David Senra · JA + tiny EN

Carbone・ZZ's・Torrisiを生んだレストランの天才——ジェフ・ザラズニック

The Restaurant Genius Behind Carbone, ZZ’s, Torrisi & More | Jeff Zalaznick

英語はYouTube自動字幕ベース。日本語は学習用の整文対話。一次情報は動画。

センラザラズニック
FAQ 一覧 YouTube
センラ#1

会話を始めたい。聞いた中でもいちばんクレイジーな数字のひとつだ。君は77のレストランとバーを立ち上げて、そのうち76がまだ営業中で、かつ利益が出ている。

EN

I want to start the conversation. One of the craziest stats I've ever heard. You started 77 restaurants and bars and 76 are still operating and profitable.

ザラズニック#2

そうだ。

EN

Yes.

センラ#3

じゃあ、いま座っているこの店について聞かせて。

EN

Okay. Can you tell us about the one that we're sitting in right now?

ザラズニック#4

いまいるのは僕のいちばんのお気に入りのひとつだ。ここがThe Pool。たぶんアメリカでいちばん歴史のあるレストランのひとつだ。1959年にオープンして、シーグラム家によって建てられた。当時、ここは二つで、史上いちばん過剰なまでにラグジュアリーなレストランだった。設計はミース・ファン・デル・ローエとフィリップ・ジョンソン。当時いちばん有名な建築家と、その後いちばん有名になる建築家だ。

いま座っているこの部屋は、アメリカでも数少ない内装のランドマークのひとつで、実際、アメリカで内装がランドマーク指定されているレストランはここだけだ。約8年前に引き継いだとき、1959年当時の姿に丸ごと復元しなければならなかった。いま後ろにあるプールも、1959年からずっとここにある。僕たちはそれを本当に蘇らせただけだ。

EN

So, right now we're sitting in one of my favorites. This is the pool we're sitting in right now, which is probably the most historic restaurant in America. You know, it was originally opened in 1959. um built in 1959 by the serum family. And at the time, these were the two most over-the-top luxurious restaurants ever built. And they were designed by Mi Vandereo and Philip Johnson. One who was the most famous architect of the time and one who was soon to become the most famous architect of his time. And this room we're sitting in today is one of the only interior landmarks in America. In fact, it's the only interior landmark restaurant in America where we had to restore this entire room to what it was in 1959 when we took over about eight years ago. So, what you have here is you have the most incredible restaurant history and you know, we've been able to be the custodians of that history and take it into kind of the new next generation. But that pool behind us has been sitting here since, you know, 1959. and we really just brought it back to life.

センラ#5

復元で何をしたのか、誰が持っていて、どう所有に至ったのか。13歳の頃からこの場所を知っていたんだよね?

EN

So tell me about what you had to do to restore it. Like what what was who owned it and like how did you come into ownership of this because you knew about this place when you were what 13?

ザラズニック#6

ニューヨーク育ちだ。子どもの頃からレストランと食に取りつかれていて、いまの仕事そのものに夢中だった。10歳でPBSの料理番組を見ていた。料理チャンネルなんてまだない時代だ。

「いつか行きたい」と思う店があるとすれば、それはフォー・シーズンズだった。ホテルとは一切関係ない。オリジナルのフォー・シーズンズはレストランで、いま座っている場所そのものだ。あちらがグリル・ルーム、こちらがプール・ルーム。祖母の75歳の誕生日で、まさにこの角に座った記憶がある。特別な日に来る場所であり、ニューヨークの王たちが毎日グリルでランチをする場所でもあった。パワーランチが生まれた場所だ。

食の歴史としても大きい。季節の食材を最初に扱った店のひとつで、アメリカのレストランとして初めてメニューを英語で書いた店でもある。それまでは高級で高い店はフランス料理で、メニューもフランス語だった。

EN

Yeah. I mean I grew up in New York City. If you grew up in New York City and you cared in any way, but like you I was obsessed with restaurants and food and what I do today for a living since I was a child. You know, I was watching cooking shows when I was 10 on PBS. you know, before there was any cooking channels or anything like that and I was, you know, aware of what was going on in, you know, in the big picture of New York restaurants. And if there was any restaurant that you would know of as like, one day I want to go there, it was the Four Seasons, which is not related in any way to the hotel. The original Four Seasons was a restaurant, which is where we're sitting right now. This was called the Four Seasons. That was called the grill room. This was called the pool room, which is where we're sitting right now. And um that was really the most kind of incredible aspirational restaurant that you would want to go to that you know you would have a chance to go to maybe you know I had a chance to go there for a I think I came here actually sat in this corner for like my grandmother's 75th birthday or something like that. you know, this was a place that you would come for, you know, major special events in in my case, you know, I mean, and or, you know, if you were one of the kings of New York, you would be having lunch in the grill every day. And that was really where Power Lunch was invented, right? So there's there's a huge history of, you know, both what this restaurant means in terms of food because it does have an incredible and interesting history in terms of food being the first restaurant that ever had seasonal ingredients, the first American restaurant that ever wrote their menus in English, right? Versus in French.

センラ#7

そこをもう少し。

EN

Wait, tell me about that. So this restaurant in 1959 before this, you know, place opened, anything that was fancy and expensive was French and you would go to fancy French restaurants and the menu would be written in French. The Four Seasons was the first restaurant where that was written in English. And so this was the really the first example of American fine dining. It was the first time that American as a cuisine was actually thought of and celebrated. So it didn't exist before then. There was no such thing, right? American was a hamburger and fries, right? It didn't exist in terms of the luxury fine dining world. And so this was revolutionary in that sense. And it was a guy named Joe Bound, who was a great restaurant tour of his time, the best restaurant tour of his time, and someone who, you know, I've always looked up to um and we've always studied his process, who, you know, came up with this creation and created this place. And it was also the first restaurant where the design, you know, was was equally at the time important to the actual restaurant. So the food was something that was new and spectacular. It introduced the ideas of seasonality. It introduced the ideas of foraging. It introduced the ideas of American cuisine. You know, the list goes on of how many things were created in this room.

ザラズニック#8

1959年以前、高級で高価なものはフランスだった。フォー・シーズンズが初めて英語で書いた。つまりアメリカのファインダイニングの最初の例だ。アメリカ料理というものが、ラグジュアリーの世界では存在しなかった。ハンバーガーとフライズが「アメリカン」で、高級はフランス語だった。革命だった。

ジョー・バウムという、当時最高のレストランールがこの創造をやった。僕たちがずっと研究してきた人物だ。デザインが料理と同等に重要視された最初のレストランでもある。季節性、フォレージング、アメリカ料理——この部屋で生まれたものは数え切れない。

EN

The stuff that's still talked about today originated back then. This was the first place. Okay.

センラ#9

いまも語られるものの原点がここ、ということだね。

EN

So, you know, when we took over, right, JFK had his birthday party here, you know, the famous birthday party before he went to the garden. Marilyn Monroe came out of the cake.

ザラズニック#10

引き継いだときも、JFKの誕生日パーティーがここで開かれた話がある。有名な、ガーデンに行く前の誕生日だ。マリリン・モンローがケーキから出てきた、あの話。

EN

Okay.

センラ#11

なるほど。

EN

He ate asparagus soup up there. [laughter] Okay. So, so the story goes that

ザラズニック#12

彼はあそこでアスパラガスのスープを食べた、という話がある。

EN

was Marilyn here?

センラ#13

マリリンはここにいたの?

EN

Marilyn, it's unknown. But the uh No,

ザラズニック#14

マリリンについては不明だ。キッチンにはJFKの引用がある。彼はこの部屋を愛し、マディソン・スクエア・ガーデンでケーキから出る誕生日の前に、ここでディナーをした。忙しくて食べられず、当時は倉庫だった上の部屋に忍び込んだ。いまはラウンジにしている。クリーム・オブ・アスパラガスが好物で、キッチンに頼んだ。いまも季節で出す「Jack's pie」——アスパラガスのクリームを使ったパイ——は、その瞬間へのオマージュだ。

引き継いだとき、この店は夢のまた夢だった。変わらないと思っていた制度だった。ジョー・バウムのあと、彼の下で働いていた二人、さらにその次の二人に渡ったが、残念ながら再投資せず、キャッシュマシンとして使って地面に落としてしまった。巨大な施設は常に手入れと修復が要る。

EN

she's upstairs,

センラ#15

公開ではあまり話していないと思うが、この二つの部屋だけで、もしこれだけが事業でも、かなりの規模のビジネスになる、と。

EN

right? She was Who knows? But um but you know I don't know if you saw in the kitchen we have a quote from JFK but the reason for that is because you know he famously loved this room and he famously had his big birthday where he jumped out of the cake in Madison Square Garden he had the dinner here. Okay.

ザラズニック#16

The Poolは半世紀、ニューヨークでいちばん有名なイベントスペースのひとつだ。グリルは建築でも有名で、パワーランチの発祥の地だ。この60年、隣の部屋でこういう会話がずっと続いてきた。どこに座るかが地位を意味し、ポストやページ・シックスに書かれた。二階は「シベリア」と呼ばれ、絶対に座りたくない——あるいは、やっと入れてもらえて嬉しい——場所だった。

この建物はシーグラム・ビルディングで、建物はミース、内装はミースとフィリップ・ジョンソン。後にアビー・ローゼンが買い、いまも所有している。芸術と建築を愛する彼は、20年以上いたオペレーターの管理に我慢できなくなった。埃だらけで、本当に荒れていた。

EN

And he was so busy walking around talking to people as you could imagine, you know, that he he didn't get a chance to eat. And so he actually went up to this this room didn't exist up there. That was a storage room, right? And where they would some people would hide and do whatever they needed to do. And um we've now opened it up and made this beautiful lounge up there. But before that, when we took it over, it was just a storage room. Those doors were all closed. And famously he kind of snuck in there and his favorite thing to eat was cream of asparagus soup. So he said to the kitchen, "Make me a cream of asparagus." I said, "Of course, Mr. President, whatever you want." And so he ate this cream of asparagus soup. So we actually had an ode to that dish on the menu uh that we still run depending on, you know, the C actually will come back now in spring um called Jack's pie, which is a cream of asparagus pie that we make to in as an to honor that uh that moment that happened here. There's there's so many moments that happened here that may be one of the most famous and public, but so many incredible moments happened in this building that you have to understand that when I came in and you know we were able to take over this restaurant, it was this was something that was beyond your wildest dreams. It was an institution that you never thought would change, right? because it just you couldn't even penetrate your brain that no matter how successful you had become in restaurants like this this was run by two guys that had been handed it down years ago you know after Joe B etc two two of his uh guys that worked there took over they handed it down to two other guys um those two guys unfortunately they kind of ran it into the ground right they didn't reinvest any money in it they basically were using it you know kind of as their own cash machine, you know, which was just not reinvesting. This is a giant facility that needs a lot of upkeep, a lot of cleaning, a lot of, you know, restoration at all times.

センラ#17

隣の部屋で話していたパネル——灰色か白か。引き継ぎ時は黒だったんだよね。

EN

I don't think you discussed this publicly, but we talked about just the revenue from these two rooms alone would make it if it if this was just the only business, it would make it a substantialsized business.

ザラズニック#18

灰色だ。引き継いだときは黒かった。50年分のタバコとシガーの煙が積もって、誰もタイルを掃除したことがなかった。

EN

Yeah. I mean, listen, this this this business because you have what is the pool, which is probably, you know, the most famous event space. um in New York for the last you know half a century right and then you have the grill which you know was most famously known you know not only for for its architecture and for the fact that it was where power lunch was founded. So conversations like these all happened for the last 60 years in that room next door and where you were placed in that room and where you sat in that room was all very significant to your status and it was written about in the post or p where you sat oh my god they saw so and so in Siberia the other day what happened maybe he's getting fired whatever it might be that was a Siberia Siberia was a second level up the stairs where you never wanted to be sad or you were thrilled to get sad cuz you were just finally let in right you know what I And so you would work your way up and based on who you were and what you did, you know, you would they would allocate the booths and the main tables. And then the second floor was always called Siberia. And that was always very public. It was always where people were seated and what was going on. And you know, one of the things that we did when we came in here, which is given this new life, you know, when we were, you know, first of all, the process to get this place was was a crazy process, right? So the pl this building which was this is the serum building as I said you know design the building's designed by mis Vandereo these interiors were designed by Mis Vandereo and Philip Johnson the serum family obviously built the building and you know paid for these restaurants to be built later it was bought by AB Rosen AB Rosen um you know still owns it today and he was so frustrated with the way that the guys who were here even though he they had been here for 20 plus years. Um, these two, um, he was so frustrated with the way, as a great lover of the arts that he is and of architecture, he was so frustrated with the way that they were keeping it up that he decided that he wanted to get rid of them because they wouldn't they he would come the place was full of dust. It was it had really been run down.

センラ#19

復元にいくらかけた?

EN

Yeah. You were telling me in the other room that the panels which are like what gray or white? Yeah, these are so they're gray. When we took them over, they were black, right? Because no one had ever cleaned them. So, they had 50 years of cigarette and cigar smoke that had accumulated and no one in 50 years had ever thought to go clean the tile.

ザラズニック#20

約4000万ドル以上だ。

EN

How much did you spend on restoring this place?

センラ#21

すごい。

EN

We spent about 40 plus million dollars.

ザラズニック#22

グリル・ルームとプライベートルーム、The Pool、プール・ラウンジ。下にはLobster Clubという別のレストラン。キッチンは1959年以来やり直されておらず、僕たちの基準の超高級店には使えない。ニューヨークでも最上クラスのキッチンを入れた。グリルでア・ラ・カルトの最高の料理を出すだけでなく、ここでの200人ディナーでも、あなたと二人で注文したときと同じ温度と完成度でドゥソーが出る。大規模イベントでこの品質を出せる場所はほかにない。

---

EN

That's incredible.

センラ#23

どうやってこの場所を取る機会を得たのかに戻ろう。

EN

Yeah. So, we we took basically this this is a you have the grill room and private rooms. You have the pool. You have the pool lounge. Downstairs we have another restaurant called the Lobster Club. And we obviously rebuilt a beautiful first class kitchen. The kitchen hadn't been redone since 1959. So you couldn't run a super high-end restaurant to our standards without rebuilding the entire kitchen. And so we put in what may be the nicest kitchen in New York, if not one of them. um you know not only to be able to do what we do which is a combination of serving the best food to diners in an alleart setting at the grill but also to be able to put out what is you know I think second to none in terms of events right so if you have a 200 person dinner in the room we're sitting in here right now when you get your do soul it's going to taste like the best do so you've had as if you ordered it just sitting with you and me right it's hot it's perfect the food here is what we are known before. No one is able to do large scale events the way that we are here at the quality level we are here.

ザラズニック#24

ページ・シックスに、アビー・ローゼンがフォー・シーズンズの連中を追い出すという噂が出た。10年ほど前、飛行機でパートナーのマリオとポストを読んでいて、「見た?」「ありえない」となった。制度すぎて信じられなかった。アビーとは少し知り合いで、番号はあった。テキストで「Four Seasons?」と送ったら、すぐ「ASAPで話そう」と返ってきた。飛行機からそのまま、当時は道向かいにあった彼のオフィスへ行った。

彼は「あいつらが台無しにした。自分でRFPをやる」と言った。市みたいなプロセスを、彼個人がやる。性格にぴったりで気に入った。当時の僕たちの会社はまだ15年も経っておらず、今の半分も店がなかった。成功はあったが、上がってきたグループだった。

EN

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センラ#25

その時点でいちばん大きな成功は? 入札時にいちばん知られていたのは?

EN

So go back to how you got the opportunity to take this place over.

ザラズニック#26

Carboneだ。2013年オープンが最初の本当の大成功で、大きな地図に載った。そこからほかの店も全部うまくいき、この機会が来た。これはレストランール全員の夢で、20年以上の実績ある最高の連中と競った。最終的に、アビーを説得して僕たちに決めてもらった。

EN

So we got the opportunity because there was a rumor in page six that AB Rosen is going to throw out the guys at the Four Seasons. Okay. I was sitting on a plane with my partner Marriott. We we're reading the post like we always would, right? You know, this is now 10 years ago. So we got the post. on the plane and uh and he says to me like do you see this and I said like can't be possible like you know what I mean it was one of those things that couldn't it was such an institution that you couldn't believe that this could be happening so I knew AB a little bit um you know we were friendly and we had you know I had his number on my phone but we didn't talk all the time or anything so I just I said it's worth a shot and I texted him I said texted him, you know, four seasons, question mark, and uh he wrote me right back like, "Let's discuss ASAP." So, we were actually on our way back to New York. I literally went from the plane to his office, which is was at the time across the street from where we are now. And [snorts] I said, "Like, what's going on with this?" He's like, "You know, I you know, I'm getting rid of these guys. They've let the place go to shit." and uh you know I'm going to basically he basically decided he was going to run because of the significance of this place his own RFP process like a city process but he was doing it personally which fits very much with his personality which I loved. He was going to run his own RFP process for different operators to come in. So [snorts] we ended up in what was like you know this was for us at the time a huge jump. So you know my company's only existed for 15 years right? So this is now we go back 8 n years ago. So you know we didn't have half the amount of restaurants we have today. We had some great successes and we were definitely the upand cominging group.

センラ#27

どうやって?

EN

What was your biggest success? Like what were you most well known for at the time that you're bidding on this place?

ザラズニック#28

アビーがこの案件に最適な人物だった。僕たちを理解し、制度に賭けるより、レストランの未来に賭けることを理解していた。また古い連中が同じことをやるなら、また陳腐になる。僕たちのエネルギーと、ニューヨークとその歴史への深い根、この場所の歴史への敬意と、最高のアイデア・メニュー・食——それを見て、パートナーになると決めた。

EN

Carbone.

センラ#29

業界史のデータベースが頭に入っていて、物語として出てくる。情熱が伝染するのも明らかだ。ジョシュ・クシュナーをよく知っているよね。経験がある人か、いちばん賢い人か、いちばん欲しがる人か——いつもいちばん欲しがる人に賭けろ、という彼の言葉。ここもそうだった?

EN

So Carbone was our first real big success, right? You know, that was the that was opened in 2013 and that put us on the map on a large scale and from there we went on to open a variety of other restaurants that were all successful and then this opportunity came about and so we were competing for this space. I mean everyone want this was every restaurant tour's dream. So everyone we were competing against was you know he was has been established for 20 plus years in the restaurant business. all the best people that existed in New York at that time. And at the end of the day, you know, we we successfully convinced AB that we were the guys to go with.

ザラズニック#30

間違いなくそうだ。僕たちは何があっても勝つ、というやり方でずっとやってきた。いまもそうだ。X、Y、Zを出してくれと言われたら、ホイップクリームとチェリーを乗せた100通りを出す。アビーにも、この場所が僕たちにとっていちばん意味があること、ニューヨーク最高のレストラン空間の管理人になると伝わった。

最大の突破口は、いちばん反直感的なところだった。60年パワーランチの制度だから、誰もグリルがディナー先になるとは考えなかった。最初に言ったのは——ランチは出さない。ディナーだけ開ける。レストランはランチでは成功できない。

EN

How do you think you did that?

センラ#31

なぜ?

EN

I think that, you know, AB was the he was the perfect person to be in control of this because he understood me. He understood us. He understood what we did. He understood in betting on the kind of future of what restaurants could be versus going with the institution, right? Because he was going to end up with another couple old guys that were doing, you know, things they had done before and it was going to be something stale. And I think he appreciated our energy, you know, you know what I mean? And our energy and our thought process and the fact that, you know, our process already had been established, you know, as people who really cared about New York, you know, our company's deeply grounded in New York, deeply grounded in New York history, and we consider ourselves all students of, you know, New York history and New York restaurants. So this had a huge meaning to us and the appreciation of the history of this place combined with the best ideas and the best menu and the best food and whatever we put in front of him. He decided that he was going to partner with us to do this.

ザラズニック#32

誰も飲まないから。

EN

There's a couple things like this is obvious from speaking to you and I see this with anybody gets to the top of their profession. You have this like crazy database like of your entire industry's history in your head that comes out and conversations and you tell these beautiful stories about it. But also it's like blatantly obvious that you're very passionate about this and I always say like passion is infectious. And I wonder like obviously I think you express that to everybody you interact with. You definitely expressed it to this guy. You know Josh Kushner, right? Very well.

センラ#33

乾杯。来てくれてありがとう。

EN

He has a great quote that I always think about that I think is dead right. And he's just like you know if it comes down to picking the most experienced person or the smartest person or the person that wants it the most, you always bet on the person that wants it the most. I wonder if that was the sit the situation here.

ザラズニック#34

こちらこそ。

EN

There's no question about it. That was always our thing was that we were going to win no matter what. And we went about things that way and we still do to this day, which is, you know, rare in my business that people, you know, we we literally did something like this last week. But, you know, what we would, you know, if they asked us to put in front of them X, Y, and Z, we put that with whipped cream and cherries on top in a 100 different variations for them to be like, "Holy shit." You know what I mean? Like and I think that same thing resonated to your point. It resonated with uh with AB that we were going to be the best possible group. we were going to, this meant the most to us and that, you know, we would be truly what we said we would be, which is custodians of what is the greatest restaurant space in New York. And the concepts that we developed here and how how would you bring this the biggest thing that biggest the biggest breakthrough that I had that I believe ended us up here was the biggest counterintuitive one, right, which is always how it works, right? though everyone else in including potentially him at the time it was such an institution that you never even contemplated that this room the grill which is you know now one of our busiest restaurants one of the busiest restaurants in New York as far as it pertains to fine dining that it would ever be anything but this power lunch thing it's been power lunch for 60 years it's been power lunch since my parents were children just to put in okay that's how long this has been power lunch so What the first thing that I said was we're not serving lunch. We're only opening for dinner because the truth is that restaurants can't be successful serving lunch.

ザラズニック#35

ディナーの場所として再確立する必要がある。ランチはミッドタウンの中心で便利で、歴史が証明している。ディナーで同じことをするには、すぐランチを開けないことだ。ランチ店は儲からない。大きなリブランディングだった。名前はThe Grillを残し、フォー・シーズンズという名はやめた。ホテル・チェーンの台頭で、もう紛らわしくなっていた。

EN

No one drinks.

センラ#36

それは大事だ。ホテルとは無関係、と。

EN

Cheers, brother. Thanks for thanks for doing this. Thanks for having us.

ザラズニック#37

まったく無関係だ。レストランを建てている頃、カナダでオリジナルのフォー・シーズンズ・ホテルを開けていたが、別物だ。それでも混乱は絶えず、「フォー・シーズンズで」と言って57丁目のバーに行ったりした。The Grillにリブランディングし、真のディナー先にした。

歴史と遺産——僕たちの仕事全体を貫くもの——を、アメリカのレストランの本質として解釈した。1959年のメニューに載っていたものだけを出す。作り方は違うが、当時注文できた料理だけ。ニューヨーク公共図書館のアーカイブで古いメニューや記事を引く。コンセプトの核と物語を見つける。

僕のレストラン業へのいちばんの貢献は、最初から明確なプロセスを持ったことだ。Major Food Groupのテーゼは、食が第一。そのすぐ後ろに二つ——レストランは完全な物語を語らなければならない。語れなければ成立しない。そして、楽しくなければならない

EN

Thank you for being here.

センラ#38

楽しいの前に——レストランが物語を語るとは?

EN

Yeah, of course.

ザラズニック#39

ナラティブをセットする。映画を作るのと変わらない。いまいる場所なら、建物が建てられた時代と、その前の歴史に敬意を払いながら、僕たちのレンズでアメリカのファインダイニングを語る。メニュー、サービススタイル、制服、音楽、アート——しばしば見落とされる要素まで、物語として一貫させる。いまの椅子は1959年にミースがデザインし、同じ人たちに作り直させた。客は気づかないかもしれないが、潜在的に効く。

ビジネスで最終的に意味があるのは、戻ってくるかだけだ。一度来るのは簡単だ。どこを開けても一度は来る。戻るか、どれくらいの頻度か、特別な瞬間をそこで過ごすか。帰り際に次の予約を入れる——それが完璧だ。

EN

So, you know, basically what we did was we said we're not even going to open for lunch cuz we need to reestablish this as the place you want to be for dinner. We already know that history has told us it's going to be a great place for lunch. It's in the center of, you know, Midtown and it's a obviously a very convenient room and it's got provenence as the most powerful dining room to eat lunch in. We need to do that for dinner. And how do I do that for dinner? I don't open for lunch immediately, right? And I think that resonated with him greatly, right? Because I I said to do the types of numbers we're talking about, this needs to be a dinner restaurant, not a lunch restaurant. Lunch restaurants don't make money. And so that was a big rebranding of what we did here. We kept the name the grill, right? But renamed it that versus the Four Seasons, which obviously at this point in time had become quite confusing given the rise of the hotel.

センラ#40

数週間前のディナーでも話した。1年、5年成功する人はいる。君は15年、トップにいる。レストラン業ではそれがさらに厳しい、と。なぜ?

EN

Yeah, that's important. It has nothing

ザラズニック#41

いまの時代、トレンドのビジネスだ。新しくオープンした店に行きたい。インスタの写真を撮ってチェックリストを消したあと、まだ戻ってお金を使いたいか。僕たちは素晴らしい夜を提供するビジネスだ。楽しませ、喜ばせ、食べさせ、笑顔で出て「次はいつ予約取れる?」と思わせる。

ニューヨークには毎日新しい店の記事がある。定期的に戻る場所になるにはどうするか。常連が週一以上で複数物件に来る一方、何ヶ月も待って初めて来る人もいる。その人が次の予約を待てない——そこが肝だ。有名な統計で、10店中9店が初年で閉店する。最初の3ヶ月は良くて、そのあと誰も来ない——歴史上いちばん多くの店を苦しめてきたパターンだ。

EN

it. It has nothing to do with it. While they were building the Four Seasons restaurant, you know, he was opening four original Four Seasons in Canada. You know that in Toronto, but I mean nothing to do with one another. But huge confusion all the time. You know, people would say, "Me at the Four Seasons. people would show up here versus the bar at the that people used to hang out at in 57th Street. We rebranded it as the grill. We made it a true dinner destination. We took the history and the heritage, which you'll see throughout all of our work of, you know, what it meant to be a quintessential American restaurant. How do we interpret that? We went back into the history books. We only serve dishes at this restaurant that you could have ordered. Obviously, not the way we make them, but you could have ordered. We have seen them on a menu in our menu research in 1959 and we built a menu around that and that turned out to be an incredible project and probably my favorite restaurant that we have because of all this incredible history. But it also informs and kind of tells a story about our process in general, which you know, which always deals with, you know, huge amounts of research, you know, studying, reading, going into the New York Public Library archives when we were young and and still doing this and and pulling old menus and pulling old articles to learn about, you know, what was going on there, to read those articles, things that weren't even available, you know, online at the time or even at all. I don't know now. But um to really find out what's at the core of this concept that we're doing and what is the story that we're telling because I think the one thing that you know we've done um and that my biggest contribution to probably the restaurant business is that we made sure that from day one that we had a very specific process, right? One was that, you know, food was paramount. The food had to be the best. That's the thesis of our company, major food group. It's all food is number one. But not too far behind are two other things. One is that the restaurant has to tell a complete story. And if it doesn't tell a complete story, then it doesn't work. And the right behind that is that it's got to be fun.

センラ#42

スティーブ・ジョブズが晩年に言った。年をとるほど、人の動機が大事になる、と。13歳で食に取りつかれた君と、いまのセレブリティ・シェフやセレブリティ・レストランールの動機は違うように見える?

EN

Before we get to fun, tell me how a restaurant tells a story because we set a narrative. It's no different than we often compare it to making a movie. If we're right here in the place we're sitting, right? We're telling a story of, you know, American fine dining seen through our lens while it paying homage to the time period the building was built in and all the history that had happened before it. as we, you know, create a menu and a service style and uniforms and music and artwork and all the different things that go into creating hospitality spaces, but are often overlooked. We make sure that that entire story makes sense. So, you know, whether it's the chair you're sitting in right now, like this chair was designed by M Vandereo in 1959. We had it remade by the same people. the things that you might not even notice as a customer, but subconsciously they have an effect on you and consciously different things have different effects on different people. Some people may talk about how amazing their server was and how it was to interact with their captain. Some people may talk about the soundtrack that was playing. Some people may talk about the artwork that was on the walls. Most people hopefully are talking about how great the food was and how great a time they had. And in my business, the only thing that's even relevant is the most important thing, which is are they coming back. I always tell everyone that works for us, it's not a matter of if they come because anywhere we would open, you know, everyone's going to come and try a new restaurant. All that matters is that a customer is going to come back. That's what you need to look at and measure because coming once is easy. You could open a restaurant tomorrow, you know, and everyone will come once, right? Anyone can do that, right? You know what I mean? But it's how the will they come back? How often will they come back? Is it where they're going to choose to have special moments, special occasions?

ザラズニック#43

僕とパートナーのリッチとマリオの世代は、盲目的な情熱だけでやった最後の世代に近い。数学的にはいちばんきついビジネスだが、愛して学び、必要な仕事をすれば、誇りに思える特別な場所を作れる。ホスピタリティの本質は、人を集め、素晴らしい食を出し、笑顔で帰してもらうことだ。

食TV、セレブリティ・シェフ、ブログ、いまはバイラル。ブロックの周りに行列を作るのに、必ずしも最高のものを作らなくてもいい。バイラルすればいい。でもそれは有限だ。6ヶ月、1年はあっても、何年も続く例は少ない。

レストラン業ははるかにグラマラスになった。入った頃は「なぜそんなビジネスに? 9割潰れるぞ」だった。頭の中で何を信じているかは外から見えない。いまはグラマラスで、バイラルを狙う人と、「これが史上最高のバージョンになる」と歴史と情熱から作る人がいる。

EN

This is key, though, cuz we we talked about this when you and I had dinner a few weeks ago. And what I admire, it's like I'm I'm obsessed with people do things for a long period of time, cuz like anybody can succeed for a year, for 5 years. It's like you've been doing for 15 years. You're at the top of your game. You're I your your I think your future success is going to be much greater than what's behind you. But you were even saying it's like that's even more true in the restaurant business. Can you explain why?

センラ#44

歴史すら知らない人もいる。

EN

Yeah, because I mean listen, the restaurant business, especially in today's day and age, is, you know, it's it's a trendy business, right? And everyone wants to try something that's new, right? I mean, and everyone's excited to go to an opening. Everyone's excited to go to a place for the first time to say that they went here. But the big question is after they've done that, after they've checked that off their list, after they've taken their Instagram photo to prove they went to this place and whatever else, which is, you know, we could talk is a whole other topic, but do they still want to come back, spend money with you, right, and feel good about the money that they spent when they left, right? Because at the end of the day, that's what we're we're in the business of providing people with an incredible evening, right? We're we're here to entertain you. We're here to delight you. We're here to feed you. And we're here for you really to walk out with a smile on your face, feeling like, when's the next time I can come back? When's the next time I can get a reservation? I always say the perfect thing is someone that comes to the desk and makes a reservation on the way out for the next time they're going to come. That's one of the many factors that makes this business so hard, especially in New York. There are so many restaurants. There's so many seemingly great restaurants that are you're reading about every day that are opening that you want to try and you want to go to this one, you want to go to that one. So, how do you become something that people are coming back to all the time that becomes something that people you know identify with a place they want to gather for business, for pleasure and you know also for special occasions but all the time, you know what I mean? And on a regular basis and I think that you know we have a great blend of that, right? We have a great blend of, you know, the demand, you know, all of our regulars that are consistently coming back to many of our properties, you know, once a week or more, and people that have been trying to get in for months at a time and are there for their first time, and hopefully they can't wait to make their next reservation to come back. That's the critical piece. You you'll you know, they have a statistic, right? We've all heard it. You know, nine out of 10 restaurants close within the first year of their being open. That's like the famous rule of thumb. Many restaurants have a great first three months and then no one shows up again. But that, you know, that that's that's historically probably what has plagued the most restaurants throughout time.

ザラズニック#45

知らないし、彼らには歴史は関係ない。インスタでどう見えるか、どうバズるかだけだ。とはいえ、僕はそれを嫌っていない。むしろ好きだ。もう一方で、かつてないほど教養のある消費者が、食と飲料に金を使いたがっている。恩恵を受けている。

「みんながフード・クリティックになった」と嘆くレストランールがいたが、僕は「素晴らしい」と言った。今でもインスタは持っていない。でも何ヶ月も予約を待ち、高い皿の写真を撮るために来る——それは巨大なシフトだ。ベーグルやドーナツじゃない。高価な食事だ。

キャリアでいちばん大きな変化は、Carboneが爆発した頃、食が文化の一部になったことだ。ブロードウェイ、バレエ、スポーツと同じく、レストランが文化的通貨になった。「昨夜どこで何を食べた?」が話題になる。それがいまは指数的に増幅されている。

---

EN

Hearing you speak, this is what comes to mind is there's a great quote that Steve Jobs said towards the end of his life. He says, "The older I get, the more I think uh that people's motivations on what they're doing matters. It's like becomes more important." Where you have this obsession when you're a 13-year-old kid about being obsessed with food, but now you have restaurants maybe higher status. There's like celebrity restaurant tours. There's celebrity chefs. So, I can't help but wonder if like the people that you see coming into this are doing it. You said, you know, for the their mo their motivations and why they're doing it are completely different than yours. Do you see that as well?

センラ#46

子どもの頃から取りつかれていた産業への、型破りな入り方に行きたい。20代前半くらい?

EN

Yeah. I mean, I think that to your point what we were talking about, right, my generation, myself and my partners Rich and Mario, like when we came in and started coming up with our own restaurants, right? You know what I mean? That was kind of the last generation of, you know, of people that were doing this solely based on blind passion for this business. It was the only thing that, you know, we could imagine doing. And, you know, it's the type of thing that, you know, if you love this business, it is, you know, by, you know, by math like the hardest business you could go into. But if you love it and if you're passionate about it and you study it and you do the work that's necessary, which is critical, you have a chance of being successful and you have a chance of creating really special places that you're proud of and that you love sharing with people. And that's truly the essence of hospitality, right? You know, we love to bring people together and serve them great food and have, you know, make people happy and have them have a great time and leave with a big smile on their face and we that brings us great joy. I think that for better or worse, what's happened is that with the rise of social media, with the rise of, you know, Instagram, Tik Tok, etc., it did two things, right? You know, so two things happened. First, you had food TV going back 20 years, right? And I mean that started the whole idea of celebrity chefs, celebrity restaurant tours, etc. Right? So now cooking became cool, right? And cooking was in the spotlight and people were watching Food Network. And then the internet started and you had, you know, websites and blogs and all these different food content. And then, you know, obviously now we're living in an extreme where you have viral, you know, food related content on all these platforms. And the thing is is that now to have a line around the block, right, you don't necessarily even making something that's that good. It just has to go viral, right? And that last a pretty finite period of time. There's very few examples of this food that went viral that, you know, that went for years, right? It might go for 6 months, it might go for four months, might go for a year, but it's very rare that that happens. And in that the whole all those things combined turned the restaurant business and restaurant tours into a much more glamorous business. Right? When I came in it was not a glamorous business. It was a business that people were like why on earth would you go into that business? Right? Like are you crazy? You know you're going to be broke. You're not going to there's nine out of 10 are going to fail. You're not going to have any chance of success. But they didn't know what's going on in my head or my partner's heads and what what what we believed and knew we could do from the beginning. Now that it has become more glamorous and you have all these other not only people that want to go into it, right, but you have another reason for customers to come. You have different entry points, you know what I mean? That didn't exist before. people see it as, you know, are are saying, "Let me try to create something that's going to go viral, not some let let me create the best version of this product because I have a great passion for it. Here's the history of it and here's how we're going to do it and here's why it's going to be the best version of that that's ever been done."

ザラズニック#47

そうだ。

EN

They don't even know the history.

センラ#48

当時の生活は? 普通の仕事があって、それを辞める型破りでリスクの高い決断をした。

EN

They don't know the history and the history for them does not matter because all that matters to them is how does it look on my Instagram and how is it look on my and how is it going to catch on, right? And that's just a totally different approach. That being said, you know, everyone always says, "Well, you have do you not like that?" No, I love it for me because the other side of that is that you have a much more educated consumer who's much more interested in spending their money on food and beverage than ever before. So, we benefit greatly. Some people looked at it, I think, the wrong way. when when that all when that all started, you know, however many years ago, you know, restaurant tours would talk to each other, hospitality people would talk to each other. They'd say they'd say, you know, oh, I mean, now everyone's a food critic, you know, like, oh, you know, how do we deal with this? Everyone's a food cricket. And I'm like, this is fantastic. You know what I mean? And everyone's like, why? I don't even have Instagram to this day. I don't even know what goes on on it. But what I know is that if these people want to come and wait in line and wait months for reservations to come to my restaurant and sometimes only to just take a picture of a dish, that's an incredible shift of things. These are not cheap dishes, right? You know what I mean? So, I'm not selling a bagel and a donut, you know? I mean, I'm selling expensive meals. And if that's going to drive people's willingness not only to spend on it, but also it does drive their awareness and their understanding of food because naturally if you're looking at food content all day, you understand it better than if you didn't, right? So we have a more informed customer, right? Some of them are there for the, you know, just just to take the picture, but many of them are there for both also to enjoy incredible experiences because they've tried all these different ones because they become more engaged with food and beverage and more comfortable with it being something you spend money on. And I think that's probably the biggest thing that happened during my career was that right when I really started and right when we opened kind of Carbone and things started to explode for us. um you know food truly kind of joined the rest of culture as one of the significant things right so you know if you were growing up in New York there would people would talk about you know Broadway shows and ballet and dance and sports and you know restaurants became another form of cultural currency. It was something that if you were a cultured sophisticated person, you need to know about restaurants. You need to talk about it. It became the topic of every where did you eat last night? What did you have? Oh my god, I want to try that. None of that really existed at the level that it did before, even when we we started. And then that's just now been amplified to a level that is, you know, exponential and hard to even measure at this point. You know, when you add in all these new ways that people share their experiences,

ザラズニック#49

幼い頃から食とレストランに取りつかれていた。他の子がアニメを見ているとき、僕は料理番組を見ていた。放課後にPBSでやっていたのは——

EN

I found one of my all-time favorite quotes when I was reading the book 0ero to1. The quote says, "The single most powerful pattern I have noticed is that successful people find value in unexpected [music] places." And they do this by thinking about business from first principles instead of formulas. That is exactly what Apploven has done with their advertising platform. Apploven connects you with over a billion potential new customers inside mobile games. Apploving allows you to capture undivided attention. Apploven [music] ads are full screen video ads that are watched for an average of 35 seconds. That is retention that blows other ad platforms out of the water. And you can launch on Apploven [music] in minutes. You set the goal and AppLin achieves it. There's no complex setup, no expertise needed. And Apploven scales quickly. They can put your ads in front of over a billion potential customers. Other businesses have seen immediate results, have scaled [music] to hundreds of thousands of dollars of spend per day, and increased their revenue by millions. So, you want to get started quickly before all of your competitors are on Apploven. And you can do that by going to apploven.com. That's apploven.com. Okay. I want to go to your unconventional path to break into the industry, this industry you were obsessed with since you were a kid.

センラ#50

『The Frugal Gourmet』だよね。

EN

Yeah. Let's go back to I think you're what early 20s.

ザラズニック#51

そう。高校では料理学校に一学期行った。食べる、料理する、飲む、人を集める——それが好きなことだったし、いまもそうだ。でも当時は趣味に見えて、「それで人生をやる」とは想像しにくかった。

大学後の最初の仕事はJPモルガンの投資銀行アナリストで、テクノロジー・メディア・テレコム・グループ。いちばん給料が高い、ステータスも高い、だから取れるならやる、という単純な方程式だった。何をしたいかは分からなかった。

EN

Yeah.

センラ#52

何歳?

EN

Can you just tell us like what was going on in your life at this time?

ザラズニック#53

21歳。Excelを開いたことすらなかった。ビジネススクールも出ていない。でも最初の6ヶ月で全部教えてくれる——無料のビジネススクールだ。役に立った。

でもオフィスでは、周りのアナリストがウォール・ストリート・ジャーナルとフィナンシャル・タイムズを読んでいる横で、僕は『Travel + Leisure』や変な料理雑誌を読んでいた。「この男はおかしい」と見られた。

二つ起きた。ひとつはレストランの力だ。当時はZagatガイドが聖書で、僕はガイドを暗記していた。ランダムに店名を言われたらレーティングを答えられるゲームをやっていた。仕事以外の時間と給料のほとんどを、あらゆる店であらゆるものを試すことに使った。

レストランールと仲良くなり、マネージング・ディレクターたちが恐る恐る近づく相手に、僕がディナーの予約を取ってあげると、彼らは僕を最高だと思った。ノーブでもどこでも。不可能なテーブルへのアクセスが通貨になると分かった。

もうひとつは、部署のトップの連中——いちばん稼いでいる連中——が不幸だったことだ。「ああはなりたくない。昨夜レストランで会ったあの人のようになりたい」。食と人の周りなら、僕はいちばん上手くなれる。2年プログラムの終わり直前、誕生日に辞めた。8月だ。

まだレストラン業に入るのはクレイジーすぎて、少しマシに見えるホテルへ行った。コロンバス・サークルのマンダリン・オリエンタルがちょうど開いた頃で、当時いちばん高いホテルのひとつだった。フロントに行ったら「裏口のサービス入口へ」と言われ、HRに「JPモルガンの投資銀行家だが、どんな仕事でもやる」と伝えてもらった。向こうは気が狂ったと思った。うまくいかなかったと思った翌日、HRのトップから電話——ゲストリレーションズの責任者が辞めた、やりたいか。2週間後に始めた。

そこでのゲストリレーションズはVIPサービスだった。部屋からレストラン、チェックインまで最重要ゲストのすべてを扱い、最高レベルのホテル運営とF&Bを学んだ。両親は狂ったと思った。理論上いちばんいい仕事を捨てて、当時は成功が見えにくい業界へ、と。

でも食の周り、人の周り、顧客対応——その箱をチェックできれば幸せだった。そこからウェブサイトを始めた。

EN

You even had a different job if I remember correctly. And then you you take a very unconventional and risky decision to quit your normal job and

センラ#54

型破りな道だね。従業員から起業家へ。

EN

talk about the path that you actually how you got into restaurants.

ザラズニック#55

マンダリンのVIP客のために、JPモルガン流のExcelデータベースを作っていた。店名、何を食べるか、どのテーブル、ドアで誰に話すか——全部。2〜3時に帰宅する途中、ドアマンのマックスがNYUのプログラマーの学生を紹介した。ロビーで「ExcelのDBがある。オンラインでレストランをちゃんと検索して、シグネチャーディッシュまで教えるサイトがない」と話した。それがAlways Hungryというコンテンツサイトになった。

シェフやレストランールにインタビューし、彼らのプロセスを歩く。ポッドキャスト以前の世界だ。しばらくすると「理解できる。自分でやるべきだ。人の話をする側じゃない」と感じた。インターネット部分はよく分からないまま、食コンテンツを作っていた。

次にDine Privateというサイトを、当時いちばん有名なレストランールの一人、ジョー・バスティアニッチと始めた。OpenTableの、プライベートダイニング室版。彼はDel Postoを開けていて、プライベートルームが7つあり、予約に苦労していた。僕の動機はもうひとつのウェブサイトを作りたいことではなく、ジョーのパートナーとして毎週時間を過ごし、彼になることだった。

EN

I was you know strangely obsessed with food and restaurants from a very young age. You know, I was I was, you know, while other kids were watching cartoons, I was watching cooking shows. Okay. At that time, the only cooking show was available on PBS was a show called The

センラ#56

共同創業者として。いちばん憧れていたレストランールの一人と。

EN

The Frugal Gourmet.

ザラズニック#57

当時の最大級のレストランールで、マリオ・バタリのパートナーでもあった。最前線の席——いや、パートナーとして——細部まで学べる。彼は動機を知らなかった。動機は「彼になること」だった。

EN

Yes. There was like one cooking show that was on after school. That's what I'd be watching. So, my whole life was always focused around food. You know, in high school, I went to cooking school. I took a semester that I went to cooking school. So, it was always an incredible focus of mine. Now, at that time, I could never imagine that this thing that I love to do so much, eating, cooking, drinking, bringing people together, having a great time, that that's what I enjoyed to do. It's still what I enjoy to do today. It was hard for me to even really realize because I liked doing it so much that that could actually be what I would do with my life because at that time it was a hobby and that's how people looked at it. You know, oh you love to cook that's great. Okay, you know what I mean? Whatever it might be. My first job was at uh out of college was at JP Morgan as an investment banking analyst and uh I worked there in the uh technology media and telecom group. That experience very quickly made me realize I don't care whether this is the high I only took the I didn't know what I wanted to do. I knew that if I could get this job just on paper it was the highest paying job out of college

センラ#58

JPモルガンで見た不幸な男の正反対だ。

EN

and very popular higher status. Yes, but it was a very simple equation. It was like, I'm not sure what, you know, I don't know what, but if it is the highest paying job and I can get one, let me go do that.

ザラズニック#59

その通り。ジョーのようになりたい。週3回Del Postoでワインを飲み、話し、細部をプログラムに落とし込みながら学んだ。自分のやり方で、彼らと同じかそれ以上にできる、と確信した。

EN

You're how old at this time?

センラ#60

ここは大事だ。伝記で何度も見る。普通の人は「まず証拠を集めてから自信」と言うが、逆だ。信念は能力の前に来る。当時25歳前後で、いちばん尊敬する人を見て「自分にもできる」と思った。

EN

I'm 21 years old. I had never even opened an Excel spreadsheet. You know, I didn't go to business school, so I didn't know any of this, but so I went to JP Morgan and they basically, you know, they they basically teach you. It's like it's like it's an amazing thing. It's like a free business school. You go there for the first 6 months and they teach you how to do everything, which was actually, you know, very beneficial to me. But um but I very quickly realized when I was in the uh office, you know, I started to realize, you know, there was something a little bit different about, you know, every guy, all the other analysts around me be reading the Wall Street Journal and the Financial Times. I'm sitting there reading like travel and leisure magazine and and like weird cooking magazines and everyone's looking at me like what's wrong with this guy? And I also realized the power of restaurants. There was two things that happened. One was, you know, because I was so obsessed, I would go out to, this is before you could even, you know, you would use a Zagat guide to find the great restaurants in New York. And I had memorized the guide, right? So, the guide was memorized. So, like a game I used to play would be like someone would open the guide and I they name a restaurant in New York and I'd tell you the rating. It was 24, 26, 40. It's not It went up to 30, but um that was like that was a fun game for me. Name a random restaurant, I'll tell you the rating. I memorized this guy and I had, you know, so I wanted to try all these great restaurants. That was the Bible of New York restaurants, you know, 25 years ago. That's how everyone figured out what restaurants they were going to go to. And basically, I found two things out. One was, you know, because I had this incredible passion and I na it was natural for me. It was natural for me to be in restaurants. It was natural the way I felt when I went to restaurants. It was natural the way I got along with you know the people who worked in restaurants which is its own culture like you know whether it was the waiters whether it was the chefs whether it was the restaurant tours and the owners these were the people I got along with you know like we understood each other so I would spend time and all my time that I could outside of work which was not that much of that time but you know trying this place or trying that place and spending all the money that I was making to go and try these restaurants and you know try every single thing that I possibly could in the amount of time that I had. Two things happened. One was that I realized the power of restaurants because you know because I went to these places because I I had become friendly with a lot of restaurant tours at that time. You know I realized that the greatest currency I had you know was that I could get you know my senior you know the managing directors that everyone was like afraid to talk to. Suddenly I was helping them get dinner reservations and they like thought I was the great, you know, it was it was the craziest thing, you know, that I could get them into Nou or wherever it was at the time. Like they thought was the greatest thing that ever happened to them. So I started to see like there's something here like you know the the the the currency of restaurants and it had already started you know I mean of people these impossible tables and being able to access them and what that meant to people and what they do and you know to have those great experiences that were out there. I started to see that and at the same time I started to see, you know, when you look up to the top of your job or wherever you're working and you look at the guy who is the top guy, the guy making the most money, you know, in your group, the guy who you're obviously going to try to be like if this is what you're going to do. These guys were miserable, right? And I was like, I cannot do this. I kind of realized very quickly that there were a this was not I don't want to be like that guy. I want to be like that guy that I met last night in the restaurant. And on top of that, I'm never going to be the best at this. I can be the best. I don't know yet what it is, but in as long as it's something that has food and people surrounding it, whether it be restaurants, hotels, or otherwise. So, I walked out of my job on my birthday in my second year, which is a 2-year program. So, it was right before that was coming to a close. It was in August. And um right at that point, I said, "You know what? I I've had enough of this. I got to go do something around hospitality and food and beverage." And it was still so crazy of an idea to go into the restaurant business that I didn't even take that. I went and go went to go work in a hotel, which seems a little less crazy, right? You know what I mean? like so I walked from from literally a few blocks from here at the time you know you can check he puts it in perspective the timing the Mandarin Oriental Hotel in Columbus Circle had just opened right and the Mandarin Oriental was at the time when my travel and leisure I was reading the most expensive hotel to ever open right and it was like the crown jewel of New York and you know everyone it was a big deal because it opened with Columbus Circle and it was it was it was a big big deal. So, I walked into the hotel to uh to try to get a job, right? And so, I went to the front desk and they were like, "Well, we don't give jobs here. You got to go to like the service entrance in the back." And I was like, "Oh, okay." You know what I mean? So, how do I get there? I walk around the thing. So, I walked around the thing. I ended up, you know, going in and say, "I'm looking for a job." And they're like, "Do you have an appointment?" "No, I was on my lunch break." And I said, "No, but I'm in my suit. I'm from JP Morgan, you know, and uh and they said, "Well, you know, you got to come back with an appointment." I said, "Well, you know, please just do me a favor. You can see the guy, the HR dire, you know, it's one of those like half walls, you know, like the half walls like a show like where like you could see the person in the office um through the glass." So, he was like in one of these classic like HR cubicles where you kind of see what was going on.

ザラズニック#61

だいたい25歳。自然だった。アスリートがバスケが自然に上手いのと同じだ。なぜここに置くか、サービスがどう動くか、皿の火入れ、ブランチしたか——味だけで問題が分かる。勉強と反復と自然な才能。プロとして味わうなら、優れたパレットが要る。

EN

And uh and I said, "Could you," he was like that far away from me. So, I was like, "Can you can you just ask him um you know, tell him that I'm here, that I'm an investment banker at JP Morgan and that I will take any job in this hotel that he will give me. He thinks I'm out of my … mind." And I get up and I leave. And I remember going walking back to work. I remember calling someone and saying like, "I don't think that went so well, but um we'll see what happens." You know, cuz he he kind of was like, "Yeah, well, you know, we'll see. Nothing's available." let alone the next day my phone rings and um it's the head of HR man oriental and he says hey you know um it was nice meeting you yesterday we just had the head of guest relations quit do you want to take that job I said that'd be fantastic he was great when can you start I said in two weeks he said great so I ended up leaving and going to work at the Mandarin hotel what I got very lucky with was that in the man at that time at the Mandarin guest relations which means a lot of different things in different hotel it could guest relations can be a synonym for concierge or it could mean VIP services which is what it meant in this hotel. So it ended up being an ideal starting point for me because basically what I did as kind of what ended up leading the VIP kind of concierge, the services, whatever you want to call it, was that I I handled all our most important guests no matter what they were doing. So from rooms to restaurants to checkin to every single aspect of the hotel. So, I got to very quickly learn what I what I wanted to learn about, you know, how to run a hotel at the highest level and also the food and beverage outlets that were there that I got a chance to work in. So, that was kind of my first foray into that. Now, my my parents thought I was crazy. You know, they uh you know, you're leaving the best job that it theoretically exists to go into what at that time again was not what it is today. It's not like this fancy fun business, right? You know, that that people are you you see people as being big successes in. It was like a place that, you know, you would you could never make any money. I I continued to do it and it led me to uh at that point I still hadn't fully decided I needed to open a restaurant. I knew I needed to be around food all the time. I knew I need to be around people all the time. I loved dealing with customers. I love dealing with people. I love being around food. If I could check those boxes, I was very happy. And so that led me at the time to, you know, do what I was was to I started a website.

センラ#62

でもそれは勉強と反復でもある。25歳なら、すでに人生の半分その話をしている。

EN

This is a very unconventional path.

ザラズニック#63

そうだ。

EN

Yes.

センラ#64

アスリートと言ったから思い出した。若いラリー・バードが、遅い、厳しい競争をしていない、NBAで通用しないと言われた話。ルーキーキャンプで3日後に「このリーグでプレイできるどころか、支配する」と気づいた。

EN

So you go from employee at Manor oriental to entrepreneur

ザラズニック#65

まったく同じだ。僕は「こういう人になれる」から「この世界を支配できる」へ移った。100%確信していた。始めていた二つの事業を売って、ごくわずかな金を手にした。

EN

for all my VIP guests at the Manor oriental. I had been building I built my own using my JP Morgan skills. I built my own Excel database, right, of restaurants. And this database was so well JP Morgan style organized, right, that you know that basically, you know, it was name all my restaurants that I liked. It was exactly what you wanted to eat when you went there. It was exactly what table you wanted. It had, you know, who you need to speak to at the door. It had every information because this was now, you know, they'd call me and say, "I want to go see and hear." I great. And I be I rose through the ranks there because I I knew I could get everyone into these restaurants because I made I was always spending my time in all these restaurants. That database then I one day I was walking into my building late from you know we didn't get out of work at JD Morgan till 2 3 in the morning as you know you know and I had an incredible door man named Max and I'm walking in and I'm talking and he says you know like he introduces me to this kid. This kid is a student at NYU and he's a programmer. So I say to him, I said, you know, I have this idea. This is all standing in the lobby at 2:00 in the morning. I said, I have this idea. I think I have this database already built in Excel and there's nowhere to properly search online. This is before anything existed. You know, there's no website where you can search restaurants properly and have it, you know, rated and graded and etc, etc. and also that tells you what to eat there and what the signature dishes are and blah blah blah. All things that we easily access now, but I had this vision to create this content site all around restaurants that would allow people to use what I had built, you know, for themselves, right? So they could just say, I want an Italian restaurant downtown and it would say, here are the three that I recommended. Here's what you should eat there, etc., etc. That became a site called Always Hungry that uh that I created, which was a content site. And that was really my door into the restaurant business as a whole because now I was on the content creation side. So I got to be very close with the best chefs and best restaurant tours in the city, interviewing them, talking to them, doing things like this, you know what I mean? Before, you know, podcast existed or anything of that nature. But we were having them take us through their process or through the restaurant, etc., etc. And what happened was after doing this for, you know, a little while, I started to realize, I understand this. Like it all made sense to me. I need to be doing this myself. Not talking about the people that are doing it. It was that feeling of like this is what I'm meant to be doing, not some internet thing I really don't even understand the internet portion of. I'm just creating food content. That led me to starting another website called Dine Private with who a guy named Joe Bastionic who was one of the most famous restaurant tours at the time. He came to me because I was at the time you know this is 20 years the food web guy. There wasn't anyone in my space. It wasn't like the it is you know what I mean like I was the guy. So the big so the biggest restaurant tour one of my the guys that I looked up to right came to me and said you know I have I have an idea I want to start uh you know Open Table which existed at the time but for private dining rooms right so that like this room right but to but he had just opened a restaurant at the time called Delosto and he had like seven private dining rooms and he was having trouble booking them all the time and his idea was like well what if you know, automated this so you could do it online. So, I didn't really have that much interest in doing it except for that. I knew that it would give me an opportunity to spend time with Joe as his partner and do that, you know, on a daily or weekly basis.

センラ#66

船を焼いた。最初の店の前に、コンテンツのウェブサイトを売った。

EN

So, wait, you were going to be co-founders together on this new project. He was one of the restaurant tours or chefs that you most

ザラズニック#67

両方回しながら、「自分のレストランを開けなければならない。これが自分の仕事だ」とロックインした。ベンチャー寄りの友人に話して、数ヶ月でAlways HungryとDine Privateを売り、街に出てスペースを探し始めた。

EN

he was the big he was the biggest restaurant tour of of the of that moment. Okay. Um he was you know he was partners with Maro Batitali. He was he was he was the big you know he was one of the one of the if not at that moment the biggest restaurant tour doing some of the biggest projects.

センラ#68

当時、自分がシェフになると思っていた?

EN

That was smart

ザラズニック#69

いいえ。

EN

and and right. So I I figured if I get to have a front row seat and and not even even beyond that be his partner and start working with him and figuring out all these intricacies that we would have to figure out around restaurants I can learn everything you know what I mean and uh and so basically that's why I ended up doing that project and he never knew my motive was that my motive was to become him right but

センラ#70

パートナーは決まっていた?

EN

he's the opposite of the guy you saw at JP Morgan. I don't want that miserable guy.

ザラズニック#71

いいえ。ジョーや他のレストランールを見て学んだのは、失敗の大きな理由のひとつが、レストランールとシェフの古典的な緊張だ。シェフはこういう料理を、オーナーはもっと利益を——喧嘩して別れる。ステレオタイプの物語だ。一方、最高のパートナーシップは、レストランールと偉大なシェフがパートナーになることだった。まだやや斬新だった。

最初の日から、シェフを雇うんじゃない。同じ野心を持ち、世界でいちばんすごい食を作れるパートナーを探す。同時に、頭の中のCarbone——自分のバージョンの、高められたイタリアン・アメリカン——を開けたいと思っていた。

EN

Exactly. I was like, I want to be like that guy. Um, I want to be like Joe. So, um, so the opportunity to be his partner was was something that I said, you know what, even though I don't want to build another, uh, website, I I'll do it. So, we built it. The biggest thing that it gave to me was obviously that I, you know, I would literally meet him three times a week. We'd sit in Delos. We'd drink wine. We'd hang out. We'd talk. I'd watch how he did what he was doing. And I'd watch, you know, the way that, you know, he was uh, you know, we talk about restaurants, we talk about the intricacies of every last detail, many of which we needed to program into this thing that we were building. Um, and that really really put me in a place where I realized I can do this and I think I can do it my way, you know, and at that, you know, I can definitely do it as good, if not better, as what I see, you know, him and the other peers that we were working with.

センラ#72

Carboneが最初の店になるはずだった。高められたイタリアン・アメリカン、というアイデア。

EN

But this is this is really important. I want to pause here because like this is something that I see reappear over and over again all these biographies of history entrepreneurs I read and it drives me crazy cuz if you listen to normal people they're like oh you know you shouldn't you should generate evidence first and then have confidence. It's like, no, you have it exactly backwards. Belief comes before ability. You're in your early 20s at this time.

ザラズニック#73

大きなアイデアだった。僕には完璧に筋が通っていたが、他の人には見えなかった。

Il Mulino、Scalinatella、Rao's——大好きな体験だが、食はそれほど良くない。それでも高価で、何度も行き、金を全部落とした。冒頭のムーブ、置くもの、全体が好きだ。ニューヨークのクラシックだ。

もしこれを別レベルに持っていったら? 最悪のヴィールを薄く叩いたヴィール・パルムじゃなく、最高のヴィールで美しいチョップのヴィール・パルム。完璧に火入れされたロブスターのフラ・ディアボロ——当時はあり得なかった。シーザーサラダを再発明し、ベビージェムとリコッタ・サラータで。フランスの高級料理がやるような食材の敬意を、イタリアン・アメリカンに当てる。

同じ頃、後のパートナー二人がマルベリー・ストリートで10席のイタリアン・アメリカンを開け、昼はサンドイッチ、夜は35ドルの5品プリフィックスで行列ができ始めていた。昼のチキン・パルムやフレンチのサンドイッチが高められていて、哲学が一致していた。夜もクラシックの再発明。

当時は一日6食くらい違う店で食べていた。別のレストランールの友人に連れて行かれ、何百食のなかで断トツだと感じた。ジャンルも同じだった。リッチとマリオがパスにいて話し始めた。客はよく話しかけてくるが、僕の会話は違った——食の話ができる。15年続くハイレベルな食の会話の始まりだ。

帰宅して当時の彼女(後に妻)に「パートナーにしたい連中を見つけた。連れて行く」と言った。行列があったが、ヘイル・メアリーで電話した。「ジェフ・ザラズニック。二人で今夜入れますか?」——後に何年も一緒に働いたニコールが「ちょっと待って」と言った。

EN

About 25.

センラ#74

パートナーは——

EN

You have the obsession. You're in your early to mid20s. This is the guy you most admire. And you're like, actually, I can do that. It was natural to me. You know, the only thing I can equate it to when I talk to people, it's like like a, you know, it's like if you're an athlete and you were just naturally good at basketball. And obviously now you've honed your craft to be one of the best. But I was good at this. I understood why they put this here. I understood why those guys are coming here on the service. I understood what was on my plate, how it was cooked, was it seared, had they blanched it, had they done this, had they done that? And I could tell you there's a problem with this because of this just by tasting it, right? Okay, here's what you got to redo with it. And part of it was all the studying, right? All the years of eating, repetition, studying, cooking, etc., etc. And part of it was just natural talent at the end of the day. Like, you have to have a great pallet, right? You know what I mean? Like if if you don't have a great pallet, it's going to be tough to taste food professionally,

ザラズニック#75

Dine Privateでジョーと会っていたDel Postoのダイニングで、マリオ・カルボネはジョーの下で働いていて、僕とジョーがワインを飲みながら仕事しているのを見ていた。顔を知っていた。電話で「ぜひ来てほしい。でも10時に来られる? マリオがサービスを終えて話したいことがある」と言われた。

EN

right? But you know, part of that also just comes with a lot of studying, a lot of repetition, no different than anything else.

センラ#76

出口での短い会話のあと?

EN

Well, if you're 25, you've already had this discussion at that point for half your life,

ザラズニック#77

5分、10分のハイレベルな会話の直後だ。後から聞いたら、向こうも同じように感じていた。

10時に行ってディナーをし、サービス後に飲みに行った。ジェーン・ホテルで、イタリアン・アメリカンでやりたいことを話したら、即座に「それこそ僕たちの夢だ」と言った。朝の4時、5時まで話した。ジョーはほぼイタリアンだけをやっていたが、僕たちはイタリアンだけにしない。うまくいったら、世界最大・最高のレストラン会社になり、ホテルやもっと大きなホスピタリティへ、と。最初の会話が、いままで辿ってきたロードマップそのものだった。バンドで合わせてみて、全部が噛み合う感じ——ソウルメイトに会った感じだ。翌日リッチに会い、パートナーになり、当時のTorrisiで働き始め、Carboneのスペースを探し始めた。

野心はひとつ——史上最高のニューヨーク流イタリアン・アメリカンを開け、死にかけていた芸術を蘇らせる。ファインダイニングはテイスティングメニュー一択、「シェフが正しい、5品しか出せない、代替なし、アレルギー無視」のロボット的スタイルに僕たちは飽きていた。ホスピタリティは客の世話をするはずなのに、いつから「俺が決めたものしか食えない」が正しい食べ方になった?

Carboneは豊饒の精神を最大限に祝った。メニューはマンハッタン最大級——70品。当時は6素材の小さなカードが流行っていた。メニューのいちばん上に「a piacere」——何でも好きに、と書いた。これだけ上手いなら、グリルチキンを頼まれても上手く作れないなら、それほど上手くない。70皿を同時に準備する複雑さこそがレストランの仕事だ。中華を作れ、は「フード・テロリズム」だが、ソースなしのプレーンや、このパスタにあのソース——もちろんやる。当時のレストランではクレイジーだった。

最高のシーザー、ビーフ・カルパッチョ、ベイクド・クラム、スパイシー・リガトーニ・ウォッカ、ヴィール・パルム——誰も使ったことのない品質で。そしていま語られる体験型ファインダイニングのカテゴリーを作った。キャプテンも映画の一部で、物語を語っていた。1959年のニューヨーク、リトル・イタリー。トンプソン・ストリート、1929年から開いていたRoccoという最古級のイタリアン・アメリカンに入れ、元のサインを残した——いまはアイコンだ。

EN

right?

センラ#78

サインの話を。面白い。

EN

And it's funny you use the word athlete cuz I hear hear when you were speaking this weird um clip of Larry Bird, a young Larry Bird came to my mind because, you know, he played at this like small school. They said he's too slow. He's not he doesn't have like he didn't play against tough competition. you're not going to make it in the NBA. They're telling him after he got drafted at the NBA before he went. And so he had a lot of self-confidence, but he goes, "Wait a minute." So they used to have this thing called rookie camp where all the rookies would get and start playing together. And he's like, "It took me I was hearing all this stuff like I'm too slow. I have horrible competition. Took me goes three days of rookie camp to realize not only can I play in this league, I'm going to dominate in this league."

ザラズニック#79

最初の大きなリース交渉だった。1年以上スペースを探していて、完璧な場所以外は妥協しなかった。待っている間に隣でサンドイッチのParmを最初から建てた——18席くらい。ある日知り合いが肩を叩いて「スペースがあるかも」と。角を曲がってトンプソンに入り、サインを見た瞬間、「取る」と言った。

EN

It's like same.

センラ#80

中も見ずに?

EN

That's very similar. So like what I went through was exactly that. I went from I can be like these guys to I'm going to be able to dominate this world, right? You know what I mean? Like, and I was 100% confident in that idea and I took that. We were for, you know, I was able to sell off these two businesses that I had started. I took the very small amount of money that I made on those.

ザラズニック#81

「中も見てない」と言われた。「関係ない。このサインを知っている。これが探していたものだ」。中は荒れ、古いイタリア人が隅でタバコを吸い、半年家賃を払っていない。オーナーは追い出したい。「年末までやらせて、1月1日から」と友好的に。リースにサインを残す条項を入れた。完璧な骨組みと歴史があった。

実行直前、「サインを残すなら1万ドル」と言われた。当時の僕たちには大きな決断だったが、払うことにした。それでも、40年いた男は追い出される怒りで——

EN

Oh, wait. So, you burn the boats. You got Yeah. So, you sold off your content uh your website before you started your first

センラ#82

1万ドルをもらうのは彼?

EN

Yeah. So basically what happened was I don't know why you know is that I had both businesses running and at that point I was like I got to go and open my own restaurant. This is this is this is what I'm meant to do. I was so locked in on this idea and I got to get out of these businesses. And you know one thing led to another. I spoke to a friend of mine who was in kind of the venture capital world. We sold Always Hungry, which was the content site to in the matter of a few months, right? You know what I mean? We sold that and we sold Dime Private. So, I was able to get out and then basically I hit the streets saying, "I'm going to find a restaurant space." The best businesses I've studied all figured out the same thing early. Your team is only as good as the information they're working from. And today, that team includes people and agents. But most generic agents only have limited information and don't know the most important aspects of your business, like your actual customer conversations, your sales history, what worked last quarter, and what didn't. This is what HubSpot fixes. [music] It connects AI to your real customer data. So, when you ask AI to write an email, it knows this customer asked about pricing 3 weeks ago. It knows [music] what campaign brought them in, and it knows that customer already contacted support twice this month. And that changes everything for a startup. When you're hiring, new team members can see how you actually sell. When you're fundraising, your data is clean and ready. And when you're scaling, you're building on something designed to grow with you, not rebuilding from scratch. It's the same platform that more than 300 startups who have grown to over a billion dollars in valuation grew their businesses on. And now, HubSpot for Startups offers this service at up to a 90% discount exclusively for eligible startups. Visit hubspot.com/startups to learn more. That is hubspot.com/startups.

ザラズニック#83

そうだ。大晦日が最終夜で、1月1日に引き継ぐ。ネオンの古いサインで、赤でRocco、緑でwines and liquor。1月1日に行ったら、ガラスが砕け、ネオンは全部彼に割られていた。道連れの「くたばれ」だ。

最初は激怒してオーナーに電話した。数分後、「この男が最大の贈り物をくれた」と思った。サインは残し、Roccoの上にCarboneのネオンを乗せ、wines and liquorを戻す。世界のファインダイニングでいちばんアイコニックなサインのひとつになった。光が割られたからこそ、いまのCarboneサインがある。

---

EN

Did you think you were going to be the chef at the time?

センラ#84

真の関心が早く現れる話は、自分が読む創業者たちと同じだ。「自然」という言葉を何度も使った。自然に逆らうとトップは難しい。業界を支配できると思っていたとしても、いまの規模は当時の予測を超えているだろう。いまのMajor Food Groupの状態を説明して。

EN

No.

ザラズニック#85

完全に垂直統合されたホスピタリティ企業になりつつある。キャリアの大半はラグジュアリー・ファインダイニングのレストラン・グループで、そこにプライベート・メンバーズクラブ、ブランデッド・レジデンシャル——マイアミでVillaという約80戸の超高級コンドを仕上げている——、ホテルを足している。24時間あなたを世話できるようにスコープを広げている。

EN

Did you know who you're going to partner with or not?

センラ#86

もう少し。

EN

No. So, what happened was I learned watching Joe and other restaurant tours. The biggest reason why restaurants don't work out if it's, you know, on the restaurant tour owner's part is because there's always been this classic tension between the restaurant tour and the chef. It's been happening throughout history, right? That it's a classic thing. The chef wants to make this food, the restaurant tour wants to make more money, and they're fighting all the time about these things, and then eventually they break up. That's an age-old that's like the stereotypical restaurant story. So, I watch that happen a lot of times, right? While I was watching the industry so closely, um, I also realized that the best partnerships were when, you know, were when restaurant tours and great chefs were partners. That was still somewhat of a novel idea, right? You know what I mean? And so I from day one was looking for who am I going to be partners with? I'm not going to hire a chef. I'm going to look for people that have the same ambitions that I have, but most importantly that can make the most incredible food in the world and as I'm looking around for spaces. So, you know, everything h so simultaneously I decide that the restaurant I want to open, which is my favorite type of restaurant, was whatever my version in my head of Carbone was at that time.

ザラズニック#87

プロセスは難しくない。自分たちが行きたい場所を作る。行きたくないなら建てない。レストランでもクラブでもホテルでも同じ。どんなホスピタリティ物件でもいちばん難しいのはF&Bだ。この10年、ホテルや大型開発の人たちもそれを理解した。だから3時間レストランにいる間だけじゃなく、起きてから寝るまで世話する——同じ哲学を広いホスピタリティに当てる。

別の垂直もある。Carboneはライフスタイル・ブランドになり、トマトソースを売っている。

EN

Carbone is going to be the first restaurant you would do. The idea of this elevated Italian-American restaurant

センラ#88

商品はスケールが違う。レストランでは一日に入れる人数に限界がある。

EN

was my big idea, right? Because what what I saw was the following. And you know, to me, everything made perfect sense, but other people didn't see it, right?

ザラズニック#89

Carboneソースは全米何千の店舗で売られ、プレミアム・ソースのトップにいる。10ドル未満の瓶でも、レストランで見るものと同じ「知っているものの最良の表現」を立てている。矛盾しない。メニューも、初めて見る料理はほとんど出さない。最高のバージョンを作る——瓶でも建物でも同じプロセスだ。

EN

I I saw that I'm some of my favorite restaurants to go to, you know, Molinos, Scalatella, Rayos, etc. These are the best experiences, but like at the end of the day, the food is not that good. And they were very expensive restaurants. And I would spend as much time, as many times I could go there, spend all my money going to these places. That's how much I love them. I love the moves at the beginning of the meal. I love what they put down. I love I love the whole thing. And as a New Yorker, that's like the most classic style, you know, New York restaurant, like these these kind of finer dining Italian restaurants. My idea was what if I take this but we take the entire thing to a different level. So instead of a ve chop being the shittiest ve you could buy pounded this thin, right? You know what I mean? It's going to why don't we buy the best ve you can buy and make it a beautiful chop and still make a ve parm out of it but not pounded so you're eating breadcrumbs. You know these little ideas. What if I made a lobster fraud diavala but the lobster was perfectly cooked? Never had happened at that point in time. Never. Okay, it never had happened. You know, simple ideas like this, right? You know what? If you reinvented a Caesar salad, you know, but the lettuce was perfect baby gem lettuce and you use this ricotta salada instead of par. You know, what if you what if you took these dishes and gave them the love and respect that people would give when they were cooking fancy French food in terms of ingredient sourcing, etc. And you applied that to Italian-American food, right? into this archetype that I was very much beloved by New York and beloved by me especially. And right around the same time, my two partners opened a small, you know, was 10 seat Italian American restaurant on Malberry Street and it had started to gain some traction and it was, you know what I mean? People were talking about it and they served sandwiches during the day and they served a a uh five dish prefix menu for $35 in the evening and people would line up to go to the $35 prefix and it and it had so it caught my eye and and uh at first I just had the sandwiches during the day and they were spectacular and they were very much in line with you know this philosophy that I was looking for. They were doing elevated versions of chicken parm sandwiches and of chicken frenches sandwiches. All the same idea but in sandwiches, right? And at night they were doing reinvented versions of classic Italian-American dishes, right? With different influences and a little bit more avanguard in that way. But but it was still this elevated version of truly Italian-American cooking. And at this point, I'm a food expert, you know? I mean, I'm I'm eating, you know, six meals a day, different restaurants. I'm tasting food again for these different for for a living at that point. And I go into that restaurant and uh another restaurant tour I was friends with took me there, said, "You got to try this place." I didn't have a restaurant or anything at that point. Um he knew me from my web stuff and we were friends and he took me to this. You got to try this place. I was so blown away by the food and I was like, "This is crazy." You know what I mean? Like I the hundreds of meals I've eaten this, this is by far the best food I've had. And it happened to be the exact same philosophy and genre of things that I was thinking about and and actually actively looking at spaces to do. So, you know, that night I went, you know, Rich and Mar were working at the pass and we started talking and they tell the story all the time that like, you know, all the guests would come over and start talking to them. But like when we started talking, it was a little different because I knew what I was talking about, right? So, the highlevel food conversation, which has been the rest, you know, we've been going on now for 15 years together. But, um, so we had this great conversation. I was blown away by the meal. Uh, I got home that night and I told my girlfriend at the time, who later became my wife, I said, "I think that I found the guys I want to partner with and I want to bring you back to the restaurant. I I call because there was a there was a line around the block. I called just doing what I would all, you know, you know, it was a Hail Mary. I didn't really know them or know what was going to happen, but I didn't want to wait online. So I called and I said, "Hey, it's Jeff Salazing. You know, I was hoping I could come in tonight for uh two people." And then and they're like the girl who picked up Nicole who ended up working with us for many years after said uh said, "You know, hold on one second." It was a leap of faith. They'd have any idea who I was. I wasn't a well-known person at this point, you know, I mean, in restaurants. I was but you know it all comes full circle because Mario my partner Mario Carbone had worked at Delposto where which was Joe's restaurant and Joe and I when we would meet all these times

センラ#90

ジェームズ・ダイソンの回で話した。5127のプロトタイプ。市場を発明しなくていい。既存の製品を見て、しつこく再設計する。掃除機がダメ、みんな使う——もっと良いのを作る。それが45年止まらず、100%所有の巨大な私企業になった。

EN

is your partner on the

ザラズニック#91

それが僕たちのテーゼ全体だ。

EN

on dime private and we would meet all these times we would sit in the dining room at Del Post like you and me are sitting now and we would drink wine and hang out and we'd be working and laughing and talking and whatever it was and he would see me sitting with Joe in the dining room so he knew knew me and recognized me and we had said hi once or twice or whatever it was and um so when I called they said you know actually we'd love to have you but can you come in at 10:00

センラ#92

「君の凡庸さが僕の機会だ」。スパイシー・リガトーニ・ウォッカは僕たちが生まれる前からある。なぜこれがこんなに良いか——単純だが、大量の仕事と思考が入っている。

最初の夜、朝4時まで話したロードマップに戻る。普通のレストラン以外で最初にやった分岐は?

EN

is this after you had the highle conversation with them

ザラズニック#93

ホテルだ。ボストンのNewburyで、デザインから実行、ブランディングまで概念全体を作り、コンセプトのパートナーになった。

EN

we had just had a quick highle conversation on my way out okay

センラ#94

ホテル側とパートナー? 全体の一部を所有?

EN

5 minutes 10 minutes

ザラズニック#95

ブランドの一部を所有する。レストランやバーも中にあり、体験をデザインするために入った。ここ数年でいちばん大きな一歩はプライベート・メンバーズクラブ。マイアミのZZ'sから始めた——君とディナーした店だ。

EN

okay

センラ#96

マイアミでいちばん好きなレストランだ。

EN

and I only knew later because we tell this story all the time that they felt that you know what I mean I thought it was a great conversation

ザラズニック#97

ありがとう。ニューヨークにももっと大きなものを開けた。ハドソン・ヤーズの入口で、レストラン2、バー3。

EN

they felt the same

センラ#98

なぜ普通のレストランではなくプライベート・メンバーズクラブにした?

EN

and apparently they felt the same

ザラズニック#99

ウィンウィンが好きだ。ビジネス側では、レストラン業をいちばんきつくする要素が、サブスクリプションを足すとかなり消える。Netflixみたいに年会費・月会費が自動更新され、うまくやれば離脱は少なく、毎年Xドルのサブスク収益が見える。レストランは視認性がほぼゼロだ。雹、大雨、スプリングブレイク——変数が100ある。毎晩新しいショーで、前夜と同じ完成度が要る。だから世界でいちばんきついビジネスだ。

クラブは下にサブスクがあるから性質が変わる。だからみんな入りたがる。でもそれだけが理由ではない。ラグジュアリーでは客が求める。パーソナライゼーションのレベルが上がる。レストランは「予想」する。クラブはフォームで何を飲むか、何を食べるか、食事制限まで知っている。テーブルで毎回話さなくていい。サービスが自然で流れる。

ロンドンではプライベートクラブが昔から文化で、ビジネスの大半がそこで行われる。アメリカではだいたい5〜7年前から、超高級・超排他的なクラブがニューヨークに浸透し始めた。Soho Houseは少し違う話だ。ロンドンのクラブで気づいたのは、行くこと自体が目的で、食はだいたい美味しくないことだ。

僕たちが違うのは、食と飲料に極端にフォーカスしていることだ。ZZ'sは食が第一。居心地もドリンクも美しいが、ニューヨークのZZ'sにはプライベートCarbone(そこのみ約30〜40%の皿)、クラシックな日本料理のZZ's、スナック付きのバーがある。初めてカリナリー・コンシェルジュを置いた。48時間前に「エジプトから投資家が来る。6人のエジプトの饗宴を」と言えば、チームが組む。母の誕生日に母の三つのレシピを再現する、キャビア10コース、最高レベルのチキンナゲットとビッグマック——何でもやる。

食と飲みと卓越に没頭しないなら、僕たちのクラブに入る意味はない、と友人にも言う。ただ吊るむクラブとは違う。

EN

they said can you come in 1000 p.m. I said, you know, sure. This, she said, you know, because Mario gets a service at 10:00 and he would love actually to talk to you about something.

センラ#100

食が最高で、普通の店より静かだから好きだ。

EN

And I said, that's crazy. I want to talk to him about something. That's why I'm coming in. This is all real, not made up. I literally say like I remember hanging up being like, it's the craziest thing to my wife Ally. I said, Ally, we got to go at 10:00 because the thing I was telling you about, he wants to talk to me, too. So, we're going to go to 10 and I'm going to go out with him after and we'll talk. And so, we went for dinner and after service, him and I went for drinks. And, you know, the rest is kind of history. I mean, we we basically sat down at the Jane Hotel. I told him my idea, what I wanted to do, you know, what I wanted to do with, you know, Italian-American food. And he immediately said, "That's exactly what we want to do. That's our dream." We were there till 4 or 5 in the morning just talking about what we wanted to create, you know, and we talked through he had worked for Joe for a long time. So we talked through like we don't want to be he Joe only made Italian restaurants for the most part. We don't want to just make Italian restaurants. We want to make different types. And should this first thing work, you know what's my ambition is to be the biggest greatest restaurant company in the world. And I my ambition is to grow into hotels and into much bigger things, right? And you know and the entire hospitality experience. We talked about all these things in our first conversation which has basically been the exact road map that we have followed up until today, right? was talked about in our first conversation and we stayed there all night talking and it was like you know meeting your uh you know soulmate kind of you know like you're like if you playing in a band you guys start playing and then it just all starts working. I then met Rich, you know, the next day and we decided to, you know, to partner up and, you know, I I quickly started working with them at Theresi, which was the original restaurant different than the one that it is now. From there, we started on our path to try to find the right space to do Carbone. And so that was probably in, you know, the summer of they opened in January and that summer I joined them and we set our sights on creating what would be the greatest Italian-American restaurant ever opened and with no other ambi the the ambition was only to be the greatest New York style Italian-American restaurant that had ever opened and to really truly reinvigorate this art form. that we all had grown up with together in New York that was slowly fading and being kind of left for dead, right? You know what I mean? Like it no one was paying attention, right? In fine dining to spaghetti and meatballs, right? You know what I mean? Fine dining at that point in time had become this very, very, very serious tasting menu. The chef's always right. I'm going to serve you these five dishes. That's all you can have tonight. It's the only thing that I'm making. No substitutions, no allergies. You know, you eat what I tell you and say thank you. That was the general tone of restaurants and and people loved it. That was the general tone was I'm going to go in if I want to eat a great meal, uh, you know, a great fine dining meal, the only options as we were coming up. So, we love this Italian-American thing and we were also very blatantly and very collectively fighting against something that we also liked at one point in time but were at this point just sick of which was this incredibly inhospitable robotic style of fine dining, right? Okay. Which was didn't make any sense when you started to break it down. The whole idea of hospitality, the whole idea of restaurants is taking care of your customers. When did it become that you come to my restaurant, I'm telling you exactly what you're eating. You can't have anything else. I don't care what your preferences or your allergies are. When did that become the way that people want to eat? It had its moment and we basically were ready to say like we're done with that. And so when we came out with Carbone, which the Italian-American restaurant has that spirit of abundance and built into it, we celebrated to the maximum. And that's why, you know, Carbone famously has I made the menu the biggest menu in Manhattan, right? Cuz at that point, everyone was giving these tiny little cards with like six ingredients listed on it that everything had become so austere. So our menu was big, it was bold, there was 70 things on it. And on the very top of that menu, it said a cherry. Aia means whatever you want, right? Because my whole thing and our whole thing was that if we're so good, if someone asked for a piece of grilled chicken, why can we not make that for them really well? Like what that means is like we're not that good because I can only make you if I anyone just so you understand without even that much culinary training could make you four or five dishes if they make the same exact dishes every single night and probably get them to a point that is acceptable, right? Obviously, you need to be great for it to be great. But the whole difficulty of a restaurant is that you've got 70 different dishes. All that's got to be prepared for. How much do you prepare? What ingredients came in? Did they all come in right? You got all these different move. You got hundreds of moving parts just to put out the menu that you're putting in front of people. That being said, that's your job. Like, you know, I mean, your job is to do that at an incredibly high level if that's what you're putting in front of people. Now, if I have the ingredients, obviously, if you come in, you ask me to make you Chinese food. That's that's that's what I call food terrorism. That's that that's not that's not, you know, that's like coming to when people come to our Italian restaurant say they want nothing. They they they love a time where they would nothing with onions and garlic, which actually we now accommodate, but at the time we thought that was the craziest thing. You're coming to an Italian restaurant, you can't eat onions and garlic. But um but they're outside of crazy requests, you know what I mean? Our opinion was we're here to serve you. We can make you anything you of course if you want that plain and not with sauce on it we can do it. Of course you want a pasta done a little bit of that pasta with this sauce. Of course we can do that. What do you mean we can't do that? And that was at that point in restaurants that was a crazy thing. So we came in not only with this big bold Italian restaurant, you know, serving the best versions of Caesar salads and beef carpacios and baked clams and, you know, obviously the spicy riatoni vodka and, you know, different pastas and ve parm and all these different dishes done in a way that no one had ever been presented, a quality of product that no one had ever used for them. And that really resonated with people. And what really also resonated with people was that we created the category which is now thrown around in every conversation of experiential fine dining. Meaning that coming to carbone because of the nature of what we created because of the types of captains that I went out and hired you know they all were part of this movie. We were telling to your point earlier about we were telling a story we were finding our voices and our creative process. We didn't realize what we were doing at the time that now guides everything that we do. But we were creating that story, right? This was 1959, you know, New York, Little Italy, you know, we were on Thompson Street, which had a great Italian-American history. We were in a restaurant called Rocco, which was the oldest exist open when we took it over Italian-American restaurant that was still open since 1929 in New York City. Uh, so we always loved history. That was the space we put the original carbone in. We kept the original sign which has obviously become an iconic thing.

ザラズニック#101

客層をコントロールでき、食が中心だから興味が続く。僕はマイアミでは事実上のオフィスだ。最高の環境で人と会える。

EN

Now explain the sign part because that was interesting too.

センラ#102

今後はクラブをレストランより増やす? 将来計画はどうやって?

EN

The sign is a crazy story. So this is, you know, this is my first like big lease on negotiating. I'm not, you know, it's our first big restaurant, but um, you know, we found the space because, you know, I I was one day standing there and a guy I knew taped me on the shoulder and he says, you know, I think I have a space. We've been looking for a space for a carbon for over a year. And

ザラズニック#103

レストランも増え続ける。今年10店、とは言わない。着信の機会を仕分けする。面白いものと全然面白くないもの。

EN

why was it taking so long?

センラ#104

誰が何を売り込んでくる?

EN

Because it needed to be the perfect space and we wouldn't settle for anything less. We had our restaurant running. We decided we were going to build a sandwich place next door called Parm, which ended up being the first restaurant that I built from scratch. And that was more of a sandwich shop, you know, uh, small though. We're talking about like 18 seat restaurants that happened to be we h we moved the sandwich concept out and moved next door. We did that because we just we we we were waiting patiently developing the food, developing the concept, but we hadn't found the space and we weren't going to we we knew it had to be a very specific type of space. And one day a guy came up to me and he said, you know, I think I have a space you might be interested in. And he said, you know, it's right around the corner. And I said, great, let's go right now. And he walks me down the block. We turn the right on Thompson Street and I see the sign. And as we're walking toward up the block, I look at him. I said, "We'll take it."

ザラズニック#105

想像できるすべての人。新しい都市、開発、街区、スタジアム——F&Bとホスピタリティが要るところ。世界中だ。方程式はシンプルで、ファインダイニングで年商2000万ドル以上の店が2〜3ある都市なら面白い。そういう都市は世界にそう多くない。そこで最高の高価なコンセプトをきちんとやれば、競合を吹き飛ばせる。

ニューヨークは世界でいちばん難しい場所のひとつから始めた。マイアミは偶然の発見だった——外食を愛し、金を使い、良い食を求め、競争がほとんどない市場。

EN

Just from seeing the sign. He goes, "You haven't even seen what's inside." I said, "It doesn't matter. I know this this sign. I know this place. This is exactly what we're looking for." We go in. Obviously, the place is a mess. It hasn't been maintained in many years. There's some old Italian guy in the corner smoking cigarettes and like, you know, that's been there not paying rent for 6 months or something. At that point, he's like, "I'm dying to get rid of this guy. you know, I just I don't know what I don't know what to do. And I he said I said, "Well, give him till the end of the year. Let him get the h you know, we should start January first." I was trying to be very friendly. And in the lease, right, I had put very specifically that I had this vision that this sign, you know, we had to do a whole bunch of construction inside and, you know, change where the kitchen was and dining rooms and all this other stuff, but it had the perfect bones. It had this incredible history. The building had an incredible, you know, history of, you know, New York and Italian-American um stories. And this place was obviously a very storied place. It'd been there for close to 100 years. And basically, we uh you know, put in the lease that we needed the sign. The sign had to stay. And so they put in didn't seem like a big ask. They put in the lease and right before we were uh gonna execute it, I get a phone call that the owner wants a a wants $10,000 for the sign to keep it there. Now, it seems irrelevant at this point in time, but at for us at that point in time, $10,000 was like a big decision and conversation, right? So, you know, we had like a whole and you know, we decided, you know, as the sign has to say we finally, let's just pay him like it's worth it in the scheme of things. This sign is very important. Even though we gave him the money, you know, in kind of classic New York fashion, he was so angry that he was being removed even though he hadn't paid rent in close to

ザラズニック#106

マイアミは人生最大の驚きのひとつだ。COVIDの前日に行って、そのまま閉じ込められた。ニューヨークから見るマイアミは週末やパーティの数日だった。半年住んで、暮らす場所として特別だと分かった。Baselの3日では見えない。政治に関係なく、マイアミを世界最高の都市にするドライブがあった。ニューヨークでは良いアイデアに必ず「やるな」と言う人がいる。木を動かそうとしても孫の代までかかる。マイアミでは翌日動く。リーダーシップもそうだが、街全体が「最高の都市が待っていた。もっと洗練されたプロダクトが欲しい。ナイトクラブの中のレストランだけじゃなく」と動いていた。

EN

the guy who had been in the restaurant for the last 40 years or whatever. He's not the one that's getting the $10,000 though, right?

センラ#107

何回外食して「ここを刈り取る」と気づいた?

EN

No, he's getting it.

ザラズニック#108

そう多くない。行く場所が数えるほどしかなかった。数ヶ月でパートナーに電話し、「見たなかで最大の機会だ」と言った。毎晩大晦日で、店がない自分がおかしかった。スペースを見つけ、Collins AvenueのCarboneを、リースから100日で開けた。

EN

Okay.

センラ#109

South of Fifthの? 100日?

EN

He's saying, "If you want me to leave the sign, I want to No." Okay. So, we agree finally.

ザラズニック#110

そうだ。リース署名からオープンまで100日。レストラン業史上の偉業のひとつだ。

EN

And New Year's Eve was supposed to be his last night. And we were taking over January 1st. And that night, it's a neon sign if you've been to Carbone, right? So, it's a this old sign that and it said called Rocco, right? and it says Rocco wines and liquor below it in green and it had Rocco in red. And when I show up on January 1st, the shattered glass from the sign is there, but all the neon had been shattered by him, you know, as like to like, you know, like,

センラ#111

いちばん売上の高い店のひとつ?

EN

you know, like a … you on the way

ザラズニック#112

そうだ。COVIDで閉めた比較的新しい店を見つけた。完璧な立地——100ヤード左右に、子どもの頃からアメリカで売上トップ級のJoe's Stone CrabとPrime 112がある。その間だ。「向かいのファンは?」——どうでもいい。両側にアメリカ最高売上級がいる。悪くなるはずがない。

Oceans Eleven式に全米からチームを集め、マリオも降りて最終的に移住した。デザイナーのケン・ファルクもサンフランシスコから。条件は二つ——何も動かさない。照明は変えていいが位置は同じ。キッチンもバーもトイレも動かさない。中で何をしてもいいが90日。COVIDのど真ん中で、いくら使ってもいいが、一度でも動かすと永遠にかかる。カーテンとペンキと音は早い。

90日ででき、フロアプランも前と同じ。前の店は年商およそ700万ドル。同じ席数のCarboneは年商3000万ドル超だ。

EN

A … you on the way out. He shatters all the glass. And at that moment, I look at the sign and I say, at first I'm, you know, pissed off and I'm yelling, I'm cursing, I'm calling the landlord, I'm doing the whole thing. And then after a few minutes, I'm like,

ザラズニック#113

レストランのいちばん賢い建て方だ。ビルドアウトに金をかけすぎて追いつけなくなる。ここ(フォー・シーズンズ)も大金をかけたが、ゼロからなら今日は何億ドルだ。骨があるものを見つけるのが最高だ。

マイアミには体験型ファインダイニングがなく、本格的なファインダイニングすら少なかった。客は準備できていたが、スタッフを教える人がいなかった。「マイアミのサービスは最悪」と言われ続けたが、「教える人がいないだけだ」と思った。ニューヨークの従業員にタウンホールで、マイアミに仕事がある、と呼び、バスボーイから幹部まで多くが移り、いまも幸せにいる。ニューヨークの感性とトレーニングを持ち込み、現地でも素晴らしい人を見つけた。教える人が必要だっただけだ。

ここ数年でマイアミに7〜8店、南フロリダで約12、プライベートクラブ、レジデンシャル・コンド。そしてアメリカ最大級のビーチの区画——マイアミビーチの3エーカー——を引き継ぐ。

EN

We're like deep into this conversation just cuz I think like your lore and history is really really fascinating and it's just so in line with like the rest of the people I talk to, the people it's my own experience, people I read about like this like true interest revealed early and it's like so smart and you kept using the word natural which I think was really important that this just felt natural to you and I think that's the biggest thing. It's like you want to get the top of your profession. It's going to be really hard fighting against your own innate like desires, stuff you're interested in. Uh you should just go with whatever like is natural even if it's low status or you didn't even see you know I'm sure when you started you thought okay I can dominate this industry but the size that the industry has gone has become the amount of opportunity that you've already experienced so far and that's in that's ahead of you too is just probably beyond what you could predicted back there back then. Can you give us like the state of the business now? Like just describe when someone says, "Okay, what's Major Food Group?" Like, what does it entail?

センラ#114

そこに何を建てる?

EN

So, I would say at this point, Major Food Group is a, you know, on its way to becoming a fully vertically integrated hospitality company. So, you know, we started as a kind of luxury fine dining restaurant group, which is what we, you know, for the majority of our careers, we've been uh and then now we've started to add to that, you know, private members clubs, which has been a huge business for us. Branded residential towers, like we're just finishing one in Miami right now called Villa. um which will be a you know 80 unit super high-end condo building right that we're doing that we've designed we're doing all the amenities for all the food and beverage all the apartments you know every detail everything you touch all the everything that you feel in there um so we're doing brand residential we're doing hotels and we're really kind of expanding the scope of what we're doing so that we can you know really so we can take care of you 24 hours a day

ザラズニック#115

想像できる最高のビーチクラブ。ヨーロッパ流のビーチクラブに、いちばんすごい食——また「見たことあるが、僕たちがはるかに上手くやる」。サイトは巨大で、別のレストラン、プライベートルーム、スパ、プールとビーチ。アメリカにない規模のキャンパス——没入と楽しさと最高の食。メインのビーチクラブ・レストランに加え、ディナー店、朝食のSadelle's on the beachなど、要素がいくつもある。次の大プロジェクトだ。

EN

say more about that

センラ#116

ジェフ、最高だった。以前から君を知るのは喜びで、レストラン空間でいちばん好きなプロダクトを作ってきた。話せば話すほど、それが執念と、本当に卓越したいという欲望から流れているのが分かる。時間をありがとう。

EN

you I think that you know right we get right now our approach to hospitality you know has proven to be one that's incredibly uh successful and beloved and you know I always say that you know our process is not that difficult we just create places that we want to go to right I mean that's been our entire ethos is we build places where we want to go That's it. And if we don't want to go there, we don't want to build it. Whether that be a restaurant or a private club or a hotel, like we know how to do it and we know how we would want it done and we create those environments. So, you know, being able to apply, you can apply that idea. The most difficult part of any property, any hospitality property is the food and beverage. It's the most complex no matter what. But what's happened over the last, you know, decade plus is that everyone has come to realize that. So, you know, people building hotels, people building buildings, people building, you know, much larger format things realize that the food and beverage is actually the most difficult and theoretically at this point the most important part of it. So that's been our way into spreading our wings to say we don't want to just take care of you, you know, for the 3 hours you're sitting in our restaurant. We want to take care of you from the minute you wake up to the minute you go to bed, you know, and the way that we do that is our style of hospitality. We're going to do that the way we would want it done. and we're going to apply the same philosophies that we do to everything else in restaurants to the greater hospitality landscape. So, that's really what we're focused on today as we grow into not just being a food and beverage classic restaurant company, but also adding all these different arms that come with it. And you know, then you have other verticals that are not related to, you know, you know, you have luxury hospitality and everything that we're building in that. For example, you know, we've taken the Carbone brand. It's become such an incredible lifestyle brand, you know, that we've applied that and we now sell carbone tomato sauce. Yeah. So, carbone tomato sauce, you know, for example, which is sold in thousands of doors across America, right? More than you could ever penetrate with a restaurant. only so many people can come to a restaurant in a day or a month or a year, That's our whole thesis. I mean that's that's really our whole thesis. So, I want to go back. You you guys had this remember this conversation with your your partner the first night. You stay up till 4:00 or 5:00 in the morning talking about we're going to do, you know, carbone first, but we want to do other things. What was the first thing that you did that was not a normal restaurant? The real first divergence, you know, was uh getting involved with hotels, uh which we did in Boston at the Newberry, which is really our first foray into hotel. We created and opened the entire concept. So, we became partners in the concept and we were brought in to basically do everything from design to, you know, execution to branding, etc. Uh were you guys a partner with the hotelier? But you own a piece of the entire Okay. It's my favorite restaurant in Miami. Why make it a members club, a private members club as opposed to just another restaurant? Why did you decide to do that? Private members clubs are fantastic because it's I you know as I love win-wins right so a private members club is a win for the business and for the customer right because for the business it's a much better business right so all the things that make the restaurant business the hardest business right somewhat go if you know what you're doing somewhat go away when you add a subscription model to it now you're Netflix with a Right? You have people paying annual dues and monthly dues every single year. It automatically renews. You know, you have, if you do your job well, you have very little attrition and you've got, you know, that every year x amount of dollars of subscription revenue is coming in. So, you start to look at it, it's a very different business in the restaurant business where you have virtually no visibility, right? I mean, if it starts to hail one day, that's not going to be a good day in the restaurant. If you know what I mean, if it's pouring rain, that's going to be a different, you know, the restaurant business has a hundred different variables that are going to affect, right? It's it's spring break and everyone's away, so the week's quiet. I mean, there's a hundred different things. Sure, at our level, you you know them and you can predict them to some extent, right? But you're putting on a show, a new show every night where the variables are always changing and you got to do it the same exact way you did it the night before. That's why it's the hardest business in the world. Everything's got to flow perfectly. So you're full every night and nothing is preventing people from getting to your restaurant. A private club, right? You know, again, you now have a subscription model below it. So that's that's now fixed, right? And it changes the whole nature of what you're that's on the business side. That's why everyone's trying to go into private clubs because it's a much better business, right? But the other side of it is is that that wouldn't be the only reason we could do something like that. The other reason is is that at the end of the day, it's what customers want in the luxury sector because you can apply a much higher level of personalization. You can apply a much higher level of, you know, kind of knowing your customer and not just anticipating what they want, knowing what they want, right? So here, you know, our job as restaurant is to anticipate what guests wants. Private clubs, you don't need to anticipate. You literally have them fill out a form of what they want, right? So, okay. Okay. So, you know what their what kind of water they drink. You know what their drink of choice is. You know where they like to go. You know their favorite dishes. You know their diet. Yes. You know that in a restaurant, but you sometimes you got to talk about at the table. Everything is more natural, more fluid. It allows for a much higher level of service. And the interesting thing we've done in private clubs is that you've seen now that private members club have started to become much more popular. They always were big in London. I was going to say what you you have to know the history of this like where when does it come to the states Um, the super luxury, super exclusive private clubs, right? You know what I mean? Which were prevalent in London, the idea started to percolate into New York and kind of right around the same time, you know, you had a few different private clubs open. The difference, you know, that with ours was that, you know, what I what I saw and what I knew from London, from being at all these places in London, um, was that the thing about private clubs were that it was all about being there. The food was never any good, right? So, you go there for dinner, but really you just wanted to go there to have a drink and kind of see what was going on. You never sought out to go there for dinner, aside from that, it was a cool place and it was cool to take your friends to your membership club for dinner. Um what we did was that we applied our expertise which is kind of I think set us apart in that space which I take a lot of pride in which is we're you know we're very very much focused on food and beverage our club Zezys the food comes first right it's a great place to hang out it's a great place to sit and have drinks of course you're going to build a beautiful place that people can sit and congregate and that's a given and there's lots of now examples in New York. But we actually have a point of view, you know, which is that, you know, for example, Zezy's in New York, right? We have two restaurants. We have an Italian a private carbone that has, you know, about 30 40% dishes that are only available there. We have our zezies classic Japanese restaurant. We have bars that all have their own snacks and whatever else. We also the first people to ever have a culinary concierge. So, you know, to double down on that idea, if you're a member of Zezy's, you can call 48 hours in advance, you can call your concierge and you can say, you know, I have investors coming into town from Egypt, you know, can you make me an Egyptian feast, you know, for my dinner? It's going to be six of us. And we have a team of chefs who put together whatever you call and ask for. It could be, you know, a theme, an Egyptian feat. It could be, hey, I want you to make uh it's my mother's birthday. Here's uh her three favorite dishes that she had or here are her three f my favorite three recipes of hers. Can you remake them for this dinner? You know, people do that kind of stuff a lot. People recreate their, you know, favorite birthday meals or anniversary meal. I people go, you know, we get and we people, you know, we get everything from people wanting to do, hey, can you make me 10 courses of just beautiful caviar dishes to I want chicken nuggets and Big Macs done at the highest level. You know what I mean? And so, so we'll do anything. We'll make you anything you want and do it very thoughtfully. But again, it's all about indulging and indulging in kind of food, beverage, and excellence around that topic. Everything else is just amenitizing around that. At the end of the day, I always tell people, even friends, you you don't if you're not focused on eating and drinking, there's no point in being a part of our club, which is very different than most clubs because you join just to kind of go hang out there and have a drink. That's okay. Yeah, that's the nice thing. You control the crowd and it's all about the food and that's what keeps you interested. You personally hang out there more. I feel like you gravitate towards that spot more than anybody else. So, how do you do future planning? Let's actually talk about who's pitching you and what are they pitching you? everyone you could imagine under the sun. Generally, people that are building new cities, new developments, new neighborhoods, whatever it might be, new stadiums, you know, whatever it might be. Um, where food and beverage plays an integral role and hospitality plays an integral role. And so that that's all around the world, right? So globally. So, you know, we're constantly looking at different opportunities and geographies that make sense to us. You know, I always say it's for me it's not such a, you know, hard equation, right? If you if you tell me, is this an interesting city to open a restaurant in? All I say is, you know, find me two or three restaurants doing $20 million or more, and then it's an interesting city. There's not that many cities in the world that have restaurants doing 20 plus million a year, fine dining restaurants. And when you can find those places, you you already know that you can come in there with a great expensive concept that if you do your job well, you can blow away the competition in those markets cuz the business is there. You start in New York, maybe the most difficult place in the world to start a restaurant. But then you came down, I think this was accidental, your your your accidental discovery that Miami was like this wide open market where people love to go out, they love to spend money. uh they want great food. There's and you essentially found a market with almost no competition. Is that the way you would describe the way you spotted this opportunity? How many times did you have to go out to eat to realize, oh, I'm going to clean up here? Wait, the one that's south of Fifth? You did that in 100 days? Is that one of your highest grossing restaurants? That restaurant does over $30 million in revenue. So that is the smartest way to build restaurants, right? Because people invest so much money in building restaurants, right? Even here where we're sitting, right? We did spend a lot of money, but relatively to build this, right, from scratch would have cost hundreds of millions of dollars today. In a way, you know, the greatest thing is when you can find something that already has the bones because where people get stuck all the time is you invest so much money into buildouts that you can never catch up. When we came to Miami, we were able to open, you know, there was so much opportunity. There was no one doing what we were doing. There was no great experiential fine dining. There was no real fine dining to begin with. And certainly there was also a culture there that the customers were ready for it, but there was no one there to train the staff. So everyone would come to me and say, you know, like how are you going to open all these restaurants in Miami? There's no the service there is horrible. And that's the first everyone would say that. And I was like, I don't think the service I think there's no one here teaching people how to do service, right? And that's what we found. You we had a lot of people that moved down from New York. I gave kind of a this, you know, town hall meeting where I invited any of our employees that were, you know, in New York furoughed or not working to come down to Miami and that I'd have a job for them there. We had a lot of our from, you know, from bus boys to seale executives move down to Miami. And uh they're all still there. They're all incredibly happy and they brought the New York sensibility. you know, we brought our training and have found incredible people in Miami. They just needed someone to teach them and, you know, that's how we were able to open. You know, we've opened seven, eight restaurants in the last few years in Miami and about, you know, 12 total in South Florida and a private club and we're about to finish our uh residential condo building. We take over the largest beach uh parcel in America. You know, the three acres on the beach on uh Miami Beach in Imagine the greatest uh beach club you've ever been to, right? Think European style beach clubs with the most incredible food. You know, our take on that. Again, going back to your kind of classic, you know, you've seen it before, but we're just going to do it a lot better. You know, on the kind of beach club and restaurant side, the site is huge. So, it will have it'll have an addition, you know, have another restaurant. It'll have private, you know, private rooms. It will have a spa. It will have incredible pools and beach. I mean, it's 3 acres on the beach. There's no property like that in America. So, it it'll be a a giant campus of kind of indulgence and fun and great food done in a way that in a level that has not been done before and with some, you know, lots of different you'll have your main kind of beach club restaurant, but you also have dinner restaurants. You'll have a Sadels's on the beach for breakfast. You'll have all these different um elements to it, which are are very exciting. But that so that's that's our next big project there. Thank you. Great to see you.

ザラズニック#117

ありがとう。会えてよかった。

---

EN

I don't think people understand these these products now you're essentially selling products, right? They can scale to insane like insanely large degree. right? So, you know, Carbone Sauce has become an enormous business for us, which is growing at a pace we never even expected, you know, and it's really put us at the top of kind of the premium sauce category. And it actually has worked incredibly harmoniously where even though that's a product that you sell that you buy in the uh store, you know, and costs less than $10, right? It's a little piece of what people see and aspire to, you know, at the restaurant. And they don't contradict each other, right? one is at the end of the day they're both standing for the same thing which is being the best expression of something that you're familiar with right when I say that I mean that you know car everyone's had jarred tomato sauce right whether it be ragu or whatever it might be we make the best one it's not going to be something you've never had before it's going to be the best version that's our entire thesis around restaurants right and food if you look at our menus it. Very rarely am I going to serve you something and it's the first time you've ever had these foods or this dish. Our goal is just to make you the best version that you've ever had, which is that again, that same philosophy goes throughout everything that we do. You know, whether it be how we build a building or how we make a jar of tomato sauce, all the same process. I recorded an episode for the show uh here in New York with James Dyson who's my personal hero just because I he's like a completely probably the most determined, stubborn like and determined person I've ever met or I've ever like read about. He like struggled basically a decade and a half and just failing after failing after failing. Did 500 5,127 prototypes before he got it right his vacuum cleaner. And that was his whole point. He's like I don't have to invent markets. I can just look at the market, find a product that can be improved and then just relentlessly re-engineer and optimize it. And the end result because he hasn't interrupted the compounding for 45 years. He owns 100% of his business. It's like one of the most valuable privately held businesses by a single person in the world. And it's literally just like that vacuum cleaner sucks. Everybody uses vacuum cleaners. I'll just make a better one. That aird dryer sucks. Yeah. It does it over and over again. It's almost like I think I said on that episode it's like he identified like your mediocrity is my opportunity. That's really the thing in in our belief about food and hospitality again. It's that everything has been done in one way or the other. Has it been done the right way is a better question, right? So there's always something to look at in our businesses and take something that generally people already like and make a much better version of it. Right? You use the vacuum cleaner like things that people already are eating. People are been eating spicy riatoni vodka, you know, with vodka sauce since way before you and I were born, right? But why does this one so much better than all the other ones? It's a very simple thing, but it's something that a lot of work and thought goes into. What did you do there? Yes. So the hotel group brought us that was building it brought us in to help with their they needed wanted our assistance with luxury execution. We own a piece of the brand. And we have restaurants and we have bars and we have all this stuff inside the hotel. But um but we really brought into design the experience and that was that was years ago. And then the I'd say the biggest step that we've recently taken in the last few years has been, you know, private members clubs. We started with Zezys in Miami where you and I had dinner. I appreciate that. And uh and then we opened a much bigger one here in New York. Um you know, which has two it's in the entrance to Hudson Yards. It's got two restaurants, three bar. It's a much longer. so private members clubs were always big in London right so even for you know for any of us that have traveled to London you know generally you know the majority of places you'd be going or being taken for business would be private members clubs right that was the culture in London everything was a private club that's what it was still is to some extent and so about let's say five, six, seven years ago, you know, forget about So House cuz that was always something a little different. I just like it cuz the food's great. I also like it's way quieter than I I definitely spend the most time there. I mean, in Miami, it's my de facto office. I love being there because it's got a it's got the, you know, I love the food and uh I think it's, you know, it's the best best environment for me to spend time in and be able to meet with people and and have the right people around me. As you move forward, are you going to try to expand the members club more than the the traditional restaurants for us is an ever growing thing, right? And without, you know, just based on things that come to us, you know, we don't we don't say, "Okay, we're going to open 10 restaurants this year." we we look at you know because of the nature of our business you know we we're generally dealing with so much incoming opportunity our general process is sorting through you know what could be interesting and what's not interesting at all. And Miami was was one of the great surprises of my life, you know, in the sense that, you know, I ended up there the day before, you know, CO began. Ended up getting kind of stuck there. What I started to realize, you know, as a New Yorker, when you would historically have gone to Miami, you know, you'd go for like the weekend with your family or you'd go for a night to party and come back. You know what I mean? Like it was really a place that you'd go for a couple nights and then, you know, go have a good time, come back. And what I realized after living there for, you know, the kind of first 6 months that I was there was not only is this an incredible place to live just in general, you know what I mean? Like the entire place is a very special place. That's not at all what you experience when you come in for your quick like come to our Basel party for 3 days or come to, you know, this kind, you know, thing to hang out for a couple days. It's it's this incredible place with incredible people and also with what you saw that happened during that time with this incredible drive that was not related to, you know, party affiliation or anything political. You know, there was a drive where there was a drive between all the people that I would meet in Miami as the momentum towards Miami started to make Miami the best city in the world. And nothing, no matter who you were, right, which I had never experienced because there's so much push back on one side or the other, right, in New York about everything, right? Everyone's got if you got a good idea, someone's got a reason why you shouldn't build that. You know, there's always a there's always a a push and pull on everything, and it's very hard to make a lot of a lot of progress quickly on things, whether it's following plans to get a restaurant done or building an entire neighborhood. Whatever it is, or moving a tree, you know, try to move a tree in New York, your grandchildren will still be trying to move the tree. You wanted to move a tree in Miami, they move it the next day. If you're doing something great, they were running. And that's why Miami exploded the way it did is that of course it came from the leadership that was there. But what was amazing to me was that the entire city, everyone you'd meet, right, was all everyone would work. It was working towards the same goal, which was basically like, we've been waiting. We have the best city in America, right? You know what I mean? We've been waiting for people like you to show up and do your thing here. we we're ready for more sophisticated products. We're ready to not only have restaurants that are in nightclubs, we're ready for all this stuff to happen. And so I felt that in such a positive, amazing. Not that many, right? You know what I mean? There was only a few places that people went. So within within a few months, you know, I basically said um you know, I called my partners and then we I said, "Listen, I'm going to the opportunity here is the biggest I've ever seen." You know, on top of that, it was in the middle and it was New Year's Eve every single night. So every single night I didn't have a restaurant open. I was like, "How do I not have a restaurant?" Cuz because everyone was there out every night. It was the only place that was open. So I very quickly, you know, found a space. I turned around the the carbone on Colin Street in in 100 days from taking the lease. Got it open. Yes. 100 days from the day I signed the lease to the day we opened and uh which was a you know, one of the great restaurant feats of all time. Yeah. And so I mean that's an amazing story. I mean, I basically found a restaurant that had closed down during CO cuz they were afraid about what was going to happen. It was sitting there relatively new and, you know, relatively unknown, you know, in the sense that I knew that I could come in. It was in a perfect location. Everyone says, "How did you find this location?" And I say, "Well, a 100 yards in each direction exactly basically from this restaurant are two of the highest grossing restaurants in America. Joe Stone Crab and Prime 112 since I've been a kid." Okay, these are two of the highest grossing restaurants in America. Every time that list comes out, here are two of them. We're directly in between the two of them. That's all the math I'm doing. They're like, "Oh, what about the fan across the street?" I'm like, "I don't care about the thing across the street. you got the two highest grossing restaurants in America on either side of me. How bad can this be? You know what I mean? Like this is going to of course it's going to be a great location. So I basically told them you can change any I knew they couldn't do that much in that amount of time, right? So I was able to say things I don't normally say is I I like you know had like an oceans 11 style. I flew, everyone was all over the country and we flew them in from all over the, you know, all my guys, all my guys that, you know, my, you know, we all flew in, everyone flew in to meet me. Mario came down and he ended up moving down there as well. And basically, I said, "You guys can do whatever you want here." And I had my designer there. He flew in from San Francisco, Ken Folk. And I said, "Here's the thing. You can spend as much money as you absolutely want, but there's two conditions. Nothing can be moved. So, if there's a light, it can be a different light, but it has to stay there. If there's an outlet, there's an outlet, it has stay there. The kitchen does not change. Right? The bar that's there, you can do whatever you want to it, but it cannot move. Nothing can move. Bathrooms there cannot move. Do whatever you want inside. But here's the other catch. You have 90 days to do it. So go feel free. It's the middle of COVID to spend as much as you can possibly spend to make this look and feel like the most incredible car bone in the world, but you cannot move a single thing cuz I know from doing this many many times once you that that's what takes forever, right? You know, it doesn't take that forever to put up new curtains and paint and other and make it sound. But Ken and our team did an incredible job. It was ready in 90 days. We didn't move a thing and uh it was a brand new restaurant um that opened and we we didn't even change the floor plan. The floor plan was the same as the restaurant before it. And that restaurant with the same floor plan was doing about, you know, call it $7 million in revenue. And when we opened Carbone with the same exact seats, right? You know what I mean? What are you gonna build there? Jeeoff, this has been awesome. way before I've gotten to know you, which has been an absolute pleasure. Uh, you've made my favorite products in terms of the restaurant space. And now that the more time I spend talking to you, the more it makes sense that it all flows from this obsession and this desire you had to just be really truly excellent at uh what you do. So, I really appreciate you taking the time. This is awesome, man. I hope you enjoyed this episode. Please remember to subscribe wherever you're listening and leave a review. And make sure you listen to my other podcast, Founders. For almost a decade, I've obsessively read over 400 biographies of history's greatest entrepreneurs, searching for ideas that you can use in your work. Most of the guests you hear on this show first found me through Founders.

FAQ

なぜ英語が「自動字幕ベース」なの? 公式の文字起こしは?

このページの英語は、YouTube が生成した automatic captions(ASR=音声認識) を yt-dlp で取得したものです。人手で整えた公式トランスクリプトではありません。 公式サイト(davidsenra.com)にはエピソード要約はありますが、取得時点では全文の公式文字起こしは公開されていませんでした。 参照: https://www.davidsenra.com

自動字幕の精度はどれくらい? どこが壊れやすい?

一般に YouTube 自動字幕の精度は条件で大きく変わります。 - 古めの報告では英語でも おおよそ60–70% と言われることも多い - 2020年代の測定では、条件が良いと 85–95% 前後まで上がる例もある - それでも アクセセント・早口・専門用語・固有名詞・複数話者 で一気に落ちる このエピソードはインタビュー(2人会話)で比較的クリアですが、建築家名・レストラン名・シェフ名が多いので、名前の誤変換が起きやすいタイプの音声です。

この記事の英語で実際に見つかった誤変換は?

自動字幕原文に出てきた典型例です(日本語本文側では多くを修正済み)。

| 字幕に出た表記 | おそらく正しい表記 | |---|---| | serum family / serum building | Seagram family / Seagram Building(シーグラム) | | Mi Vandereo / Mis Vandereo | Mies van der Rohe(ミース・ファン・デル・ローエ) | | Joe Bound | Joe Baum(ジョー・バウム) | | AB Rosen | Aby Rosen(アビー・ローゼン) | | Marriott / Mar / Rich and Mar | Mario(Carbone)/Rich(Torrisi) | | Delosto / Delposto / Del Post | Del Posto | | Maro Batitali | Mario Batali | | Joe Bastionic | Joe Bastianich | | Dime Private | Dine Private | | Theresi | Torrisi | | Jeff Salazing | Jeff Zalaznick | | fraud diavala | fra diavolo | | ricotta salada | ricotta salata | | a cherry / Aia | a piacere(ア・ピアチェーレ) | | riatoni vodka | rigatoni vodka | | Zezys / Zezy's | ZZ's | | So House | Soho House | | Sadels's | Sadelle's | | Ken Folk | Ken Fulk | | Colin Street | Collins Avenue | | Molinos / Scalatella / Rayos | Il Mulino / Scalinatella / Rao's(文脈上の推測) | | Nou | Nobu(文脈上の推測) | | 0ero to1 | Zero to One | | deal.com / deal | Deel | | Apploven / AppLin | AppLovin | | do soul / do so | Dover sole(文脈上の推測) |

つまり英語欄は「音声の生ログ」に近く、学習用の対照テキストとしては有用でも、引用の一次ソースとしては動画そのものを優先してください。

日本語と英語は1対1で完全対応している?

完全対応ではありません。 - 日本語は読みやすさのため発言をまとめ・整文している - 英語は自動字幕の切れ目が多く、発言数が日本語より細かい/混線することもある - ページでは話者(センラ/ザラズニック)を手がかりに、順番で英語を紐づけている そのため「この日本語のこの1文 = この英語のこの1文」とは限らず、だいたい同じ話題の塊として読むのが正しい使い方です。

上部トグル(英語原文 / 少し大きく)は何のため?

- 英語原文 ON/OFF … まず日本語だけ読みたい人向け。英語は約9.5pxの補助情報 - 英語を少し大きく … 約11px前後。対照しながら精読したいとき用 英語をメインにすると誤変換に引きずられやすいので、デフォルトは「日本語メイン・英語は極小」にしています。

B. 人物・会社・店・固有名詞

Jeff Zalaznick / Major Food Group とは?

Jeff Zalaznick(ジェフ・ザラズニック)Major Food Group(メジャー・フード・グループ) の共同創業者の一人。パートナーは Mario Carbone(マリオ・カルボネ)Rich Torrisi(リッチ・トリッシ)。Carbone、Torrisi、Parm、The Grill / The Pool(旧フォー・シーズンズ・レストラン)、ZZ's、Lobster Club などを手がける。本エピソード時点ではレストランに加え、プライベート・メンバーズクラブ、ホテル、ブランデッド・レジデンシャル、調味料ブランドなどへ垂直統合を進めている、と本人が語る。

Carbone とは?

2013年オープンのイタリアン・アメリカン高級店。グループを「大きな地図」に載せた最初の大成功。メニューの豊かさ(当時マンハッタン最大級規模と本人談)、a piacere(何でも好きに)、体験型ファインダイニング、トンプソン・ストリートの旧 Rocco の建物と二層のネオンサインが有名。世界各地に展開。

The Pool / The Grill / フォー・シーズンズ・レストラン

1959年、Seagram Building 内にオープンした伝説的レストラン(ホテルチェーンのフォー・シーズンズとは無関係)。設計に ミース・ファン・デル・ローエフィリップ・ジョンソン。プール・ルームとグリル・ルーム。パワーランチの象徴。後年オペレーター交代の後、Aby Rosen 所有下で Major Food Group が引き継ぎ、約4000万ドル超で復元(本人談)。The Grill / The Pool / Lobster Club として再起動。

Joe Baum / Joe Bastianich

- Joe Baum(ジョー・バウム): オリジナル・フォー・シーズンズ等を手がけた、20世紀半ばの伝説的レストランール。ザラズニックが研究対象として挙げる。 - Joe Bastianich(ジョー・バスティアニッチ): マリオ・バタリと組んだ有名レストランール。Del Posto 等。ザラズニックが Dine Private でパートナーになり、現場を学んだ相手。

Aby Rosen

不動産・アート収集家。Seagram Building 等を所有。旧フォー・シーズンズ・レストランのオペレーター交代で RFP を個人主導し、Major Food Group を選んだ、とエピソードで語られる。

ZZ's(Zezys と字幕に出るもの)

プライベート・メンバーズクラブ。マイアミから始まり、ニューヨーク(ハドソン・ヤーズ入口)にも大型店。食と飲料を最優先にし、カリナリー・コンシェルジュ(事前注文で特別メニューを組む)を置いている、と説明。

Always Hungry / Dine Private

ザラズニックがレストラン業に入る前のウェブ事業。Always Hungry はレストラン向けコンテンツ/レコメンド。Dine Private はプライベートダイニング室のオンライン予約的な構想で Joe Bastianich と共同。両方を売却してから本業のレストランへ。

C. 考え方案・用語の意味

「77店中76店が営業・黒字」

オープニングの衝撃数字。スタートアップの「開いてすぐ閉じる」世界と対比される。戻ってくる客・物語・食の品質が長期存続の鍵、という後半の議論につながる。

レストランが「物語を語る」

映画作りの比喩。メニュー・制服・音楽・アート・椅子(ミースの再現)まで一貫したナラティブ。潜在的な効果も含め、体験全体を設計する。

「一度来る」より「戻るか」

新規オープンは誰でも一度は埋まる。測るべきはリピート。帰り際の次回予約が理想指標、という実務的定義。

ランチを開けない決断(The Grill)

60年パワーランチの制度を、あえてディナー先としてリブランディング。ランチは酒が売れず儲からない、というビジネス論。反直感的な提案が RFP で効いた、と本人。

シェフを「雇う」のではなく「パートナーにする」

レストランール vs シェフの古典的対立を避ける。同じ野心と最高の食を作れる人と組む。Carbone の起源は Torrisi のパスでの出会いと、ジェーン・ホテルでの徹夜のロードマップ共有。

イタリアン・アメリカンの「最良バージョン」

Il Mulino / Rao's 等の体験は愛するが食材・火入れが弱い——そこにフランス高級料理級の敬意を当てる。ダイソン的「既存カテゴリの徹底改善」。トマトソース事業も同じテーゼ。

Rocco サインとネオン破壊

旧店のネオンをリースで残そうとしたら1万ドル要求。退去者がネオンを割った「仕返し」が、結果的に Rocco の上に Carbone ネオンを重ねるアイコニック・サインを生んだ、という創業神話。

体験型ファインダイニング(experiential fine dining)

厳格なテイスティングメニュー一択への反動。豊饒・選択・おもてなし・物語性。いま業界で多用される言葉の源流のひとつとして本人が位置づける。

プライベート・メンバーズクラブのウィンウィン

- ビジネス: サブスク収益・視認性・天候等の変数低減 - 客: 好みを事前把握した高パーソナライズ・静けさ・特別な食 ロンドン文化の輸入+「クラブの食は美味しくない」をひっくり返すのが MFG 流。

マイアミ100日オープン / 年商3000万ドル

COVID 期、Collins Avenue(South of Fifth)でリースから100日で Carbone をオープン(本人談)。骨組みを動かさず内装だけ。近隣に Joe's Stone Crab と Prime 112。同じフロアプランで前店約700万→Carbone 3000万ドル超(本人談)。数字は口頭ベース。

「自分たちが行きたい場所だけ作る」

全コンセプトの選別基準。垂直統合(クラブ・ホテル・レジデンス・ソース)も同じホスピタリティ哲学の拡張——3時間の食事だけでなく24時間の世話。

信念は能力の前に来る

センラの整理。証拠を集めてから自信、ではなく、若くして「支配できる」と先に信じ、船を焼いて入る。ラリー・バードのルーキーキャンプ比喩と同型。

D. このHTMLの使い方・CRIT

CRIT で質問するには?

見た目用は HTML preview、行コメント向きは article-bilingual.md です。 - わかりにくい段落を選んでコメント/質問 - エージェントが返信できる 「この用語がわからない」「英語と日本語が食い違って見える」なども歓迎です。

引用や学習に使うときの注意は?

一次情報は動画(YouTube / 公式エピソードページ)です。このHTMLは学習用の再構成です。 - 固有名詞・数字は話者の口頭ベース - 英語欄は自動字幕由来の誤変換を含む - 日本語は整文・意訳を含む(逐語ではない) 公の場で引用するなら、可能ならタイムスタンプ付きで動画を当たってください。