snap do you think that you've added this other feature?

センラ#94

Snap 何年目くらい?

EN

Probably three or four years only.

スピーゲル#95

たぶん3〜4年目だけ。

EN

Oh, that's actually way sooner than I thought. Way sooner than I thought because you've been working on Snapchat for how long? 15

センラ#96

思ったよりずっと早い。Snapchat は約15年?

EN

about 15 years. 15 years.

スピーゲル#97

約15年。

EN

Okay. So, go back to what you were saying. Then you found hundreds of thousands or millions of people now using

センラ#98

当時から何百万人、いまは?

EN

hundreds of millions of people now.

スピーゲル#99

いまは毎日何億人が AR に触れている。グラスと並行して進んでいた。レンズの元のテーゼは、ただの自撮りが変に感じる人が多かったこと。犬の耳や虹を吐く——花で覆う——理由ができ、自己表現と共有が広がった。Lens Studio のあとプラットフォームは爆発し、何百万ものレンズが生まれた。自撮りだけでなく世界を変えるレンズも。でも親指で小さな画面を触る制約は明らかで、世界に埋め込むデバイスが必要だった。ビジョンに近いデバイスはなかった。10年押し続け、今年後半に初のコンシューマー版を出す。大きな一歩になる。

(※ここでスポンサー読み上げあり。本文では省略)

EN

Like every day.

センラ#100

「ビジョン」という言葉を使う。録音前に、心の中で見えないとプロダクトをデザインできない、と言っていた。

EN

But back then, this is they're engaging with AR through this feature. But this is before you did the the glasses.

スピーゲル#101

これまでの人生で、作るものはできる前に非常にはっきり見える。どう動いてほしいかも分かる。見えなければ軌道を外れている。他者のアイデアや創造性に閉じる意味ではない。ただ、作ろうとしているものが鮮やかに見える。その感覚とフォーカスに忠実でいることが大事だ。

EN

Yeah, sort of concurrent with the sort of concurrent with the the glasses and and may maybe concurrent with the second generation, I want to say, by the time we really had an augmented reality uh platform, but you know, the the original thesis behind creating lenses was just people a lot of people thought it was weird to just take a selfie, right? Tons of folks were taking selfies to express themselves, but like a lot of people were like, "Why would I just take ugly?

センラ#102

Edwin Land 70歳、Steve Jobs 25歳の伝説的な会議で、二人は発明家というより、空のテーブルに完成形が見え、そこから逆算して組織を技術発明に向かわせる、と話した——似ている?

EN

I don't want to be reminded what I look like. Well, could put some dog ears on everything. So, so you know, or vomit a rainbow, right? So, people people had a reason to

スピーゲル#103

それが好きだ。技術を追うのではなく、作ろうとするものに結晶化し、必要なすべてを発明するよう組織する——プロダクトビジョンに奉仕する技術。はい、そうだと思う。

EN

I was covering people in flowers. It's fun.

センラ#104

この10年のグラスがまさにそれでは? 他は既存企業——Luxottica など——と組む。Leonardo Del Vecchio の話も Founders でやった。君は組まなかった。

EN

So, I think um I think lenses really gave people a reason to express themselves and and to share with their friends. Uh but then, you know, after we built out the lens studio developer tools and this kind of thing, uh the platform just exploded. Now, you know, people have made millions of lenses, all sorts of different ways for people to express themselves. not only with selfies but also lenses that change the world as you experienced. And and we just found that people were incredibly constrained by this tiny little smartphone screen and needing to use their thumbs to interact with augmented reality. And it was so clear that we needed to embed it in the world for it to be successful. And we were going to need to create the device uh to do that um because no device even came close to the vision that we had. So we've really just pushed over the last decade to to make that vision possible. And then later this year, you know, we're launching the first consumer version, which will be, you know, a big a big step for us.

スピーゲル#105

正しいと思わない理由がいくつもある。Meta が Luxottica と組む必要は理解できる。Meta ブランドを顔の近くに置きたい人は多くない。カモフラージュが要る。Luxottica 側は、高マージンの最も象徴的なプロダクトのマージンを壊し、Meta と結びつけた——長期で正しかったかは分からない。Sunglass Hut で聞くと、同じくらいの価格でカメラ付き Meta Ray-Ban があるなら旅行に、と動く。ボリュームを動かす賢い戦略ではあるが、耐久する事業になるかは分からない。

成功したハード企業——Apple、Tesla——を長く見ると、プレミアムやラグジュアリー寄りのポジションで、ビジョンを信じる熱心なアーリーグループから始める。Tesla Roadster、初期 iMac、初期 iPhone。その情熱的な集団と一緒にマスへ広げつつプレミアムを保ち、高い粗利を R&D に再投資して差を広げる。広い低マージン消費から始めてプレミアムへ上がるのはとても難しい。Specs も、革新的で異なり、世界を違う目で見たいアーリーアダプターの周りにブランドを築こうとしてきた。それでマージンを維持し再投資できれば競争優位になる。

EN

One of my all-time favorite quotes is from the book 0ero to1. It says, "The single most powerful pattern I have noticed is that successful people find value in unexpected places. And they do this by thinking about business from first principles instead of formulas." This is exactly what Apploven has done with their new advertising platform, Axon. Axon is the most powerful advertising platform in a generation. Axon allows you to capture undivided attention. Axon ads are full screen videos that are watched for an average of 35 seconds. Retention that blows other ad platforms out of the water and you can launch in minutes. You set the goal and Axon achieves it. No complex setup, no expertise needed. And Axon scales quickly. They can put your ads in front of over a billion potential customers. Other businesses have seen immediate results, scaled to hundreds of thousands of dollars of spend per day and increased their revenue by millions. And most advertisers aren't even thinking about this channel yet. Less than 1% of advertisers have access to Axon. So you want to get started quickly and you can do that by going to axon.ai/enra. That is axon.ai senra. You use the word vision. When we were talking before we started recording, I think this is interesting. You literally see it, see what you want. You said like you have a problem designing a product if you can't see it in your mind. Can you explain more about that?

センラ#106

最初の Spectacles のマーケも評価したい。店に入る体験ではなく、自販機をエアードロップし、サイトをリフレッシュしてカウントダウン——場所は言わず、ベニス、と出てマイアミにいると curses——友人にニューヨークの列に並んでもらって手に入れた。ユニークで楽しかった。でもハードの多くを自分でコントロールするのはなぜ重要?

EN

Yeah, I think in general with my life thus far like I like with the things that we build I see them very very clearly even before we've built them. And I kind of know what I want. I know how I want it to to work. And I also know that if I can't see it, then we're we're off we're off track. And so I think really trying to stay true to that that feeling and that vision and that focus is just so so important. And that doesn't mean not being like open to other people's ideas, other people's creativity, etc. But like I think, you know, um yeah, I just very very vividly can see what we're what we're trying to create.

スピーゲル#107

この領域で並外れた顧客体験を届けるにはハードのコントロールが必要で、ハードとソフトの交差が本質だ。多くのメーカーの部品を寄せ集めて、超小型・軽量・高性能にまとめるのは本当に難しい。差別化できる領域で高いコントロールが要る。例えばディスプレイ部品——非常に高性能な導波路(waveguide)と、光をそこに送る自前の超小型プロジェクター。ディスプレイは電力を食い、没入と視野角、解像度・シャープネスに直結する。自前でやることで、消費者体験に表れる競争優位を作った。

全部をコントロールしようとすると燃え尽きる。戦略的な点——ユニークな体験を生むために違うやり方で投資する点——を早く見極めることが大事。ディスプレイは公開できる一例で、今年後半、投資して根本的に新しいやり方を発明した領域がもっと見える。

EN

I'm going to explain or describe an experience that I read about. You tell me if it's similar to the one that that you experienced where uh when that legendary meeting that happened when Edin Land 70, Steve Job is 25, they're sitting across they're in a conference room sitting across a table from one another and they talked about they're like they don't really consider themselves inventors. It's kind of funny cuz Edin Land had the third most patents you know in human history. They said they they discovered products that they would literally be looking at an empty table and see the final form of what they're doing and then they reverse engineer from that and essentially or uh you know pro their entire organization to invent the technology to invent the product. Is that the similar experience you're having?

センラ#108

Land も発明家でいたくて起業を学んだ。最終消費者との間に他社を挟むと困り、Polaroid ではマサチューセッツで先端技術を製造した。コストだけでなく、完成品に影響を与えるためだ。

EN

I really really like that because I think what they're describing is technology in service of a product vision. So instead of chasing a technology, being crystal clear about what you're trying to create and then organizing everyone to invent everything needed to to create that uh to create that product. So yeah, I mean yeah. Yes, I guess. Yeah. Is that not what you've been doing the last decade for with the the glasses cuz you made a choice. You're like other people are partnering with existing companies like Lexodica who I think is a very fascinating story. I told you before I did this crazy episode of Founders Podcast. I think it's episode 394 on Leonardo Dio which is just one of the he's an orphan and he built one of the most you know to this day most powerful and like such a dominating uh companies in his industry but you chose not to do that.

スピーゲル#109

コア部品を米国と英国の自前施設で製造していると知ったら驚く人もいる。それで高度な R&D ができ、部品の境界を押し広げられる。

EN

There's a lot of reasons why I don't think that's the right

センラ#110

流通はどうする?

EN

let's go into them. We we don't have an end here.

スピーゲル#111

全部の秘密は言えない。ローンチのあとで深く潜ろう。でもコントロールしたい感覚はある、というのは分かっている。

EN

Um

センラ#112

顧客体験にとって重要、と。驚かない。年次レターで Snap のポジションを書いていた。リトルブラザーではなく——ミドルチャイルド。大きなプレイヤーの規模はあるが、数兆ドルの時価総額はない。塹壕戦とも言っていた。

EN

as much as you can share that you know but I'm very interested in your philosophy behind the decisions you're making is what I'm trying to get to. I think there's like a number of of challenges. Obviously, I think it's much more harmful for Luxotica than it is for for Meta. I think Meta needed to partner with Lxotica because the Meta brand, I think, is not something that people want to put anywhere near their face. So, I think um I think that Meta really needed I think what's what's challenging for Lxotica is they took like the most iconic crazy high margin product and they destroyed the margin and then they associated it with Meta. So like I think like that like we'll see if that pans out over like a longer period of time if that was the right brand choice uh for them. But I can definitely see why Meta needed needs to camouflage their brand which I think a lot of people don't resonate with and don't like with you know the Ray-B band uh brand. But I think people are misreading, I think, the dynamic of of what's happening when you have meta ray bands on the shelf next to a regular pair of Ray-B bands and they're both about the same price, right? And it's, you know, I love to just walk into a sunglass hut or whatever and talk to them. Hey, what's going on? What's selling? What's not? It's like, well, you can get the Meta Ray-B bands that have a camera for about the same price as the RA regular Ray-B bands. Why don't you, you know, try it out for your upcoming vacation? I think that that's a smart strategy if you want to move a lot of volume. But I don't know if that builds a durable business over time. And the reason why I don't know if that builds a durable business over time is if I look at successful hardware companies over a long period of time, we can look at Apple, we could talk about Tesla for example, early adopter is the wrong term, but they really try to start with premium or even luxury positioning around a very passionate early adopter group that believes in their vision, right? Think like the Tesla Roadster, right? Or the early iMac or the early iPhone. And they build a brand by starting with those early enthusiasts who like believe right in the electrification of the world, the transformation of the power uh you know the power grid, how we're going to you know move things around or in the case of Apple you know a revolution in the personal computer right that everyone's been doing phones wrong and that like you know having this uh you know personal computer in your pocket you know would be really transformational and they really activate that that passionate group of enthusiasts and then over time they work with that really passionate group of enthusiasts to you know grow into the mass market while preserving their premium positioning which means high gross margins then they take those high gross margins and they reinvest in R&D which widens their lead and like that is the story I think of successful hardware companies and I think it's very very hard to start with a super broad-based low margin consumer product and try to work your way into premium uh positioning. So I think if you look at at specs and like what we've tried to do even like your early experiences with the with the brand right we're innovative and different and again oriented around a a group of enthusiasts and early adopters who like want to see the world differently who want to participate in the cutting edge of technology and I think if we're able to build the brand that way and build our own brand around that that will allow us to sustain you know our our margins over time which will allow us to reinvest which ultimately will give us a big competitive advantage. I want to go back to wanting to control most of like actually building your own hardware. Um the you said something even the marketing though I I think like you got to give you credit to the marketing you guys were doing back in the day from the first spectacles where like there wasn't like a store you could just walk into. It's not the the experience you described. It's like you would like airdrop these vending machines and then I remember there's like a website and I'm not a … power user of Snapchat. I was just like, I want these glasses. And I would be like refreshing the the the website to figure out it's like, oh, okay, here's a new drop. And you'd have like a countdown like we're it's dropping. And you wouldn't say where it is. And I'm in like Miami at the time. It's like, all right, it's dropping in Venice. I'm like, god damn it. And then I wind up the way I got them is uh you did a drop in New York and a friend of mine, I called him and he went and stood in line and and got them for me. It was like really unique and fun like you just made it. I like this idea of I just talking to Brian Armstrong about this uh founder of Coinbase where he's like everybody has shareholder letters, everybody has to write a shareholder letter. Everybody has to do these analyst calls and he's trying to find a way to like make them fun and like kind of like internet native and you know they are forms of marketing. They're not just analysts that are reading these things like they could if you if you think about them and like and think about like doing creative marketing you could just drastically increase the amount of people that are getting information about your company. Why is it so important to you though to control so much of the hardware that you're making?

スピーゲル#113

レターでは middle child と書いた。Reddit や Pinterest よりはずっと大きいが、巨人ほどではない。サービス利用者はほぼ10億人、デイリーのアクティブは約5億

EN

Control of the hardware is necessary to deliver an extraordinary customer experience in this space and the intersection between the hardware and the software to deliver that customer experience is essential. So, you know, as we look at how other people are approaching the space, trying to, you know, cobble together components from a ton of different manufacturers and get them to all work really well in a super small lightweight form factor that's incredibly performant is just really, really hard to do. And so, I think for us, if we want to really deliver, you know, this cutting edge uh computing experience, doing that um requires us to have a very high degree of control of the areas we can really differentiate. So for example for us that the display components are an area where we really differentiate. We have an incredibly performant wave guide which is like the glasses part of the the lens right basically the lens of of the glasses. Uh and we've developed our own projector that's incredibly small that you know beams light into this this wave guide. That's a big strategic advantage for us because the display components draw a lot of power, right? They're really important in terms of having that immersion uh and being able to have a very wide field of view when you're using uh the glasses. You can interact with the world. And then of course like the resolution, the sharpness, like those are the things that really really matter. And so for us, in order to push those boundaries, there's no one that comes close to like to to our ability to deliver on that on that product experience. So by doing it ourselves, I think we've created uh you know a competitive advantage that will show up in in the product that the consumers will experience. say more about that line where you said it's important to control the parts that you can differentiate on

センラ#114

毎日5億人が Snap を使っている。その規模のサービスは他にいくつ?

EN

essentially like you're going to burn yourself out if you try to control everything, right? So, it's really important to identify very early on like where are the strategic points where you can create a totally unique customer experience by really investing in doing things differently. And for us, we've really thoughtfully picked out where can we play and do something that's really hard and do it differently that creates a sustained competitive advantage because it delivers such an awesome customer experience. So the display components are one. I can talk about that cuz it's public, but like later this year, people will see a lot of these areas where we've invested and and invented, you know, fundamentally invented uh new ways of doing things that I think consumers are going to love.

スピーゲル#115

7〜10、中国を入れるかどうかによる。

EN

Another thing that like Edwin like again people should study Edwin Land, they should study all these history skills entrepreneurs because you just realize they come up with ideas too. We were talking earlier, it's like he wanted he realized like if he did not have control because he started he wanted to be an inventor, not an entrepreneur. He had to learn to be an entrepreneur just so he could actually make money on his inventions. So therefore, he only wanted to make money so he could invent more things. He was not after, you know, just having piles of money. And anytime he tried to outsource one, he he let other companies get in in between him and the end consumer, which he fixed that when he did Polaroid and and uh and and the cameras, but when the manufacturing he owned the factories were in Massachusetts for god's sake, he was manufacturing high-end technology in America. And his whole point was just like he didn't want to be a manufacturer, but he needed to control the things. So not only like to get the cost down but to be able to influence the end unit of the the the product.

センラ#116

中国は入れない。アメリカ・ベイビー。(笑)ミドルチャイルドをもう少し。

EN

Yeah. People uh you know I think would be stunned to learn that we manufacture core components in the US and the UK right in our own facilities which allow us to do this really advanced R&D that push the boundaries of what's you know what's possible with these components.

スピーゲル#117

家に子どもが4人いる経験からも来ている。長子に注目が集まり、赤ちゃんは成長が速く刺激的。真ん中は変化していて、何になるか分からない時期がある。Snap もそうで、12年やってきたグラスが世界に出ようとしている、コア事業は進化し、急成長するダイレクトレベニュー、中小向けで広告を多様化している——激しい変化のただ中にいて、巨人でも小さな競合でもない。

EN

Yeah it's the same same exact idea. So how are you going to distribute them? I can't share all of our fine our secrets, but I we can we can regroup after the after the launch and and and deep dive into all of it.

センラ#118

ストレスフルな時期?

EN

Okay. But I have a sense that you want to control that too.

スピーゲル#119

妻が Oura Ring にハマっていて、ようやく自分も一週間つけたら、リラックス状態が一日中で、睡眠7〜8時間、と出て妻が驚いた。激しい変化の時期が好きで、インスパイアされる。ストレスはある程度あるが、それを機会と成長に変える問いだ。チーム全体が、いまが事業のハイステークスな移行期だと知っていることが大事。何になるか。毎分が重要。ストレスというよりエキサイティングな瞬間だ。

EN

Uh I think it's it's important in terms of the customer experience.

センラ#120

ああいうレターは投資家向け? 社内向け?

EN

What a surprise. All right. You just you described uh you you wrote this like uh I think it was your annual letter recently. Um and I I forgot the term you're basically the way you're positioning Snap. not not like a little brother, but you described essentially like you have the scale of some of these big players, but you don't have the trillion dollar market cap, right? And you were I think I think at least once in this conversation, you described that you've been engaged in trench warfare. Why do you call it trench for warfare and tell us some stories about this?

スピーゲル#121

いつも社内向けに書いていた。漏れ続け、好評で、じゃあ公開しよう、となった。

(※ここでスポンサー読み上げあり。本文では省略)

EN

Yeah, I I mean I I think that the the term I used in my letter was like the middle child, right? Because we're so much bigger than, you know, smaller competitors like a Reddit or a Pinterest or something like that, right? But we don't have

センラ#122

Michael Dell と素晴らしい会話をした。危機がなくても危機を誘導する、と。会社が変曲点だと知り、「どこかに僕らより速く安く良いプロダクトを出す会社がある——その会社は僕ら自身だ」と再発明を語った。ポッドでも「危機がなければ見つけろ」と。

EN

you just call Reddit small

スピーゲル#123

ただし、チームが常に危機モードにいるのは避けたい、という留保付きで yes。いつ全力疾走し、いつ一歩下がって調整するかを感じることが大事。約5000人だと、組織の感覚に触れ続けられる。いつ押すか、いつ余白を作るか。

EN

from like a you know we're almost a billion folks using our our service. If you look at like our daily active engagement it's about like half a billion folks. So I think like just in terms of the scale of

センラ#124

5000人で10億ユーザー。新しい収益線は?

EN

there's there's half a billion people using Snap every day.

スピーゲル#125

一つは急成長しているサブスク Snapchat Plus。Snap の文化に合う。広告モデルは早く採用し、無料で提供できる大きな機会だ。でも会社の心臓は、人が愛して欲しがるものを作ること。最も情熱的なコミュニティから機能リクエストが山ほど来ても、全員向けに集中していて投資できなかった。だから Snapchat Plus——新しい楽しい機能へのアクセス——を作り、コミュニティの声を聴き、テストして出す。月約4ドル。いま約2500万加入者、ESPN 規模で、直近四半期は前年比約60%成長、ランレート約10億ドル

EN

About half a billion every day. Yeah.

センラ#126

公開の暗算は勘弁。(笑)信じられない。

EN

And a billion

スピーゲル#127

新しいものを作り、人が払いたいと思うもの——得意分野とのフィットが良い。

EN

and a billion about you know how many services how many other services are that size?

センラ#128

デザイン会議は週何回?

EN

Maybe 10 maybe.

スピーゲル#129

週1。

EN

Okay.

センラ#130

毎週何百もの新アイデア。サブスクの先は?

EN

Seven to 10. Depends if you include China.

スピーゲル#131

バックログにアイデアが山ほどあるので出荷し続ける。価格はまだ早いが、ティアリングはした。Lens+ は人気で、Snap のカメラは画像・動画生成の Gen AI カメラとして最も使われている部類だと思う。無料回数のあとアップグレード。やや高いティア。広告なしや機能解放のプラチナ的プランもある。

EN

No we don't. America baby. Um all right. All right. So, wait, you're the not the I keep saying little brother. You're the middle child. Say more about that.

センラ#132

広告事業はどう変えた?

EN

You're the middle child. And and I think um you know, I think what's interesting about that is like that the you know, and it's funny, we've got four kids at home, right? So, part of it was like based on my own experience with our kids where like a lot of attention is paid to the the the eldest child, right? And you know, um and they're they've gotten so much bigger and they've grown up and you know, our 15-year-old and then the the baby, right, is growing so fast. It's so exciting. And then I think somewhere in the middle right uh and hopefully this isn't the case in in our house there's like this period where you know you're changing and evolving and people don't know what are you becoming right maybe in the case for for Snap right people are trying to understand what is this glasses thing they've been doing for 12 years that they're about to like launch to the world what is the role you know Snap's core Snapchat's core business is evolving we're growing this huge direct revenue business that's growing really really rapidly and we're diversifying you know our advertising business with small and medium customers so we're in this period of like very intense change I think um for for Snapchat and as I mentioned we're not as big as the giants and we're we're not as small as the our our smaller uh competitors and so it's that really interesting moment that I think you know middle children also uh you know maybe experience where there's all this change happening and you know um you're you're sort of stuck in the in the middle.

スピーゲル#133

ここ数年で大きなシフトがいくつか。初期から米国の数百の大口ブランド中心に急成長し、Google や Meta とのミックスだった——彼らの大半は中小、大口は一部。僕らは大口ブランドのアッパーファネル中心で、ローワーファネル(アプリ内イベントやサイト購入の最適化)が弱かった。中小は ROAS をすぐ見たい。規模とエンゲージメントはあったがオファーが未熟だった。ここ数年でローワーファネルを一式作り、中小セグメントを急成長させている。大口アッパーファネル中心から、中小ローワーファネル中心へ——営業の go-to-market からエンジニアリングまで、広告事業全体の転換だ。

EN

Is this a stressful time for you? You know, it's so funny. My my wife like loves the Aura Ring. Like she's obsessed, you know? She like she like, you know, markets this thing to like everybody, right? Wants to like compare scores and all this kind. So, she finally like years and years later was like, I'm going to try the Aura Ring. And she was like shocked to learn that like, you know, there's sort of like the relaxed and stressed state and I'm just like in the relaxed state like all day long. And so I like wore it for a week and it basically was like, you know, I sleep like seven or eight hours. I'm in the relaxed state all the time. like she was like how like what you know like so so I think like I really love like periods of intense change like I'm inspired by it I enjoy it and so like while you know yeah it is like stressful to some degree I think like you know the the question is like how do you turn that stress into like opportunity into growth into change but I think what's really important is for our entire team and our organization to know what a high stakes moment this is for our business, right? Like at this moment in time, you know, what will we become? We are in a transitional moment. Um, and and that's super super exciting and it means every second like every minute counts. I would say more exciting than than stressful, but like it's it's a really cool moment for for our company. When you write something like that, obviously like is it more aimed at the broader like investor community or is it aimed for internal like consumption?

センラ#134

大口ブランドはカスタムを欲しがり、営業とエンジニアが個別対応に時間を使う。Google/Facebook 型のセルフサーブの方が利益率も高いのでは。

EN

I always wrote them internally, but then they kept leaking and people like them. So then I was like, you know what, we'll just publish it publicly going forward.

スピーゲル#135

大口は正当に個別サービスを欲しがる。いまエンジニアはスケールでローワーファネルの中小に時間を使う。中小が簡単にサインアップして使えるプロダクト。個別はかなり減らしつつ、大口もローワーファネル成果を欲しがるので、ブランド世界に慣れたセールスにローワーファネルを売る教育もしている。

EN

Brad Jacobs has started eight separate billiondoll companies. He said, I've come to know a lot of extremely successful people in my life, and they all have one thing in common. They think differently than most people. All of them to a person have rearranged their brains to prevail at achieving big goals in turbulent environments where conventional thinking often fails. What Brad noticed is that great business leaders are pattern spotters. But you can't spot patterns if you can't see all of your data. Most businesses only use 20% of their data. Why? Because 80% of customer intelligence is invisible. It's hidden in emails, transcripts, and conversations. That's where HubSpot comes in. With HubSpot, all of your data comes together so you can see the patterns that matter. This is important because when you know more, you grow more. And that is a pattern that never fails. Visit hubspot.com today. That is hubspot.com. I had this great conversation with Michael Dell, who's just awesome, like a great human being. Absolutely love that I get to spend time with him. I can't believe it. and he has that thing where it's like he actually thinks it's important to to even if you don't have a crisis to like induce one like to create one and he gave this fantastic you know he's reimagined his company that I mean have you spent any time with him?

センラ#136

SpaceX の話を思い出した。航空宇宙は全部顧客向け bespoke でスケールできない。Gwynne Shotwell らが「十分良い基本の打上げシステムに顧客が合わせる」へ。いまは2日に1回打ち上げ、他の全プロバイダ合計より多い年も。政治圧力も少なく、コストは10分の1、という話。意図的に Google/Facebook と逆をやり、のちに戻した?

EN

I have. Yeah.

スピーゲル#137

広告を長期で二桁ビリオンにするには、多様化した中小のローワーファネルが要ると見ていた。最初は大口ブランドが速く数百万ドルを動かせるので急成長できた。段階1はほぼ全プラットフォームがそう見える。Facebook 初期もディスプレイ広告から、のちに高度なローワーファネルへ。Reddit や Pinterest もまだ大口アッパー寄りが多い。速く大きくしてから、洗練したシステムに投資する。

EN

Okay. Yeah. So like that's probably if I was you I'd be like picking his brain. I'm friends with his son Zack and you know um everybody has access to like the Bloomberg terminal and Zach's like I got the dad terminal and it's just like I get to like type in any question and get some crazy you know response from this 40 essentially he's been you know world class entrepreneur for four decades so like I have an issue with supply chain well guess what seen everything about supply chains and he and he's like can be very helpful but his whole point was like he knew that he his company was under inflection point a few years ago and he stood up and and gave this this uh I guess this talk I think it was a talk and you might have wrote it down but it's just like you know there's a company out there that is you know going to uh do be faster than us have better products have cheaper uh products and essentially they're going to come for us is like that company's us like we are going to reinvent we're going to figure out what our weakness is and instead of let waiting around to be somebody else's meal like we're going to figure out how to reinvent our company and on the podcast the episode we did together he was just like if you don't have a crisis you need to find one I would say yes with the caveat that Like I don't want our team to always feel like they're in crisis mode. I think I always try to be really cognizant of like where the team is at and like when we should sprint and run hard and like when we actually need to take a step back and you know adjust, you know? So I think like all like staying in touch, especially at our size, right? We're like 5,000ish people. you can really stay in touch with like the feeling of the organization and knowing when to like really really push uh you know and when it's better to create a little more space for like ideation or you know experimentation.

センラ#138

最初はメッセージングだと思い、他国のメッセージングのマネタイズも研究した。魂があるから、できれば全部サブスクの方がインセンティブが揃うのでは、と感じていた。

EN

So 5,000 people serving a billion uh billion users. You mentioned uh you have a bunch of different revenue lines are ones that are growing like how does can tell me about the ones that like are new? One of the new ones is our subscription business uh which is growing really really rapidly called Snapchat Plus. Um and I think it's a really good fit for Snap's culture. You know, we we adopted the advertising model very early on. I think it's like well understood. It's a huge opportunity and we have a ton of, you know, engagement on on Snapchat. So advertising is a big opportunity for us and it allows us to offer our product for free, which is great. Um, but I think, you know, the heart of Snapchat is and and our company is about building stuff that people love and and and that they want. And we were getting so many requests for all sorts of, you know, new and different features from our the most passionate members of our community. And we would we could never really find time to resource and invest in them. Um, because we were focused on things that everyone would use, not just like our most passionate, not just the most passionate Snapchatter. So, we decided to build Snapchat Plus, which is essentially gives you access to like new fun features on on Snapchat. We listen to our community and the things that they they want and we'll test stuff and release new things for for Snapchat Plus. And for like four bucks a month, you can join Snapchat Plus and get access to all these new uh these new features. That's now grown to like 25 million subscribers, which is like ESPN scale of subscribers. And I think in the last quarter is growing 60% year-over-year at like a billion.

スピーゲル#139

サブスク事業が大好きだ。もっと早くやっていればよかった。顧客との直接の接続、提供価値との直結が好きだ。他のインターネットサービスと違い、Snapchat から十分な価値を得て払ってくれる人がいる——価値あるものを作っている印でもある。

EN

Don't make me do public math. Is that a billion run rate? uh we're doing a bit like yeah like a billion run rate growing 60% year-over-year.

センラ#140

Spotify の Daniel、Gustav、Alex とも長く話した。使い終わったあと気分がいいか、が軸。音楽・ポッドキャスト・オーディオブック。魂があって、ただ使用を最大化するアプリではない。有料加入は Netflix に次ぐ世界2位クラス、と。Jimmy Iovine は Apple 買収時 Spotify は有料300万と言っていたのに、いまは2.5億規模の話。2500万はどれくらいの速さで?

EN

That's incredible.

スピーゲル#141

2〜3年前くらい。かなり速い。大きな収益ドライバーになると思う。

EN

And it's a really good fit for what we're great at, which is making new stuff that people love and want to pay for. So I think it's it's like culturally been a been a great fit for for our company.

センラ#142

難しい時期、塹壕戦に戻ろう。

EN

It kind of ties to what we were talking about when you're design meetings earlier versus like we're looking at hundreds. How often are you doing these design meetings, by the way?

スピーゲル#143

巨大な独占的競合に対し、毎日が戦い、一歩ずつ前へ。創造性が歴史的に力の乗数で地を取れた。未来で興奮するのは、創造性に AI が掛け算され、リソース制約を超えられること。次の10年は違う。

EN

Once a week.

センラ#144

ハードは別事業になる?

EN

Okay. So every week you're going through hundreds of new ideas, some of which wind up for features for Snap. Snapchat. Okay. So that's perfectly in time. What what did you say earlier about what else are you going to do with do you think like you're going to add to that or do in the future if you want to talk about it

スピーゲル#145

実質すでにそう。100%子会社で、ブランドは隣接だが別。顧客も完全には同じでない。成長の仕方も分かれていく。

EN

for the subscription business? I mean we got a zillion ideas in the backlog so we're just going to keep shipping new you know new additions and features.

センラ#146

別会社にした理由は?

EN

Do you think you eventually increase the price?

スピーゲル#147

ハード事業の核心は、Snapchat のインターネットサービスとまったく違う。実行スタイルも違う。ハードはミスできない。今日やっていることが2年後に出る。ミスしたら大きな問題で、直すのにまた1年。精密さとオペ規律は、今日壊して午後直す Snapchat とは夜と昼。文化もオペも別会社である必要がある。ブランドも、Snapchat は楽しく気まぐれで、自分を表現しやすく、自分を真剣に取りすぎない。Specs も変に堅くなるわけではないが、やろうとしていることは極めて真剣——コンピュータを再発明し、より人間的にし、50年のコンピュータ設計が人類性を奪っている、というビジョン。同じ根の哲学でも、アプローチは違う。

EN

Uh maybe but I think it's so early right now. Yeah we we have done tiering. So one of the things that has been really popular we released something called lens plus. So I think Snap Snapchat the camera itself it's probably the most used like Gen AI camera service like in terms of like image video generation this kind of thing. Um just because of how many people are using our camera every day. Um but we have you know so we release a bunch of these um Genai lenses and we give a number of uses for free. Um but then if folks want to upgrade to lens plus because they're loving it and using them all the time uh they can do that and that's that that's grown nicely for us too. Um, so Lens Plus is at a slightly higher price tier and then we have, you know, the platinum plan or whatever that you can get rid of ads and, you know, unlock more features, that kind of thing.

センラ#148

いつ二社だと心で分かった?

EN

What did you change about the advertising business? You said something about you just basically adopted at the beginning of what was there and available and maybe known and how has that changed over time?

スピーゲル#149

多くはかなり別に動いてきた。G&A は共有しつつ、Snap Lab——Specs Inc. の前身——は長いあいだ比較的独立した部分だった。

EN

There's been a couple huge shift for shifts for us in the past couple years. You know, the core of our advertising business from the early days really grew around, you know, a small number in the, you know, in the hundreds of large customers in the United States, really built around a brand business and it grew very very quickly throughout the, you know, the the history of the the company. But our advertising mix almost looked like the inverse of like a Google or Meta. So Google or Meta the vast majority of their revenue comes from small and medium-sized customers and a small amount of their revenue comes from you know large large customers especially here in the US we had like the inverse we had most of our revenue coming from this small group of of large customers and then a very small amount of money coming from small and medium customers part of that was because you know at the time many years ago we didn't have a really robust lowerfunnel advertising business you know where people can optimize against you know events that happen in their app or you know people making purchases on their website um and you know we hadn't really built out a lot of those capabilities and small and medium customers really care about that. They want to see their return on ad spend right away. Uh so despite having this enormous scale and all this engagement the the ad offering especially in the lower funnel was was immature. So over the past couple years, we built out that entire lowerfunnel advertising offering so we can really drive performance for for customers um for for small medium customers and we've been really rapidly growing that small medium uh that small medium customer segment. So we're doing like this really difficult transformation to make our sort of inverted, you know, mostly large US customers advertising around upperfunnel and brand goals into like mostly small medium customers uh advertising against lower funnel funnel goals. And that's just been a transformation of like every part of our advertising business, the way that we go to market on the sales side, the the engineering and product work that's happening.

センラ#150

別拠点?

EN

Yeah. I'd be curious like what that looks like because if you are doing the inverse, you have these giant brand deals. I'd have to imagine as giant brands spending a ton of money, right? I'd have to imagine that you have to employ a ton of sales people, right? In a way that Google and Facebook do not.

スピーゲル#151

近いこともあるし共有も、作業によってはまったく別。リーダーシップも歴史的にかなり分かれていた。

EN

Yeah, that's certainly one part of it for sure.

センラ#152

Steve Jobs は新しいものを発明するとき同じ建物にすら置かなかった。

EN

So that'd be more profitable too because they kind of have like a self-service product.

スピーゲル#153

分かる。新しいものを作るときフォーカスは致命的に重要だ。

EN

Yeah. And I think you know large customers rightly want a lot of bespoke service as well. So our engineering team was spending a huge amount of time building bespoke solutions for really large customers who want to measure things in a specific way or want a really unique integration or unique offering. And you know now our engineering team is spending a huge amount of time serving lowerfunnel customers at scale right and so rather than doing

センラ#154

Snap Lab とは?

EN

building a product they need to adapt to

スピーゲル#155

Spectacles/Specs 周りを多くインキュベートした。ハード開発を収める器。Spectacles を始めた頃がジェネシスで、同時並行だった。

EN

that small yeah that small medium customers can really easily you know sign up for and use

センラ#156

いまも別 R&D で新プロダクトを夢想する? アプリとグラスだけ?

EN

are you getting rid of the bespoke are you trying to like

スピーゲル#157

いま考えているのは AI と創造性の力の乗数だ。コアの Snapchat は、巨大な流通とアイデアと才能があり、AI でリソースも出るので、新しいアプリカテゴリを出すのに良い位置にいる。Snapchat とは別アプリだが、ほぼ10億人に届くローンチパッドとして使える。

EN

we're doing a lot less bespoke but we also find that these large customers they want to drive lower lowerfunnel outcomes too. So, a lot of it is teaching our sales folks, you know, who were used to living in this more brand upperfunnel oriented world to sell into lowerfunnel objectives for large customers. There's actually a weird idea that just came to mind because I just did this episode called How SpaceX Works. So, there's this guy named Max Olsen who he still needs permission to to publish a book, but essentially he's like, "Hey, I want to tell the story of the history of SpaceX as it happened and I'm going to use their internal memos to do so." So, he's got access to like the first 10 years. I hope SpaceX allows him. I've seen a copy of like the advanced copy that you can't sell yet. It's called SpaceX Foundation. So, he's like, "Well, in the meantime, I'm going to write an essay that tells the story of why this is important." And so, I read the essay like three times like, "This is … crazy." So, I just did an episode of Founders on it. And one of the most interesting things I never thought of is like essentially the the the aerospace industry, everything was bespoke. Everything was custom to the customer. And it's just like, well, if you do that, you can't scale. And Gwyn Strowell was, you know, a huge driver behind this. It's like, we're going to, you know, build a basic good enough launch system that you adapt to. And then it took a while to educate them to adapt to it. But once they're adapted, then they just I mean now they're doing I think uh most launch providers would do two to four launches per year that they do one every like two days. They did more load last year than every single other launch uh provider in like China, Russia, America, everywhere else combined. And that one idea where it's like we can't do bespoke. We have to we have to get this uniform if we're going to scale this and we can't get to our goals if we don't scale it.

センラ#158

他にアプリは?

EN

And to take it a step further, they didn't have to deal with all the political pressure that NASA is under to put, you know, a certain factory here or a plant in this state and you know what I Like I think like just out the gate they were able to deliver rockets at a tenth the cost

スピーゲル#159

Saturn を買収した。カレンダーのまったく新しい考え方。いまのカレンダーはビジネス世界に深く根ざし、友人と共有しにくい。全部メール中心で、友人との計画はテキストと電話番号の周りで起きている。Saturn は友人向けのソーシャルカレンダー——15歳がコーポレートメールなしで友人と共有し、家族の予定を見える化する。電話番号中心。

EN

you know of an asset or something like that.

センラ#160

メールはどれくらい使う?

EN

Did you intentionally invert where like Google and Facebook are doing it this way we're going to try a different way and then realizing oh we we need to change like back then did you make that decision consciously?

スピーゲル#161

ずっと。

EN

We saw that like if we really wanted to grow the ads business to be you know doubledigit billions over time that we needed to have a lowerfunnel business with a diversified set of small business. Did you hope that wasn't true at the time at the very beginning?

センラ#162

僕は全部テキストか WhatsApp に押す。

EN

No, I just think we grew really fast on, you know, large customer brand advert. They can move dollars very very rapidly, right? That's one of the the benefits. You know, if you're working with a large customer, they can move, you know, millions of of dollars very quickly. If you have a couple hundred of those customers, you can build a very large advertising business very quickly. The question is like how do you build a diversified very very big one over time?

スピーゲル#163

僕はメールをテキストみたいに使う。軍隊はいない。

EN

Okay. So, you can get big, but you can't get huge without it. Oh, okay. And you needed to get big at that like you that was like almost like stage one. You had to do it that way.

センラ#164

フォーカスのバランスは? Snapchat と Specs が動き、新しく発明し続ける。強迫?

EN

And and I'd say almost all these platforms stage one looks like that. Okay.

スピーゲル#165

今日あるプロダクトとサービスにも巨大な機会があり、絶えず反復して良くする必要がある。コミュニティがそれを期待している。同時に、フォーカスほど価値あるものはない。会社での主な役割はほぼフォーカスと優先順位付けを駆動することだ。トレードオフというより、事業運営の継続的な一部だ。

EN

Right. I mean even Facebook in the early days it was display advertising, right? Um and then over time they built out way more advanced systems optimizing against lowerfunnel goals. I'd argue like a a Reddit or a Pinterest today. I mean, you know, to some degree Pinterest is building out lowerfunnel objectives and this kind of thing, but a lot of it is still, you know, large customer upperfunnel dollars. So, I' I'd say almost all ad platforms start with that because you can grow very quickly. Uh, and then you use that to invest in building out much more sophisticated systems. Yeah. And at the beginning, you said you you really thought you were building a messaging app, not a social network. You studied the way messaging apps in other countries monetized. I feel like you have a lot of soul and so you would prefer I don't know if you can say this but you would prefer almost if you had like an all subscription business because the incentives are more aligned. I really love the subscription business. I wish we had done it earlier. I I just I love it. I love the direct connection to our customers. Um I love that it's directly related to the value that we provide them. And I think it's been really exciting to see that like you know I think unlike some of these other internet services, people are getting a ton of value from Snapchat. so much so they're willing to pay for it, right? And I think that's that's uh you know, it's also a sign to me that we're building something that that's valuable.

センラ#166

400冊の伝記を読んだ人にトップ10アイデアを聞かれると、一語に蒸留する——focus。Edwin Land の好きな引用は、「私の人生は、何時間も続く激しい集中が、人が知らなかった資源を引き出せると教えることに費やされた」。Tony Xu(DoorDash)と過ごした? 41歳で若い Jeff Bezos の気配がする。フードデリバリー60%シェアで満足する男ではない。ハード含む6つの新プロダクト。Bezos が本と CD に留まらない性格と同じ。野心のレベルは?

EN

I spent a lot of time with the Spotify team, Daniel, Gustaf, Alex, the top three three people there and they just have this like soul in the game and they're really trying to build an app. Their whole thing is just like when you're done using Spotify, do you feel good?

スピーゲル#167

野心という言葉は違う。創造と問題解決が本当に好きなことだ。

EN

And I'm like, well, you know, I spent an hour listening to music, I feel great. I spent an hour listening to, you know, founders podcast or any other podcast. I feel great. Now they have audio books. Do you feel great? They're actually try. It wouldn't have worked any other way. Like they obviously have some they have somewhat of an ad business, but I think they they told me they're um the second most paid subscribers in uh the world, I think, behind Netflix. And you know, they did that in a relatively short amount of time. Like I'm friends with Jimmy I was on the the show and he told me some outlandish … He's just like, "When Apple bought us, Spotify only had 3 million paid subscriber. I want to take a run at them." And now they think of like 250 million. But there is something about like if you do have this soul, if you are trying to put something good into the world that is not just trying to maximize usage, you know, on an app that's not good for you, it's just more enlightened. I I didn't ask you that before, but I just got that that the sense that that's uh that's how you were. You have any idea the size that you think it could get to? Because you have how many page? You said 20

センラ#168

その通り。一連の問題が見え、自分の方がうまく解けると思う。

EN

25 million subs

スピーゲル#169

それをやる充足感はすごい。人の生活が良くなり、反応が返ってくる——最高だ。

EN

over what when and when did you like start it?

センラ#170

毎日起きるフォーカスは、Snapchat で最大の問題を攻撃すること? 時間配分は? 難しい問題に惹かれる、と他の番組で言っていた。

EN

Was that two three years ago? Something like that.

スピーゲル#171

難しい問題に取り組むのは、事業の長期成功に絶対に必要だ。価値はそこで生まれる。コミュニティの生活をどう良くするか、ユニークに解ける本当に難しい問題は何か——を考えている。

EN

Still, it's it's pretty goddamn fast.

センラ#172

既存の事業の問題への時間の使い方。Elon はボトルネックを見つけてそこに物理的に座る。SpaceX では問題があるとフラッシュモブが現れる、と。

EN

Let's see. You know, I'm excited. It's obviously grown quite rapidly and I think it'd be a big a big uh revenue driver for us.

スピーゲル#173

例えば月曜の朝は、Specs 事業で2〜2.5時間、リスクと依存、赤・橙・黄・緑、何をしているか、進捗、どう手伝えるかを見る。週の始まりがそれだ。

EN

All right, let's go back to the more difficult times in Snapchat's history. I want to know more about this like trench warfare. That's a great line that you had. I think given that we're up against such large monopolistic competitors, like every day is a fight. Every day is about putting one foot in front of the other because they just have so much scale. And I think for us, you know, creativity has been historically the force multiplier that's allowed us to break through and take ground, right? Um, but I think as I look towards the future, what makes me so excited and that, you know, the reason why I brought that up is like creativity combined with AI should allow us to move incredibly quickly in this environment and overcome a lot of the resource constraints that we've had historically. And and that's something that that's really different about, you know, the next decade for for Snap.

センラ#174

録音前に渡した写真史の本を開いて、Steve Jobs のクソリスト——解がないものも含む最難問5つ——があって、君も持っている、と。

EN

Do you ever foresee the hardware being a separate business?

スピーゲル#175

いちばん大事なのは、問題を早く・しばしば手を挙げて持ち込む文化だ。知らなければ解けない。エスカレーションが遅いと解けない。ローンチブロッカーなどにフォーカスするだけでなく、組織全体が一日中そう動く文化が要る。

EN

It essentially is. So, it's it's a wholly owned subsidiary today. The brands themselves, you know, they're adjacent to one another, but they're different brands. In many ways, it's a different customer. Um, although not entirely different. So, I I do think that they'll they'll grow in different ways uh over time.

センラ#176

情報が自分に届くようにするには?

EN

Why did you make the decision to start a separate company with

スピーゲル#177

Walmart から盗んだ。In It to Win It という金曜の会議。世界中のリーダーが約1時間集まり、「この買い物カートのベアリングがダメだ」と手を挙げ、担当が答えるか持ち帰る。店単位で直して会社全体では直さない、を防ぐ。Specs でも Snapchat でも同じ——問題を前に出す。歩いて人と話すのも好きだが、構造とプロセスと文化がないと難しい。

EN

the hardware business at its core is just so different than the internet service business that we operate with with Snapchat. And you know even requires a different execution style. You know with hardware like you cannot make a mistake right like the things that we are doing today will show up in 2 years from now and if we made a mistake it's a huge problem and it'll cost us another year or whatever to to fix it. I mean it's that type of precision and operational rigor is just night and day different than Snapchat, right? Where if like we break something today because we're moving quickly like it's fine we'll fix it this afternoon, right? It'll and move on. And so culturally they're very they're they have to be different companies and different operating styles. And then I think in terms of the brand and where we're trying to take the the specs brand, I think Snapchat has always tried to be fun and whimsical to make sure that you feel comfortable expressing yourself, right? Snapchat never takes itself too seriously. And while I don't think Specs is going to like take itself seriously, uh, you know, necessarily in a way that's like weird or or you know, not true to who we are, what we're trying to do is incredibly serious. Um, you know, we are trying to reinvent the computer. We think that the way that people have, you know, and trying to make it more human and we think the way that people have designed computers for the last 50 years is like robbing us of who we are and like our humanity. And that people are going to want a new type of computer. They want a computer that allows them to use AI and access AI in different ways that brings them closer together with their friends and and and the world. And so that vision and mission I think deserves real focus and dedication. And in some ways, while it has shares that same root and philosophy and idea that that animates Snapchat, it's approaching it from a very different perspective.

センラ#178

デザインチームはフラットで階層なし。会社全体は?

EN

When did you in your mind realize that this had to be two separate companies? uh in in in a lot of ways they've operated se quite separately right they have the same sort of GNA support but Snap Lab which you know it was the precursor to to Specs Inc. has operated as an independent relatively independent part of of SNAP for for a long time.

スピーゲル#179

全体も多くの会社よりフラットだが、デザインは本当にフラットで、皆ほぼ同じタイトル。Snap にとって重要なのは冷酷な実力主義であること。初期はタイトルを面白おかしく自分で付けさせた。「タイトルが気になるなら、まさに間違ったものにフォーカスしている」。タイトルと階層と出世にフォーカスしたら死ぬ。顧客にフォーカスせよ。どこにいても巨大なインパクトを持てる。インターンが「マネージャーが誰かはっきりしなかった。みんなが助け、メンターし、一緒に働いた」とフィードバックしてくれた。ワンチーム感が大事。

EN

Different location, separate not shared office space. How like explain the organization?

センラ#180

誰でも大きなインパクトを出せるようにするには?

EN

You know, nearby in some cases shared office spaces. Um in some cases definitely not u depending on what we're working on, leadership team, all that sort of stuff. I think you know historically has been has been quite separate.

スピーゲル#181

まず期待値。問題を見て直せるなら直せ——それを祝い、持ち上げ、「自分の縄張り」をprecious にしない。文化としてネガティブに反応される。スイムレーンが曖昧になる副作用もあるが、横断で解き、リーダーがそれを報いることが重要。

EN

Yeah. Did you ever read about I'm I'm sure you did, but like Steve Jobs was very adamant about when he was inventing something new, it could not be in the same building. Had to be a completely different team. I don't think they separated out, you know, that I don't think it spun out different like entities inside of Apple, but he want he's like you can't even be in the same building. That was like really really important.

センラ#182

Jensen(Huang)の組織は研究した? 60人直属、ドメインでは全員自分より賢い、と。

EN

Yeah, it makes sense to me because I think focus is just so critical when you're trying to build something new.

スピーゲル#183

深くはない。創業者主導の会社は創業者の人格の反映で、魂の守護者は創業者だ——君の哲学と一致する。

EN

And differentiation, you don't want, you know, the opinions of other people outside of, you know, the people working on it. What was Snap Lab? Uh, Snap Lab really incubated a lot of the spectacles and specs stuff.

スピーゲル#184

世界はよりフラットで、より広いスパン・オブ・コントロールへ動くだろう。コミュニケーションと組織の税は20〜30年前と夜と昼だ。工業時代の高摩擦コミュニケーション前提の組織は今日あまり意味がない。

EN

It was to house all the the hardware development.

センラ#185

人の最初の会社には興味がなく、最後の会社に興味がある。これは人生の仕事? 最後の会社?

EN

Okay. So, it's not like SnapLab was created and then you realized, hey, let's do hardware. It was the vehicle to do hardware or like

スピーゲル#186

Specs がおそらく最後の会社だと思う。二度とやらないと言っていたのに Specs でまたやっている。遠くない未来では、社会に還元する道ももっと考えたい。ファミリーファンド、Snap Foundation、LA への支援——もっと広く。

EN

I think it was sort of concurrent. I mean, when we started working on spectacles back in the day, that that was really the genesis of SnapLab. I mean, that's what it was called initially. Do you still have some kind of like R&D separate thing to like dream up new products or you just only focus on the app and the glasses? You know, one of the things we're thinking a lot about now and and this is sort of what I mean about the sort of force multiplication of AI and creativity. Like the core Snapchat business is really well positioned to launch new app categories today, right? Because we have a massive amount of distribution. We've got tons of great ideas and brilliant creative people and now with AI we actually have the resources to make that possible. So inside of Snapchat today and in our design team we're thinking a lot about what types of new apps and services internet services

センラ#187

慈善は好きだが、最善の慈善は誰かの人生を良くする会社とプロダクトを作ることだと思う。

EN

but a separate app from Snapchat or

スピーゲル#188

一つの寄与の仕方ではある。でも世界を良くする道はたくさんある。今日いちばんの問題は、人が1日7〜8時間コンピュータの前で人生をコンピュータ操作に使っていること。社会にとって災害で、変えなければならない。Specs でその問題に取り組み、8時間のうち2時間でも、猫背の画面から、世界を見て歩き、友人と遊ぶ時間に移せたら巨大だ。その解を確実に着陸させたいが、長期では他のインパクトも考えたい。

EN

a separate app from Snapchat but we can use Snapchat as a launchpad for for these new services because it reaches almost a billion people.

センラ#189

ほぼ全員が VR を道だと思っていた時期に AR に張った決断に戻りたい——面白いことも言っていた——が、いま追っている線は、何十億ドルもの買収を何度も速く断った有名な話だ。本のタイトルもそれだ。起業家は金に動かされると誤解されるが、僕はコントロールに動かされると思う。才能があり、人生を良くするプロダクトを作り、コントロールを保てば金は後から来る。君の第一動機は金ではなかった。本には「誰の下でも働かない」と。何十億を断る決断を辿って。

EN

Do you have any other apps? I don't even know. Uh there's an app called Saturn which we acquired which is a totally new way to think of calendaring. So if you if you look at calendars today, not only are they kind of really entrenched into like the the business world, but because they are, it makes it almost impossible to easily share calendars with friends, right? And it's all and calendars are all today oriented around email, right? Rather than your phone number and your text messages, but all of your planning and the way that you're working together with your friends is happening in your text messages, right? And around your phone number. And so the Saturn team has had a lot of really great insights about what the future of a calendar should look like. And so um that's a separate app that's now owned by Snapchat that's in integrated with Snapchat um and gets distribution through Snapchat but is a standalone service.

スピーゲル#190

Bobby と投資家が賢く、かなり早く二人とも株を1000万ドル分売れたことを過小評価したくない。今ならもっと価値があったかもしれないが、家族を支え家を買う、など金は早い段階で考慮外になった。

EN

Why would people use it? Like give me a use case.

センラ#191

1000万は十分快適に生きられる。それでも異常な決断だ。初めてマルチビリオンの買収オファーを断ったのは何歳?

EN

Because it's a calendar built for your friends. So like I it is so difficult. I mean I don't know if you've experienced this with your partner but with my wife like it's so hard to get my work calendar to match with her work calendar. it's like almost impossible. And let alone get that to map to our 15-year-old's calendar, right? And you know, everything he's got going on after school. And so, I think all of a sudden, there's a solution that like works really well for our 15-year-old who doesn't have like a whole corporate email and whatever, but like wants to share his calendar with with friends, right? We can have visibility into each other's calendar, and it all works centered around your phone and your mobile number, right? So, it's so it actually is a social calendar rather than being like a work oriented calendar. That just makes things easier. How much do you use email

スピーゲル#192

たぶん20……若い20代。

EN

all the time?

センラ#193

過小に言うな。一連の異常な決断を重ねてきた。いまの起業エコシステムはスタート・スケール・セルを祝う。君はスタートし、スケールし、売らなかった。400冊の伝記に「2年でビリオンで売ってあとは投資家」の本はない。吐き気がする。Elon はチップを戻し入れる。22、23、24でどう決断した?

EN

I push everything to text or WhatsApp.

スピーゲル#194

やっていることが好きだった。Bobby と一緒に作るのが好きで、サービスの巨大な機会が見えた。根本的に他と違いすぎて、売ればビジョンと価値観を妥協せざるを得なかった。当時の選択はほぼ全部、時代の逆だった——永久・公開・フィードのソーシャルに対し、プライベートでエフェメラルなメッセージング、いいねもコメントもなく、フィードではなくカメラに開く。皆が VR——顔にテレビを着ける——に投資する中で AR に投資。狂っていた。もし世界がそっちへ行くなら怖い、と見た。

いま多くのサービスが僕らの発明を取り入れたのは良い面もある。2012〜13年にプライバシーの重要性を語ると狂人と見られた。Zuckerberg は世界はオープンでコネクテッド、皆がすべてを共有する、と言っていた。方向として間違っていた。Snapchat とその発明がなければ世界はより悪い場所だったと思う。

いまソーシャルメディアの気分への懸念が多い。興味深いのは、Snapchat をソーシャルメディアから分けて研究すると、友情やウェルビーイングにポジティブな影響がある、という独立研究が続くこと。同じ研究で Instagram や TikTok は気分を悪くさせる。Snapchat は友人・家族とのつながりとして人生を良くする。世界観の違う巨大競合と戦うのは大変だが、Snapchat のない世界、この価値観のために戦わない世界が心配だ。

EN

Really? I push everything to email.

センラ#195

伝記を読む利点は、アイデアの進化が見えること。20代前半で売らない決断の核は、2018年の最初のポッドでも言った——「これより良いアイデアは出ないと思う」。それなのにセカンドベストに人生を捧げるのは金のために意味がない。その核が固まり、ソーシャルの悪い評判や、分離すると人が幸せでいられるプロダクトを作った事実が、金以上の価値だと後から証明された。

EN

Oh, well, you probably have like an army.

スピーゲル#196

100%。世界中で約10億人が友人・家族と話し、関係を強くするのに使う規模でインパクトを持てる——それがインスピレーションになる。

EN

I use email like text message.

センラ#197

この番組で驚いた会話が二つ。Spotify の Daniel は、売らなくても続けられる可能性が上がるなら売る覚悟もあった、と。Shopify の Tobi は、AI がなければ自分が最良の CEO ではないと感じて交代を考えた、と。どちらも会社の最善を優先した。

EN

Okay.

スピーゲル#198

僕にとって Snapchat は、コンピュータを再発明する最良の車両だ。コアのキャッシュフローを生む収益事業があり、それを長期の投機的プロジェクト——コンピュータの再発明——に再投資できる。Snapchat 自体が世界を変えただけでなく、コンピューティング進化を可能にする車両でもある。長く一貫して先端技術と R&D に投資し、競争優位と世界水準のプロダクトを作れたのは、Snapchat を運営しコントロールしているからだ。

EN

There's no army. No, I use email like text. Yeah.

センラ#199

そうは考えていなかった。Snapchat をコンピューティング再発明の手段として。

EN

How do you balance focus? You obviously Snapchat's working. The app specs working and will continue to like grow. How do you balance like inventing new things with with focusing on what you already have? Like how do you think about that? Are you just that's just you you just need to invent new things to just you have like a compulsion for this?

スピーゲル#200

巨大な利益を生むキャッシュフローなしではできない。Snapchat は売上ほぼ70億ドル規模で、Fortune 500 近く。利益が足りないとからかわれるが、コアのキャッシュフローの多くをコンピューティングの未来に再投資している。グラスには12年投資してきた。VC が百万年かかっても支持しない一貫した投資の仕方だ。

EN

Um it's it's a it's a really great question. I see a huge amount of opportunity in the the products and services that we have today and I think we need to continue to constantly iterate and evolve them and make them better. Um and that ultimately that's what our customers our community expects, right? They want us to constantly innovate for them to, you know, make their lives their lives better. So I think we have to tirelessly do that. At the same point, there's nothing more valuable than focus. Like focus is, I mean, arguably my primary role in our company is helping to drive focus and prioritization. So I almost don't see them necessarily as as like tradeoffs, but like as just an ongoing part of running our business, right? Making sure that we're being really clear about focusing on the areas where we see the biggest opportunity.

センラ#201

ソフトだけの世界はあった? 二人のヒーローは両業界で最高のハードを作った。Jobs は「偉大なソフトを作りたいならハードをコントロールせよ」。

EN

Yeah. if um somebody would ask as ask me like okay you've read 400 of biographies on history entrepreneurs they always want to like give me like a top 10 idea list and I was like I can do one better I can distill everything down to one single word focus and so while you were talking I was just looking up because I save all my notes and highlights for every single book I've read I have a personal aa that that is only trained on all the transcripts for my podcast every single highlight from every book every single note and Edwin Land one of my favorite quotes of his he says my whole life has been spent trying to teach people that intense concent concentration for hour after hour can bring out in people resources they didn't know they had.

スピーゲル#202

100%。顧客体験や世界に作ろうとするものを考えると、最終的にハードは必然だと分かる。

EN

He was obsessed with focus.

センラ#203

答えはノー。Evan がソフトだけ作る世界はなかった。

EN

The reason I asked you this is because you spent any time with Tony from Door Dash.

スピーゲル#204

始めたのがどれだけ早いか——2014年からハードに投資している。

EN

Not a lot. No.

センラ#205

本当に誤解されている。丸ごとポッドを作り、インタビューも全部聴いて、いまも学んでいる。

EN

Okay. We just recorded this intense conversation and I'm going to have to do it again like every six months because I still can't. The guy has got so many ideas.

スピーゲル#206

楽しいよね。

EN

I don't buy individual stocks. I don't really give a … about anything about making, you know, podcasts and try to do this intense focus. So, I don't think about investing. I don't think about anything else. Just do what I'm doing every day. Wake up and do it seven days a week. But I don't know anything about the finance of Jordash. All I can tell you is he's I think 41 years old. I've never come across another person that gives me like young Jeff Bezos vibes. And I'm so tempted to just like back up the truck. I'm like, I'm just going to vibe. I'm going to vibe invest just because everybody's like, "Oh yeah, you know, you got 60% of I think right now he has 60% market share of food delivery." You're out of your goddamn mind if you think that that guy is just thinking about food delivery. He is. He's going to build and he already is. I think he they launched six new products including their own hardware. There's something about this conversation that's reminding me of this where it's just like he's going to be focused on, you know, what they're excellent at, but he's got grandiose ambitions to the point where like just like there's no way in hell Bezos was going to stick with books and CDs and movies. Like he's it's impossible for that kind of personality type to to be that way. Um, so yeah, I was just curious if like you if there was something in you that you basically like your level of ambition.

センラ#207

楽しいが、その物語をもっと上手く語る必要がある。

EN

I think ambition is the wrong word. I do

スピーゲル#208

物語を語る最善の方法はプロダクトを通してだ。今年がエキサイティングで、坩堝の瞬間と表現するのは、Snapchat を変曲させつつ、発明した新しいプロダクトカテゴリをローンチするから。会社にとって画期的な年になる。

EN

I think like creation and problem solving is really what I what I love to do.

センラ#209

こういう年のスケジュールは?

EN

I think you're right. Ambition is the wrong word. It's like there's they see a series of problems and they think they can solve it better than anybody else.

スピーゲル#210

狂っている。完全に狂っている。週7日の仕事。

EN

Yeah. And I I think there's like something so incredibly gratifying about doing that. It's awesome, you know, and to see the way it makes people's lives better, the way they respond to like that's that's like the best. It's it's awesome.

センラ#211

小さな子どもがいて、激しい時期は起きるのが子どもより早く、帰るのが寝たあと、と聞いた。

EN

Your focus basically every day when you wake up is like you're attacking what you feel is like the biggest problem in Snapchat. Is that how you organize your day? Like how do you go about this? I heard you on another podcast say that like you kind of get turned on. You didn't use these words, but like you're like attracted to hard problems. like you want like difficulty, you want to spend your time solving the hardest problems.

スピーゲル#212

いまもそういう日が多い。そのモードに戻っている。日曜は守ろうとする。家族で教会、ブランチ、午後は子どもと。それ以外はフルオン。

EN

I think it's absolutely essential for us to go after solving uh hard problems, especially as we look at like the long-term success of the the business. I think that ultimately like that is where value is created. So I think a huge amount of what I'm I'm thinking about is like how can we make our community our customers lives better and you know what are some really really hard problems that we think we can uniquely solve.

センラ#213

早朝と深夜が常態。いちばん大きいのは新しいハードの発明? Snapchat はスケールして利益も出て機能も足している。

EN

I meant more about like the existing problems in like how you spend your time how you allocate your time is a better word like the existing problems in the business.

スピーゲル#214

Snapchat では広告事業の再加速が要るが、過去3年の広告プラットフォーム転換で、中小の成長と多様化、ダイレクトレベニューが見えている。今後数年でより多くの売上への道がある。Specs のコアは今年、開発者プラットフォームからコンシューマープロダクトへ移る本当の始まり——それが本当に難しい。

EN

How do I allocate my time across the existing problem? So, you know, so like like Elon's famous for like what is the the bottleneck here and like I'll find out in my entire empire where the bottleneck is. I'm going physically there and I'm going to sit there and like dedicate all our resources. In that essay I told you I I read about the history of SpaceX the they they just there's a NASA guy from NASA um visiting SpaceX and they're like like when there's a problem there's like a flash mob appears. So Elon has a very specific way and I heard you on another podcast saying like you're attracted to problems. I'm just curious like I'm not talking about problems you could solve like in future product development. I'm saying literally like there's you're running a giant company. There's all kinds of stuff that's not going well.

センラ#215

スケジュールは狂っていて、下に煮えたぎる強度がある。こういう時期が、会社を経営するいちばん好きな時間?

EN

Yeah. So so my Monday morning for example is like two to two and a half hours in the specs business going through the risks and dependencies red yellow you know red orange yellow green what are we doing to solve it right and what progress are we making and how can I help? I mean, that's the that's that's how I start my week.

スピーゲル#216

絶対にそう。すべての決断、毎分の使い方が本当に重要だから。12年、コンピュータの新しいビジョンに投資してきた人生の、あと何日かで世界と共有する——信じられないほどエキサイティングだ。

EN

You and I were looking at this book I I gave you before we started recording and it was a photographic history. I think it's called like Fearless Genius or something or Ferocious Genius and it's about Steve Jobs and you open to a page and Steve had a … list and you're like, I have a … list too. It's like the five hardest problems he's got to solve and there many of them don't have solutions yet. So, it's similar to that.

センラ#217

ストレスはどう処理する?

EN

Yeah. And I think what's most important for me is creating a culture where people are raising their hand and bringing those problems early and often, right? Like that is missionritical across the organization, right? Like we can't solve a problem that we don't know about. We can't solve a problem that someone isn't escalating quickly, you know? And so I think it's it's really beyond just like making sure that we're staying focused on the the issues that we need to get resolved and you know, launch blockers or whatever they are. Culturally, we have got to make sure that like that is, you know, how the team is operating all day, every day throughout the organization.

スピーゲル#218

瞑想が巨大。クリヤ(Kriya)瞑想が人生を変えた。(字幕は Korea / Ka)

EN

How do you ensure that information gets to you though?

センラ#219

毎日?

EN

I think one of the things that's really I stole this from Walmart, which I thought was great. They have a Friday meeting called In It to Win It. They have their leaders from across the company, not just like super senior leaders, but leaders from across the company around the world, all get together for about an hour and they essentially raise their hand and say, "Hey, this shopping cart ball bearing is not working properly. We got to get this thing fixed." Right? And who'sever in charge of the shopping cart ball bearing can raise their hand and give a response or they can say, "I'll get back to you or whatever it is." But that's multiplied across the entire company. And the thing that they found was like their leaders would go out into the, you know, into stores into the community and they would hear about problems and then they'd solve the problem just for the store, but they wouldn't solve it for the company. And so in it to win it allows them to solve these problems companywide. And so we do the same thing for Specs, for Snapchat, like bring the problems forward, right? I mean you can also like the even simpler way to do it I love to just walk around and talk to our people right and just hear about what's going on hear about the issues impacting them but I think you unless you create these like structures and processes in the company to actively surface it and build that culture it's hard to it's hard to do that and I think you know it's just so important so I heard you describe the design team as like a very flat there's like no hierarchy is the rest of the company like that like how is how do you actually organize

スピーゲル#220

できるとき。朝の運動もできるだけ。クリヤは週に数日。子どもと遊ぶ、妻と過ごす——それがストレス管理の体制だ。

EN

I'd say the rest of the company is certainly flatter than most, but you know, the design team is actually flat, right? Uh, everyone's got the same title, like that kind of thing. But I think what's so important for Snap is that we're like a ruthless meritocracy. You know, we like in the beginning of the early days, you know, this kind of silly now, but in the early days, we would just make up people's titles, like just make them hilarious. Like you could come and join Snap and like make up whatever you wanted to be called because the whole point was like, who cares about your title? And if you're focused on your title, you're focused on like the exact wrong thing, right? Like that like we are going to die if like we are a company that's focused on title and hierarchy and you know uh getting ahead, right? Rather than focusing on the customer. I mean I think that's like a huge huge problem. So I'd say like the the company Yeah. of course you know we we've got great leaders. We invest a lot in our leaders. But one of the things that I think makes Snap so unique is like no matter who you are, where you are in the company, you can have a huge outsiz impact. I mean it was it was fun. I I got some great like intern feedback. one of our interns like came to me and was like, you know, it's funny like I came to Snap and like wasn't even really clear like who my manager or leader was because everyone was so helpful and everyone was like guiding me and providing mentorship and working together with me. And so I think that sort of like one team feeling is is really important.

センラ#221

偉大な起業家を最もよく表す引用は、Southwest の Herb Kelleher——「ストレスをどう処理する?」「処理しない。好きだ」。超競争的な環境で会社を始めるのは、楽な人生を望むならやらない。多くの創業者はストレスを機会にリフレームする。

EN

So how do you make sure that anybody in the company can make a major impact though?

スピーゲル#222

初期、公の場で話すのが嫌いだった。コンピュータラボ育ちの性質で、全社 Q&A もやりたくなかった。伝えたいならメールでいい、と。ボードメンバーに「Evan、それが仕事だ。残念だがやれ」と言われ、好きになる方法を学ぶと決めた。いまはチームとの Q&A が好きだ。挑戦や居心地の悪さに見えるものをリフレームする能力が大事だ。

EN

First of all, setting that expectation like that's that's what we expect at Snap. It's not just like you know that we try to enable it. That's like if you see a problem and you can fix it, you can solve it, like we're going to celebrate that and lift that up and not be precious like oh this is my thing, my territory. Like that's that that is I think you know I think people respond really negatively to that in our in our culture. So I think you know sometimes that creates problems because the swim lanes are less clear. I mean people are solving problems across the organization across teams are working together and I think um you know just making sure that we have culture and leaders who are rewarding that and reinforcing that behavior is so important.

センラ#223

Edison、Kaiser、Land も問題を機会と見、あとは働くだけ。いま企業はチーフ・ストーリーテラーを雇おうとするが、それは創業者だ。Land も Jobs も、誰より気にかけ、誰より知っている人が、なぜ存在し何が特別かを教える。一人・二人とラップトップのときからいた人以外に誰ができる?

EN

Have you studied how Jensen organized his company

スピーゲル#224

若い頃、会社を始めたばかりのとき Clinton 大統領に会う機会があり、助言は「仕事は explainer-in-chief(説明責任者) だ」だった。皆に説明し、Snap での役割や世界での役割を理解させる。それが超価値がある。

EN

not in depth I mean you would you would be the expert I'm sure

センラ#225

うまくやっている。時間をくれてありがとう。最後に、約10年前に読んだ本の、いちばん好きな引用で終わりたい。スタンフォードをあと5〜6単位で退学し、空の卒業証書でウォークしたことを後悔した、という文脈。君自身の言葉だ。

「準備していて最近気づいたが、この茶番全体がどれほどabsurd だったか。違うように見えないよう、どれほど馬鹿なことをするか。同調はあまりに自然で、どれほど強力かを忘れる。仲間に受け入れられ、集団の一部でありたい——生物学だ。でも人間たらしめるのは、魂のささやきに耳を傾け、別の方向に引っ張られることを許すときだ。」

君が魂のささやきを聴いているのは明らかだ。君のような人がいてくれて本当に嬉しい。この会話の時間をありがとう。

EN

not nearly but I did do two podcasts on them. There's a great book called Nvidia way uh that goes into this but yeah I haven't found anybody else that at that especially at that size that has like a completely flat you know as as flat an organization as possible. Um, I think he's got like 60 direct reports. Like, I mean, it's pretty wild. And he describes this as like people are worried about like being able to manage like AI that's smarter than them and AI agents that are smarter than me. He's like, I do this every day. All my 60 direct reports are smarter than me in their domain and I'm going to be able to manage them and orchestrate them perfectly. It's just it's like very fascinating. Like I'm always curious. Again, I think the the founder led companies are a reflection of the personality of the founder. like the founder is the guardian of the company's soul and it only works if it is like built around who you are and the philosophy that you have.

スピーゲル#226

招いてくれてありがとう。

EN

Yeah. And I think you know generally speaking I would expect the world to move towards flatter structures and much larger spans of control because like the communication and organization tax today is like night and day what it was 20 or 30 years ago. Like so I think companies are still thinking in this like sort of industrial mentality where communication was very high friction. that doesn't make a lot of sense in terms of the way that companies are organized and operated today. So I I would imagine that more people will move to much much wider spans of control, much flatter organizations and I think that'll be helpful. I'm not really interested in people's first company. I'm interested in their last company is you feel like this is your life's work. This is your last company. I think that's like one way to contribute for sure. Um, but I think like I think there are lots of ways to to contribute to making the world better. And and I think um I think specs like the biggest problem that I see today is people spending seven or eight hours a day on their computer and spending their life operating a computer. I think that is like a disaster for our society and I think like we have to change that. uh and if we don't like we are headed in a really bad direction. So I think specs just if we can attack that problem and even shift two hours of the eight hours a day you're spending hunched over like this to you looking out at the world and going for a walk and spending time with your friends and playing together with them like that that's massive for the world. So I think like I really want to like land the solution to that problem for sure, but I think like there's a lot of problems out there and I think um you know over a longer period of time I I want to think about like more ways that I can make an impact. but 10 million is more than enough money to live a really great comfortable decision on your part especially when you were how old were you when you make the first time you turned down a multi-billion another acquisition offer okay don't downplay like that's another see we've we've gone over a series of unusual decisions that you keep making so like explain to me like why I wouldn't do it either like I'd hope I wouldn't do it because my I guess my the work I'm trying to do on founders podcast to give you like I I want to like to the degree that there is any influence that the podcast has on future generations entrepreneurs it's like right now the entre entrepreneurship ecosystem. They celebrate because the incentive structure is … up. They celebrate start, scale, sell. Yeah. Well, I think we we loved what we were doing. I mean, Bobby and I just loved working together. We loved making stuff. We saw a huge opportunity for the service. And fundamentally, the service was so different than what else was out there. And it was very clear that like we would have had to compromise on our vision and values if we sold the company. I mean, you think about almost every choice was the opposite of what was happening at the time, right? It was like permanent public social media on a feed. We were doing like private messaging, private ephemeral messaging, right? Uh no public likes and comments, right, with like opening into the camera, not a feed, investing in things like augmented reality when everyone was investing in virtual reality, thinking that people were actually going to like wear a TV on their face. Like it's insane. Like it was insane. And I think like you it makes no sense. And I think like we looked at that and we were like wow like you know if that like if that's like the direction people want to go like that's scary for the world. Now it's great in many ways that like all of these services have adopted our inventions. I mean when we talked about I mean in 2012 I 2013 the importance of privacy people looked at us like we were insane. I mean literally they were like what are you talking about privacy? Like what like that remember that was like the the world remember Mark Zuckerberg being like the world's going to be open and connected. Everyone's going to share everything. like what like and it was just so wrong in terms of the direction of the world and like what people actually wanted. And so I think like you could imagine a world without Snapchat, without these inventions like I think the world would be like a a worse place. You it's so it's so interesting right now there's a lot of concern about social media and the way that it makes people feel, right? What's fascinating is when Snapchat is studied separately from social media, there's study after study, independent studies that show that Snapchat makes a positive impact on people's friendships, on their well-being. That is fundamentally different from social media because in those same studies, it shows that Instagram, Tik Tok, whatever, make people feel bad, right? And so, what I find so interesting is that like Snapchat itself represents something different and a connection to your friends and family that actually makes your life better. And so even though it's challenging to continue operating a business to compete with these folks, you know, who have a very different worldview and and a you know a very different direction for how they want it how they want the world to to move, I I I worry about a world without Snapchat. I worry about a you know a world that doesn't try to fight for this different set of values and this different way of thinking about things. One of the benefits of reading a biography is you see like the evolution of an idea over time where like your decision not to sell as a young man in his early 20s, right? You might have had like a a faint idea that you know first of all I think you love being an entrepreneur like entrepreneurs need businesses. What is an entrepreneur that sold his business is like nothing. You're just sitting on the sidelines doing nothing. So like you shouldn't sell your ever ever sell your best idea. That's what I said um back in 2018 when I made the first podcast about you. like this is I think you even said this like I don't think I'm going to come up with a better idea than this. But you have that kernel of the idea. But now the you just did this great articulation of that. It's like that idea almost like grew and solidified over time and then there's things in the future that had to happen that you didn't know were going to happen that you realized that was the right choice. such as social media gets a really bad rep. It has terrible PR. Um, you know, all the the polling is like, you know, people even though they're addicted to these things, they seem to not you make their lives better where like you actually se if you separate that out and like you've built something where like people are actually happy and feel good about using the product, that's worth more than money. There was two conversations I had on this podcast that surprised me. The first one was with Daniel of Spotify and the next one was Toby Luke of Shopify. I get those back confused all the time. Daniel said something interesting where he was even willing at the beginning. He he thought uh Spotify needed to exist in the world that he would have he didn't want to sell it but if he thought selling it would increase the likelihood that it continues on this world then he was willing to do so and then so that that shocked me and then Toby Luke said something that was fascinating where he thought if if it was not for the this new invention of AI and in its current uh format that he was close to find he didn't think he would be the best CEO of Shopify so he would find somebody else to do that because all in both cases they wanted what was best for the company. Oh, I never even thought about that like that. So you use Snapchat as a means to reinvent computing. It's an incredibly important part of it because without a hugely profitable cash flowing. I mean, Snapchat's almost a $7 billion revenue business, right? Almost in the Fortune 500, people, you know, uh, make fun of us for not being profitable enough, we're taking a lot of that core cash flow from Snapchat and using it to reinvest in winning this future of computing. What's very unique about Snapchat is we've been able to do that now for, you know, we've invested in glasses for 12 years. We've been able to very consistently invest in a way that no VC would ever in a million years support. Would there ever been a world where you only built software? Yeah. I I think ultimately 100%. Yeah. I I think ultimately if you think about the the customer experience you're trying to create or the what what you're trying to create in the world ultimately you realize that hardware is a necessity and realizing that vision essentially. Think about how early we started doing it. I mean this was back in 2014. We started investing in hardware. because like I I did an entire podcast about you. I've listened to all your interviews and I'm still like learning things right now from talking to you. Yeah. No, it's it's definitely a lot of fun, but like we need to do a better job of telling that story, man. So what does your schedule look like during a year like this? I've heard like Okay. So It's untenable. No, it's it's a this is like a seven day a week job, you know. How do you balance that though? Because you have young kids at home and I heard in very intense times you were talking about sometimes you had to get up before they were awake and you went home every day after they were asleep. There's a lot of days like that right now. I mean, I'm back in definitely in that mode. I always try to keep Sunday protected. You know, we go to church as a family, we go to brunch, and then I spend the afternoon with our kids, and that's super important to me. Um, but other than that, uh, you know, it's it's full on. Yeah. Absolutely. Yeah. Why? Because every decision, the way you spend every minute really matters. And I think that's exciting because I think it's a we're at a real inflection point in the company in terms of you know if you think about the last 12 years of my life that I've invested in you know creating this new vision for what a computer can be and you know and I I almost said the number of days and in some number of days we're about to share that with the world and like that's incredibly incredibly exciting. Huge on meditation. Korea meditation changed my life. Called Ka. Is this like a daily practice Yeah. I I feel like all the great entrepreneurs, it's like the the the the best quote I've ever heard describe this kind of mentality was this guy name her Keller who was the founder of Southwest Airlines which the most successful airline and think about he's selling commodity product right uh most successful airline of all time. I think he was profitable for 40 straight years and he was asked one time they're like how do you handle the stress? He's like I don't handle it. I like it. But I think what he did there and like how he explained that what's really powerful about that and I think this is what a lot of founders do is they reframe it, right? Like if you can reframe stress as an opportunity, it's going to it's going to be great. I mean in the early like I hated speaking publicly when we created our company. I didn't like it. Like my my innate nature I mean this goes back to like growing up in the computer lab, right? Like I just did not want to do public speaking. I didn't want to do companywide Q&A, you know? I'm like, if I want to communicate with a company, I'll send an email kind of thing, right? Like it's crazy. And like one of our board members was like, Evan, like it's your job. Like too bad. Figure it out. And literally I was like, okay, I'm going to learn how to love it. Like I'm going to learn how to love public speaking. I'm going to learn how to love doing a, you know, live Q&A with our team. And I do now. Like I love it. I love doing Q&A with our team. And so I think that ability to like reframe things that like appear like a challenge or feel like something you're uncomfortable with, like that's that's really important. Yeah, you'll see this in the history of entrepreneurship. Thomas Edison, Henry Kaiser, Edwin Lan, they view it as pro uh problems or just opportunities and work close. It's like this is an opportunity. We just have to get to work to actually do it. There's been this new um thing that's popped up where I'm glad you you you like actually developed a skill set uh and to tell your own story to communicate this because companies are trying to hire like a chief storyteller. It's like yeah, that's the founder like Edwin Land. Go back again. We talked about Edwin Land and Steve Jobs a lot today. It's like they would tell you the person that is best able to tell and it's not even have to be that articulate. It's just you care more about anybody else. You know more about it than anybody else. Just educate us on what is why your product exists and what makes it special. And who else could do that but the person that was there when it was just one person, two people and a laptop. Yeah. I'll never forget like I I when I was a lot uh younger, I was starting the company, I had the opportunity to meet uh President Clinton, right? And his advice was like the job is explainer chief. that is the job. Like you got to go around and explain this stuff to everybody so they understand, you know, their role at Snap or Snap's role in the world. And I think that that's super valuable. Thanks so much for having me. Thanks.

センラ#227

最高だった。ありがとう。

---

EN

I think Specs is probably my last company. I would I would guess. I always said I would never do it again and now I find myself doing it again with specs and uh it's just you know I I hope that like in the not too distant future I can also think about more ways to like give back to society. I mean our family does a lot. We have like a family fund. We've got you know the SNAP foundation. We like are constantly thinking about how to you know support LA uh you know and and hopefully in the future like you know more broadly. I love charity, but the best way to be charity is to build a company and a product to make somebody else's life better. You just reminded me I want to go back to this interesting decision for you to go in on AR at a time when almost everybody was thinking that VR was the path. And I've heard some funny uh uh you you you say some funny things about that. But so don't let me forget that. I guess this line of questioning that I'm on right now is really what I'm trying to get to is just like you're famous for turning down billions and billions of dollars real fast to sell the company. I think the book that I read on you eight years ago was called how to turn down a billion dollars or some they made reference to it. trying to get to like what is motivating you like you know I I study entrepreneurship obviously my entire life is founders every during the day I make founders podcast at night I hang out with founders this my whole life and I think the common misconception is that entrepreneurs are driven by money and I would argue they're driven by control and if you're talented and you want to build a product that makes else life better and you maintain control you wind up with money anyways but their primary motivation is not money clearly your primary motivation was not money I think there's a line in the book said that you would never work for anybody else like take us through the decision of just like I don't give a … about your billions of dollars. I want to do this. Well, I think you know I would never like underestimate the fact that like Bobby our investors were smart. They allowed Bobby and I to both sell 10 million bucks of stock very early on. Obviously that would have been worth maybe a lot more now but like but very early on which meant that like you know we were able to see a just you know support a family buy a house like whatever it was right so I think like very early on money like was no longer a consideration life you see what I mean here like it's still an unusual probably 20 I don't know you know long young 20s yeah You started, you scaled, you didn't sell. The 400 biographies I there's not a single biography that I've read where it's like guy started a company, two years later, he sold it for billions of dollars and he spent the rest of his life as a as an investor. I'm sorry, almost throw up in my mouth at the thought of this. They don't write books about that. Why did you take yourself out of the game? Like the whole point like Elon's the richest person on the planet. You think he'd ever do that? No. He like puts his chips back in there. He wants to build … This is what one of the things I admire about you. So like what how the hell do you make that decision at 22, 23, 24? So I'm going to now dedicate my life to working on my second best idea. How the hell does that make sense for money that I'm going to get anyways in the future and most of which I won't even spend in my lifetime? 100%. Yeah. and you get to have an impact at the scale of a billion people around the world who who use our service to to talk with their friends and family, build stronger relationships. Like that's that's inspiring to me. I think for me like I see Snapchat as the best possible vehicle to reinvent the computer. So if you think about Snapchat, we have this core cash flowing profitable business right in Snapchat that we're able to then use to reinvest in what has been a very long-term speculative project to reinvent the the computer. And Snapchat has really been in addition to changing the world in its own way a real vehicle for enabling this evolution of computing. And so I think for me that's one of the real benefits of running and controlling Snapchat today is that we've been able to very consistently in invest in advanced technology and R&D over an incredibly long period of time to build a real competitive advantage but also to build a world-class product that we wouldn't have been able to do without Snapchat. Um there's too much of like this art design background with you and then I'm sitting here as you're talking and describing this to me and I didn't even think about your business in those terms yet which is why it's valuable to sit down and have conversations like this. Uh it's like this guy's two heroes built the best hardware of all time in both of their industries. and Jobs is famous for saying if you want to build great software you have to control the hardware. So the answer is no. There was no world in which Evan only builds software. Yeah. I think you're really misunderstood That's fun, right? Well, I think the best way to tell a story is through the product, right? And I think that's what's so exciting about this year and why I articulate it as a crucible moment because like we are inflecting and transforming Snapchat at the same time that we're launching a whole new product category that we've invented, you know. So this will be a a seinal year for our our company. insane. Yeah. it's completely insane. So, early mornings, late nights all the time. And your biggest issue is that you're redesign like you're inventing new hardware cuz is that like I don't want to diminish Snapchat, but it sounds like it's at scale, it's profitable, you're adding a lot of product features. With Snapchat, we do need to reacelerate the advertising business, but I think given the transformation we've undertaken over the last three years of the advertising platform, like that that is coming, right? We're seeing the growth in the small and medium customers. We're diversifying the advertising business. We've built this direct revenue business. So, I look at Snapchat and like I see a path, you know, to a lot more revenue over the over the coming years. And so, I think that's that certainly has been a huge focus of the last several uh years. And then I think, you know, the core specs business this year will mark the real beginning, you know, of the next chapter of that story as we transition from being, you know, a developer platform to a consumer product, which is really challenging thing to do. All right. So, you have an insane schedule. I have a feeling based on you have like this simmering intensity about you. Like, are these actually your favorite times to be running the company? How do you handle the stress though? What's it called? Okay. Unbelievable. Meditation was like never like a fit for me, you know? I was like they're like try TM, like learn your mantra. Like it just like never clicked. Ka is like incredibly energizing, you know, involves like breath work. And it's like to me it's like uh I mean wow, you know, it's like it's super powerful. when I can? Yeah. And I I try to exercise every morning, you know, Korea as much as I can, you know, a couple days a week. Um and obviously playing with our kids and hanging with my wife. Like that's the that's the stress management regime. He's like I'm I'm not doing this. like I wouldn't start a company in a hugely competitive environment if I wanted like to take an easy path through life. Well, you're doing a good job. I appreciate you taking the time for this. I do want to end on one of my favorite quotes. This is from the book that I read uh about you uh almost a decade ago. The the the I guess I'll give a little context here. You dropped out of Stanford with five classes, six classes left, but you decided to walk with an empty for an empty diploma, right? and you regretted it. And then you told this beautiful, this is a direct quote from you. It says, "It only recently occurred to me while preparing this, how totally absurd this whole charade was. It reminded me that often times we do all sorts of silly things to avoid appearing different. Conforming happens so naturally that we can forget how powerful it is. We want to be accepted by our peers. We want to be part of the group. It's in our biology. But the thing that makes us human are those times we listen to the whispers of our soul and allow ourselves to be pulled in another direction. It's very obvious that you listen to the whispers of your soul. I'm very glad that people like you exist. Thank you very much for taking the time to have this conversation. Yeah. Awesome, man. I hope you enjoyed this episode. Please remember to subscribe wherever you're listening and leave a review. And make sure you listen to my other podcast, founders for almost a decade. I've obsessively read over 400 biographies of history's greatest entrepreneurs searching for ideas that you can use in your work. Most of the guests you hear on this show first found me through Founders.

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自動字幕の精度は? どこが壊れやすい?

インタビュー2人で比較的クリアですが、人名・製品名・ハード用語・企業名・早口で崩れます。

| 字幕に出やすい崩れ | おそらく正しい表記 | |---|---| | Edwin Land / Edin Land | Edwin Land(Polaroid) | | Peekaboo / Pikaboo / Pikaboo | PicabooSnapchat(初期名。表記ゆれあり) | | Bobby / Robert Cornelius Murphy | Bobby Murphy(共同創業者) | | Crossroads school | Crossroads School for Arts and Sciences | | Text web / into it | Textweb / Intuit | | Naviance | Naviance(進学ソフト) | | Luxury(レンズ買収) | Looksery(AR レンズ系スタートアップ) | | Lens studio | Lens Studio | | Spectacles / Specs / Snap Lab | Spectacles / Specs Inc. / Snap Lab | | Lexodica / Lxotica / Ray-B band | Luxottica / Ray-Ban / Meta Ray-Ban | | Leonardo Dio / Del Vecchio | Leonardo Del Vecchio(Luxottica) | | Toby Luke | Tobi Lütke(Shopify) | | Gwyn Strowell | Gwynne Shotwell(SpaceX) | | deal.comra / Deal | Deel(スポンサー。グローバル雇用基盤) | | axon.ai/enra | AppLovin Axon(スポンサー) | | eight / ramp / hubspot | Eight Sleep / Ramp / HubSpot(スポンサー系) | | Korea meditation / Called Ka | Kriya 瞑想(字幕崩れ。確定表記は本人・公式確認推奨) | | her Keller / Southwest | Herb Kelleher(Southwest Airlines) | | Walter Isacs son | Walter Isaacson | | Ed Catmill | Ed Catmull | | Aura Ring | Oura Ring | | Saturn(カレンダー) | Saturn(Snap が買収したカレンダーアプリ) | | Brais Bioscience | 字幕表記のまま。創薬系インターン先(正式社名は要確認) |

日本語本文では多くを修正済み。英語欄は「音声の生ログ」に近く、引用の一次ソースは動画を優先してください。

日本語と英語は1対1で完全対応している?

していません。 日本語は読みやすさのためまとめ・整文。英語は字幕切れ目が細かい(話者交代の >> も完全ではない)。話者(センラ/スピーゲル)を手がかりに、話題の塊として読むのが正しい使い方です。スポンサー読み上げと番組エンディングの自己プロモは日本語から省略しています。

上部トグルは何のため?

- 英語原文 ON/OFF … まず日本語だけ読みたい人向け(英語は約9.5px) - 英語を少し大きく … 対照精読用(約11px)

デフォルトは「日本語メイン・英語は極小」。

Evan Spiegel / スピーゲル とは?

Evan Spiegel(エヴァン・スピーゲル)Snap Inc.(Snapchat)の共同創業者・CEO。Stanford 在学中に Bobby Murphy らと Picaboo/Snapchat を始め、消えるメッセージ・Stories・縦動画・AR レンズなど、のちに業界標準になった発明を多数出した。Facebook のクローンアプリ Poke との対峙、巨額買収の拒否、『How to Turn Down a Billion Dollars』などで知られる。本編時点では約15年スナップ運営、Spectacles/Specs による「コンピュータの再発明」、Snapchat Plus などの話が中心。

日本語話者ラベルは meta に合わせ スピーゲル

David Senra(センラ)とは?

起業家伝記を扱う Founders ポッドキャストで知られるホスト。本番組 David Senra Show では創業者インタビューを行う。約10年前に Founders エピソード22(『How to Turn Down a Billion Dollars』ベース)で Spiegel を扱った、と本編で語る。Edwin Land・Jobs・Dell・Spotify・Shopify などとの対比を多用。

Snapchat / Stories / エフェメラルとは?

- Snapchat … 当初はメッセージング。カメラ起動・消える写真/動画・公開いいねなし、が初期の差別化。 - Stories … 時系列・24時間で消える共有。最初の半年は使われなかったが急成長。のち競合各社が模倣。 - エフェメラル(ephemeral) … 永久保存しない設計。ハードディスク上書きコストの歴史的経緯へのアンチテーゼとして本編で語られる。

DAU「約5億」、利用者「約10億」、売上「ほぼ70億ドル」などは話者の口頭ベース。IR と完全一致する保証はありません。

Poke / 「ソフトに堀はない」とは?

2012〜13年頃、Facebook が Snapchat に酷似した Poke を出し、通知音まで Zuckerberg の声、と本編。ホリデー期にクローンが推される中で Snapchat が App Store 1位だった経験を「最高のクリスマスプレゼント」と呼び、ソフトウェアはすぐコピーされる→コピーしにくいもの(ネットワーク効果・エコシステム・ハード)へ寄せる、という教訓になった、と語られる。

Spectacles / Specs / Snap Lab とは?

- Spectacles … 初期のカメラ眼鏡。自販機ドロップなどユニークな流通でも話題に。 - 進化: カメラ1→深度付き2カメラ→ディスプレイ→OS/開発者プラットフォーム、と段階的。2024年版など。 - Snap Lab … ハード開発の器・前身。Specs Inc. はハード側を別ブランド・別オペ文化の子会社的に運営、と本編。 - ロック画面カメラボタンとの競争から「カメラをポケットから出す」→市場が小さいと知り、スマホより10倍良いコンピューティング体験(AR グラス)へシフト、という本人談。

Meta × Luxottica(Ray-Ban)との対比で、低マージン大量から入らずプレミアム/アーリーから育てる戦略や、導波路・プロジェクターなどディスプレイ部品の内製が語られる。流通の細部はローンチ前で非開示、と本編。

Snapchat Plus / 広告の「逆ミックス」とは?

- Snapchat Plus … 有料サブスク。情熱的ユーザー向け機能。本編では約2500万加入・YoY約60%・ランレート約10億ドル、など口頭数字。 - Lens+ 等のティア、広告除去プランにも言及。 - 広告: 初期は米国大口ブランドのアッパーファネル中心(Google/Meta と逆)。ローワーファネル(中小の成果課金)をここ数年で構築中、という転換の話。

デザイン文化・円卓・kind vs nice とは?

コアのプロダクト/デザインは約8〜12人の小さなチーム。毎週何時間も何百アイデアをクリティーク。出荷は1%未満級。美術学校出身が速度文化に合いやすい、と。AI で design-to-code が加速。

価値観は kind, smart, creative(kind が先頭)。kind ≠ nice——nice は気持ちよさ、kind は相手の最善のための厳しさを含む。Isaacson の Jobs 像への違和感から、「妥協しないが意地悪でない」文化を目指した、と本編。

10億ドルを断る/コントロール動機とは?

若い20代でマルチビリオン買収を拒否した話が本の主題でもある。早期に創業者セカンダリー約1000万ドルが可能になり金銭不安が下がった、Bobby と作るのが好き、売るとビジョン(プライバシー・エフェメラル・AR 等)を妥協せざるを得ない、が本編の説明。センラ側は「起業家は金よりコントロール」と整理。Snapchat をキャッシュエンジンに12年グラス R&D へ再投資、が「売らなかった帰結」としても語られる。

スポンサー部分は?

本文から省略。音声上は Ramp / Deel / HubSpot / AppLovin Axon 等の読み上げが入っています。番組エンディングの Founders 案内も本文では省略しています。